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"The Bride Of His Country": Love, Marriage, And The Imperialist Paradox In The Indian Fiction Of Sara Jeannette Duncan And Rudyard Kipling, Teresa Hubel

Teresa Hubel

Introduction:

For many literary scholars and general readers, the expression 'Kipling's India' neatly delineates the imperialist society that existed on the Indian subcontinent in the late nineteenth century. The phrase, however, is deceptive in its simplicity. It does not reveal, or even imply, the internal workings behind what is certainly a vast imaginative construct, a construct that involves a specific political ideology, various cultural myths, and an extraordinary emotional investment. In the words of one critic, Kipling was "a mythmaker for a culture under protracted stress" (Wurgaft xx). He voiced the bewilderment and memorialized the tragic — and sometimes pathetic …

A Brown Skin Writer As An Imperialistic Native Informer: Remembering The Homeland In Reading Lolita In Tehran, Esmaeil Zeiny

Esmaeil Zeiny

Largely neglected throughout the 1980s and 1990s, in the post-revolution period, Iranian immigrant women writers have become important to a growing Western readership. One of the most striking features of this emerging literature is its obsession with the personal and collective past, which has translated into the dominance of the memoir as a genre. For the last few decades, these women in exile have been creating a literature engaged with what have become the most suitable topics of the day: immigration, exile, religious fundamentalism and women‟s right (Darznik, 2008). Through memoirs, they were able to voice their political and ideological …