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Race, Ethnicity and Post-Colonial Studies

Theses/Dissertations

Black bodies

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Full-Text Articles in English Language and Literature

“People Like They Historical Shit In A Certain Way”: The Civil War Plays Of Suzan-Lori Parks, Or Commercialized Memory And Black Lives, Brandon Eric Fisher May 2022

“People Like They Historical Shit In A Certain Way”: The Civil War Plays Of Suzan-Lori Parks, Or Commercialized Memory And Black Lives, Brandon Eric Fisher

All Theses

Suzan-Lori Parks has explored the relationship between Blackness, slavery, and capitalism throughout her career. I argue that Parks’s three works—The America Play (1995), Topdog/Underdog (2001), and Father Comes Home from the Wars (2015)—should receive critical attention as her Civil War plays. By this phrase, I mean that Parks embeds her critiques of racial capitalism in historical narratives about America’s bloodiest conflict. In these three plays, she takes up several white supremacist Civil War tropes—tropes like what scholar Cody Marrs calls the “Father Abraham” story and the “Agrarian Imagination” myth—and criticizes them as narratives that deny African American history. To …

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Get Out (2017), Us (2019), And Jordan Peele's New Black Body Horror, Brady Simenson Jan 2020

Get Out (2017), Us (2019), And Jordan Peele's New Black Body Horror, Brady Simenson

Graduate Research Theses & Dissertations

This thesis provides an analysis of Jordan Peele’s films, Get Out (2017) and Us (2019). The thesis contextualizes Get Out and Us as part of a protracted cultural conversation regarding monstrous images of the cinematic black body that began with Hollywood’s early monster films and continued into the culturally subversive era of blaxploitation horror films. While blaxploitation cinema reclaimed images of the racial Other that had been represented in the early creature feature subgenre, no such notable movement has subverted the more recent body horror subgenre. Jordan Peele’s Get Out and Us shift this subgenre toward racially inverted body horror. …

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