Open Access. Powered by Scholars. Published by Universities.®
English Language and Literature Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Publication
- Publication Type
Articles 1 - 7 of 7
Full-Text Articles in English Language and Literature
Where Are The Women?: An Ecofeminist Reading Of William Golding’S Lord Of The Flies, Hawk Chang
Where Are The Women?: An Ecofeminist Reading Of William Golding’S Lord Of The Flies, Hawk Chang
CLCWeb: Comparative Literature and Culture
The absence of female characters and their voices in William Golding’s Lord of the Flies (1954) has been previously examined. On the surface, this fiction focuses on the struggle and survival of a group of boys who are left alone on a Pacific island against the background of nuclear warfare. The only presence of women in the story seems to be the aunt via a boy’s narration. However, when approaching the fiction through the lens of ecofeminism, we can find a range of feminized entities which are metaphorically embodied in the natural surroundings of the secluded island. The boys’ interactions …
Review Of Eighteenth-Century Women’S Writing And The Methodist Media Revolution, By Andrew O. Winckles, Rebecca Nesvet
Review Of Eighteenth-Century Women’S Writing And The Methodist Media Revolution, By Andrew O. Winckles, Rebecca Nesvet
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
From Governess To Wife: How Women On The Fringe Of Society Upset And Restore Victorian Homes, Elsa C. Torgersen
From Governess To Wife: How Women On The Fringe Of Society Upset And Restore Victorian Homes, Elsa C. Torgersen
All Graduate Plan B and other Reports, Spring 1920 to Spring 2023
In middle-class Victorian homes, wives were responsible for the care of the home, the raising of children, and the maintenance and upward mobility of her family’s social standing. She was the heart of the home and her purity and commitment to the home would not only affect her family, but also society. Yet the women who were qualified according to societal standards were a small group, carefully chosen to maintain the standards of society. In the novels Bleak House and Jane Eyre, the authors push back against strict societal expectations. They ask the audience to consider if women should …
"What Camelot Means": Women And Lgbtq+ Authors Paving The Way For A More Inclusive Arthuriana Through Young Adult Literature, Jeddie Mae Bristow
"What Camelot Means": Women And Lgbtq+ Authors Paving The Way For A More Inclusive Arthuriana Through Young Adult Literature, Jeddie Mae Bristow
MSU Graduate Theses
Arthurian literature has long been regarded as the domain of “dead white men,” dominated by Thomas Malory and Lord Alfred Tennyson. However, since medieval times, women have also been producing Arthurian literature that not only treats the women characters of the story more equitably, but makes social commentary on how the marginalized of their societies are treated. More recently, women and LGBTQ+ authors (basically, authors who are not cisgender white men) have answered the call for more diverse Young Adult literature with an Arthuriana that has a place for all, both creating a more diverse and equitable Camelot and giving …
Feminine Agency In Shakespeare's The Merchant Of Venice And Antony And Cleopatra, Grace Gronowski
Feminine Agency In Shakespeare's The Merchant Of Venice And Antony And Cleopatra, Grace Gronowski
Conspectus Borealis
No abstract provided.
A Changing Narrative For Englishwomen's Authorship During The Early Modern Period, Erin Kruger
A Changing Narrative For Englishwomen's Authorship During The Early Modern Period, Erin Kruger
Honors Theses
This thesis is a look into women’s authorship in the English Early Modern period, specifically looking at the time period from 1543 until 1621. The main writers of focus are Catherine Parr, Mary Sidney, Lady Mary Wroth, and Aemilia Lanyer, with supplemental texts from the period used to frame the thesis argument. Modern research on this era is also used to supplement the work. Over the course of the period, the innovation of women’s authorship led to two primary changes in the nature of women’s authorship: more inclusive women’s authorship and the expansion of topics that women wrote on. These …
How She Haunts: Missed Endings, The Fragmentary, And The Female Figure In British Romanticism, Jane Clare Bolin
How She Haunts: Missed Endings, The Fragmentary, And The Female Figure In British Romanticism, Jane Clare Bolin
Dissertations, Theses, and Capstone Projects
In this dissertation I discuss a relatively small grouping of fragmentary texts by Coleridge (Sibylline Leaves, “The Three Graves,” “Christabel,” and “Kubla Khan”), De Quincey (Suspiria de Profundis), and Keats (“La Belle Dame Sans Merci” and Lamia). In critical discussions of the Romantic fragment, it is most often referred to as incomplete, lacking closure, and unintentionally so. The fragments I have chosen to include transcend such a reading of lack and embrace a perpetuation of possibility. My claim is not that these are exemplary British Romantic fragments but rather that they lend themselves to a …