English Language and Literature Commons^™

“Before I Am Quite Forgot": Women’S Critical Literary Biography And The Future, Susan Carlile

ABO: Interactive Journal for Women in the Arts, 1640-1830

“‘Before I am Quite Forgot’: Women’s Critical Literary Biography and the Future” extends the conversation about literary “worth” in the twenty-first century as it still judges and ignores women authors of the past. Specifically, this essay explores the role of women’s literary historical biography as a primary marker of worth and as a means of shaping legacy. I also discuss my (perhaps more non-traditional) experience—both my personal circumstances and particular material conditions—writing the critical biography Charlotte Lennox: An Independent Mind. Without a substantial biography that shows the scope of Lennox’s mind, her significant corpus, and her interventions in literary history …

Summary Remarks On Conversations About “Researching, Reading And Writing During The Pandemic”, Kate Ozment, Mona Narain

ABO: Interactive Journal for Women in the Arts, 1640-1830

Summary remarks on the Spring 2021 issue that includes Conversation essays by participants in the ABO summer 2020 writing camp #WriteWithAphra. The participants describe their experience of reading, researching, and writing during the pandemic.

Finding Aid To The Collection Of John Lane Materials, John Lane, Colby College Special Collections

Finding Aids

John Lane (1854-1925) was a British publisher who was co-founder of The Bodley Head, initially specializing in antiquarian books. As a publisher Lane became noted for printing provocative and controversial works. Some of his publications were "The Yellow Book" and the famous "Keynotes" series, with covers by Aubrey Beardsley. Lane was married to the author Annie Philippine King and subsequently published several of her works. Lane's nephew Allen Lane founded Penguin Books in 1935. The Collection contains correspondence to other British literary figures, two publisher statements to Violet Paget, and a published article on Anatole France's visit to England.

Review Of Kerri Andrews, Ann Yearsley And Hannah More, Patronage And Poetry, Catherine Keohane

ABO: Interactive Journal for Women in the Arts, 1640-1830

Review of Ann Yearsley and Hannah More, Patronage and Poetry by Kerri Andrews.

Pirates Of Romanticism: Intellectual Property Ideology And The Birth Of British Romanticism, Jason Isaac Kolkey

Dissertations

This dissertation traces the role of unauthorized publication in the posthumous construction of British Romanticism as a literary movement. It argues that Romantic ideology emerged from conflicting claims about the nature of intellectual property and the circulation of political and artistic ideas, apparent in the texts and paratexts of pirated books. I examine how these disputes play out in reprints of the works by Percy Bysshe Shelley and Robert Southey that became cornerstones of radical culture. The dissertation goes on to discuss how the underground economy of literary piracy affected Sir Walter Scott and Lord Byron's publication strategies, the significance …

Frances Burney’S Cecilia: A Publishing History, By Catherine M. Parisian, Lee Kahan

ABO: Interactive Journal for Women in the Arts, 1640-1830

No abstract provided.

How (Not) To Sell A Military Memoir In The Uk, Esmeralda Kleinreesink, Rachel Woodward, Neil Jenkings

Esmeralda Kleinreesink

An Author And A Bookshop: Publishing Marlowe’S Remains At The Black Bear, Andras Kisery

Publications and Research

Bookshops and the spaces occupied by the early modern book trade have received attention as social environments. This study of the early publication history of Christopher Marlowe's poems -- Hero and Leander, his translation of Lucan, as well as the lyric now known as "The Passionate Shepherd to his Love" -- shows that, the bookshops may also turn out to be agents shaping the fate of books, authors, and literary afterlives. Shifting our emphasis from the individual bookseller to the networks of a plurality of human agents and environments allows us to consider the intersections of various commercial and …

"Lost Books" And Publishing History: Two Annotated Lists Of Imprints For The Fiction Titles Listed In The Circulating Library Catalogs Of Thomas Lowndes (1766) And M. Heavisides (1790), Of Which No Known Copies Survive, Edward Jacobs, Antonia Forster

English Faculty Publications

Almost immediately upon the British Library's publication of The Eighteenth Century Short Title Catalogue on CD-ROM (hereafter ESTC), there emerged criticism and controversy respecting the design and execution of that monumental bibliography, and of its access software. However, amidst these discussions and those surrounding the on line version, little notice has been taken of the historical inaccuracies inevitably entailed by the fact that ESTC and other union-catalog-type bibliographies only include books of which copies have survived. Certainly, for most scholars it makes sense to give bibliographical priority to cataloging books of which we still have copies, since those are the …

A Previously Unremarked Circulating Library: John Roson And The Role Of Circulating-Library Proprietors As Publishers In Eighteenth-Century Britain, Edward Jacobs

English Faculty Publications

The entry in The Eighteenth-Century Short Title Catalogue on CD ROM2 for The History of Miss Dorinda Catsby and Miss Emilia Faulkner (London: printed and sold by S. Bladon, 1772) notes that it contains between volumes one and two an advertisement for the catalog of John Roson's circulating library. However, Roson's library is not included in the lists of known English circulating libraries compiled by Hilda Hamlyn and by Paul Kaufman, and evidently no actual copy of a Roson catalog has survived. Still, merely the advertisement for this catalog tells us much about Roson's library business, and the discovery that …