English Language and Literature Commons^™

Lyrical Rapturing In Danticat’S Work: Transcending Haitian Cultural Silence Through Narrative, Johanna M. Piard

FIU Electronic Theses and Dissertations

Edwidge Danticat’s work has been praised for the visceral, deeply personal ways she writes violence, suffering, death, and loss, leading scholars to theorize that dehumanization is a central motif in the Haitian and Haitian diasporic experience. This causes Haiti to be generally considered, as Jerry Philogene describes, “a socially dead space”. Danticat ventures into this “socially dead space” in her recent memoirs, reflecting on the traumatic experiences of her two paternal figures, her father and Uncle Joseph, her complex feelings around her mother’s death, and the value of Haitian art in the aftermath of the 2010 earthquake. Danticat creates a …

What's Past Is Prologue: Transforming Trauma, Rewriting Identity In Gloria Anzaldua's "Borderlands/La Frontera" And "Light In The Dark/Luz En Lo Oscuro", Richard Edward Riley

FIU Electronic Theses and Dissertations

Gloria Anzaldua’s Borderlands/La Frontera and Light in the Dark/Luz en lo Oscuro are widely acknowldged as groundbreaking texts across Latinx literary canons, invoking selfhood, spirituality, activism, and politics as a queer woman of color writer.

Her language around self-dispersion is still undertheorized in what it owes to traumatic experiences discoverable in the self, body, world, and culture Anzaldua hails from. The extent of colonizing and kyriarchal damage in her work has been recognized; but the exact character of how these breakages and corresponding imperatives to regenerate oneself resemble a traumatic shock remains to be written about.

This thesis sketches frameworks …