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Mic Check : Finding Hip Hop's Place In The Literary Milieu, Victorio Reyes Aug 2021

Mic Check : Finding Hip Hop's Place In The Literary Milieu, Victorio Reyes

Legacy Theses & Dissertations (2009 - 2024)

The study of Hip Hop poetics has been slowly gaining momentum as an area for scholarly inquiry. Accordingly, Mic Check rests on one critical assumption: Hip Hop is the most significant American form of poetry ever invented. To back up this claim, this project investigates Hip Hop lyricism from five critical angles: tradition, form, tone, medium, and practice. I argue that music’s foundational position in African American literature clarifies Hip Hop’s experiments with language, which operate within and extend an ongoing, centuries-old tradition of linguistic, rhythmic, and poetic experimentation. Comprehension of the longstanding literary/oral territory from which Hip Hop is …


'Odd Secrets Of The Line': Emily Dickinson And The Uses Of Folk, Wendy Tronrud Jun 2020

'Odd Secrets Of The Line': Emily Dickinson And The Uses Of Folk, Wendy Tronrud

Dissertations, Theses, and Capstone Projects

Emily Dickinson and her poetry have famously been used as a defining example of American lyric poetry. The traditional scholarly perspective maintains that the lyric poem and its speaker exist in isolation and at a remove from social and political contexts. Recent scholarship on American poetry of the long nineteenth century, however, has taken a more historical and cultural turn, reconsidering how poetic and vernacular forms and genres circulated both privately and publicly. “Odd Secrets of the Line”: Emily Dickinson and the Uses of Folk joins this conversation by theorizing how Dickinson’s poetry, written during the 1859-1865 period, registers the …


The Strains Of Confessional Poetry: The Burdens, Blunders, And Blights Of Self-Disclosure, Lara Rossana Rodriguez Sep 2016

The Strains Of Confessional Poetry: The Burdens, Blunders, And Blights Of Self-Disclosure, Lara Rossana Rodriguez

Dissertations, Theses, and Capstone Projects

When a provocative style of autobiographical verse had emerged in postwar America, literary critics christened the new genre “confessional poetry.” Confessional poets of the 1960s and ’70s are often characterized by scholars of contemporary poetry as a cohort of writers who, unlike previous generations before them, dared to explore in their work the personal and inherited traumas of mental illness, family suicides, failed marriages, and crushing addictions. As a result, the body of work these writers produced is often experienced as a collection of stylized, literary self-portraits. What can these self-portraits reveal to us about the connection between confessional poetry …