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Race, Ethnicity and Post-Colonial Studies

FIU Electronic Theses and Dissertations

Deconstruction

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Full-Text Articles in English Language and Literature

What's Past Is Prologue: Transforming Trauma, Rewriting Identity In Gloria Anzaldua's "Borderlands/La Frontera" And "Light In The Dark/Luz En Lo Oscuro", Richard Edward Riley Mar 2020

What's Past Is Prologue: Transforming Trauma, Rewriting Identity In Gloria Anzaldua's "Borderlands/La Frontera" And "Light In The Dark/Luz En Lo Oscuro", Richard Edward Riley

FIU Electronic Theses and Dissertations

Gloria Anzaldua’s Borderlands/La Frontera and Light in the Dark/Luz en lo Oscuro are widely acknowldged as groundbreaking texts across Latinx literary canons, invoking selfhood, spirituality, activism, and politics as a queer woman of color writer.

Her language around self-dispersion is still undertheorized in what it owes to traumatic experiences discoverable in the self, body, world, and culture Anzaldua hails from. The extent of colonizing and kyriarchal damage in her work has been recognized; but the exact character of how these breakages and corresponding imperatives to regenerate oneself resemble a traumatic shock remains to be written about.

This thesis sketches frameworks …


Listening/Reading For Disremembered Voices: Additive Archival Representation And The Zong Massacre Of 1781, Jorge E. Cartaya Mar 2017

Listening/Reading For Disremembered Voices: Additive Archival Representation And The Zong Massacre Of 1781, Jorge E. Cartaya

FIU Electronic Theses and Dissertations

This thesis grapples with questions surrounding representation, mourning, and responsibility in relation to two literary representations of the ZONG massacre of 1781. These texts are M. NourbeSe Philip’s ZONG! and Fred D’Aguiar’s FEEDING THE GHOSTS. The only extant archival document—a record of the insurance dispute which ensued as a consequence of the massacre—does not represent the drowned as victims, nor can it represent the magnitude of the atrocity. As such, this thesis posits that the archival gaps or silences from which the captives’ voices are missing become spaces of possibility for additive representation. This thesis also examines the role voice …