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English Language and Literature Commons™
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Full-Text Articles in English Language and Literature
Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova
Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova
Dissertations, Theses, and Capstone Projects
This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …
Intimate Fictions: The Rhetorical Strategies Of Obscene Violence In Four Novels, Steven Monk
Intimate Fictions: The Rhetorical Strategies Of Obscene Violence In Four Novels, Steven Monk
LSU Doctoral Dissertations
Richard Wright, Marlon James, Cormac McCarthy and Ken Levine are each celebrated in their respective fields but notorious for their obscene depictions of violence. Contrary to trauma theorists’ claims that violence shatters language and cannot be spoken, these writers speak violence in its most disturbing forms: torn eyeballs, dead infants, forced fecal consumption and mechanized rape. I argue that obscene violence, much like obscene language, creates a space of intimacy in which transgressive, subversive and oppositional thoughts may be spoken. By alienating their texts from the larger reading public, these writers entice a smaller group of sympathetic readers to develop …
Sleight Of Hand: Gender, Performance, And (In)Sincerity In E. D. E. N. Southworth’S The Hidden Hand, Samantha Martin
Sleight Of Hand: Gender, Performance, And (In)Sincerity In E. D. E. N. Southworth’S The Hidden Hand, Samantha Martin
Scripps Senior Theses
One of the many cultural anxieties that existed during the nineteenth century in antebellum America centered on the dubious status of authenticity of one’s emotions, gender expression, or socioeconomic class. The fluctuating socioeconomic landscape of antebellum America destabilized the logic of categorization, rendering it an ineffectual means by which to evaluate others’ identities. In her novel The Hidden Hand, or, Capitola the Madcap, E. D. E. N. Southworth explores instead of censures the transformative properties of the self, specifically in terms of gender and class. Her interest in this lack of authenticity, or transparency regarding one’s self and intentions, …