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Full-Text Articles in English Language and Literature

Re-Inventing Sicily In Italian-American Writing And Film, Fred L. Gardaphé Oct 2003

Re-Inventing Sicily In Italian-American Writing And Film, Fred L. Gardaphé

Publications and Research

No abstract provided.


Painting, Photography And Fidelity In The Tragic Muse, Adam Sonstegard Oct 2003

Painting, Photography And Fidelity In The Tragic Muse, Adam Sonstegard

English Faculty Publications

Photographs can approach the elegance of paintings, but reproductions can show the distortion of photographs - so The Tragic Muse (1890) suggests, complicating critical understandings of James and visual art. Dramatizing artists' fidelity, James resists assuming that families, races, and genders provide similar options. Fidelity in art can mean 'infidelity' in life, lead to 'adulterated' reproductions, and impugn understandings of inherited and performed identities - concerns which resurface in The American Scene (1907) when James contemplates immigrant populations and in A Small Boy and Others (1913) when a family daguerreotype becomes evidence of his own fidelity.


Pynchon's Age Of Reason: Mason & Dixon And America's Rise Of Rational Discourse, Jason Mcentee Sep 2003

Pynchon's Age Of Reason: Mason & Dixon And America's Rise Of Rational Discourse, Jason Mcentee

English Faculty Publications

By drawing upon astronomer Charles Mason and surveyor Jeremiah Dixon for the unlikely protagonists of Mason & Dixon (1997), Thomas Pynchon develops a revisionist history of these two Englishmen as they come to terms with America in the so-called Age of Reason, which was informed by a European philosophical movement with its roots in rational discourse aimed at cultural and political intellect that eventually served as the foundation for American independence and democracy. But as Thomas Paine suggests, time wields a stronger power than does reason, and what history calls the Age of Reason may remind one of an ideal …


Stephen King, Kathleen A. Heininge Jan 2003

Stephen King, Kathleen A. Heininge

Faculty Publications - Department of English

Stephen King, popularly known as “The King of Horror,” is one of the more prolific and successful writers of the twentieth century. Despite a reputation for writing only horror and gore, however, King has written works that do not qualify as either horror or supernatural but rather are thoughtful, intricate slices of human experience that often cause us to reflect on our own childhoods, not always with fond nostalgia. He encourages his readers to get in touch with their own memories of what being a child really means, and innocence has little to do with King's version of childhood. Believing …