English Language and Literature Commons^™

Grasses, Groves, And Gardens: Aphra Behn Goes Green, Heidi Laudien

ABO: Interactive Journal for Women in the Arts, 1640-1830

Laudien argues in “Grasses, Groves and Gardens: Aphra Behn Goes Green” that Behn moves beyond the stylized and artificial backdrops of most pastoral to explore the unique ways the landscape can be manipulated to investigate gender difference and the dynamics of desire and representation. Laudien suggests that in prioritizing the pastoral as political allegory in Behn, we overlook the descriptions of nature and the importance she places on the natural environments she creates. Through close readings of several of her pastoral poems, Laudien reveals that Behn’s landscapes destabilize existing notions of the pastoral space as an idealized and organized place …

The Poetry Of Geoffrey Bache Smith With Special Note Of Tolkienian Contexts, Kris Swank

Journal of Tolkien Research

Following the Great War (1914–1918), J.R.R. Tolkien edited the poetry collection A Spring Harvest (1918) by his close friend, Lieutenant Geoffrey Bache Smith (October 18, 1894 – December 3, 1916), who died of wounds from shrapnel while stationed on the Somme. According to John Garth, it was “one of the many slim, sad volumes of poetry published posthumously as a memorial of those who died in war.” A spring harvest is a barren harvest, but even at his young age, Smith left a number of stirring poems on life, death, and destiny that seem, in retrospect, to have prophesied his …

A New Poem By Anna Letitia Barbauld, Scott Krawczyk, William Mccarthy

ABO: Interactive Journal for Women in the Arts, 1640-1830

This short discovery article presents information pertaining to a previously unknown poem of four lines by Anna Letitia Barbauld. The poem is housed at Duke University in the David M. Rubenstein Rare Book & Manuscript Library.

The Boy In The Text: Mary Barber, Her Son, And Children's Poetry In Poems On Several Occasions, Chantel M. Lavoie

ABO: Interactive Journal for Women in the Arts, 1640-1830

The Boy in the Text: Mary Barber, Her Son, and Children’s Poetry in Poems on Several Occasions

This paper reconsiders the work of Dublin poet Mary Barber, whose collection of poems appeared in 1733/34. There she acknowledges the assistance of Jonathan Swift, and frames her poetry as a pedagogical aid to her children’s education—particularly that of her eldest son, Constantine. Barber’s relationship with Swift has received much critical attention, as has her focus on her own motherhood—sometimes in critiques that suggest both of these hampered the quality and scope of her work. This paper asks readers to look at her …

“No Roses, White Nor Red, Glow Here”: The Motif Of The Garden In Two Proserpine Poems By A. Swinburne And D. Greenwell, Cristina Salcedo González

CLCWeb: Comparative Literature and Culture

In this article, I discuss Algernon Swinburne’s and Dora Greenwell’s engagement with the myth of Proserpine through an analysis of the motif of the garden, which takes central stage in both accounts. The examination will illustrate how the authors’ outlined images of the garden challenge the dominant representation of the motif within Western literary tradition, offering a re-interpretation of the myth as social commentary.

The Lodge In The Wilderness: Ecologies Of Contemplation In British Romantic Poetry, Sean M. Nolan

Dissertations, Theses, and Capstone Projects

This dissertation argues that contemplation is often overlooked in studies of British Romantic poetry. By the late 1700s, changing commercial and agricultural practices, industrialism, secularization, and utilitarianism emphasizing industriousness coalesced to uproot established discourses of selfhood and leisure, and effected crises of individuation in Romantic poetry and poetics. Closely reading poems and writing about poetry composed between the 1780s and 1830s by William Cowper, George Crabbe, Robert Bloomfield, Charlotte Smith, William Wordsworth, Samuel Taylor Coleridge, and John Stuart Mill, I probe the relationship between aesthetic, ethical, and emotional responses to depictions of toil, idleness, and leisure. I argue that ecologies …

John Donne And The Paradox: An Analysis Of “Batter My Heart, Three-Person’D God”, Lily Daniels

OUR Journal: ODU Undergraduate Research Journal

A paradox is a statement that appears contradictory but ultimately makes sense. “Sonnet XIV: Batter my heart, three person’d God” (1632) by John Donne reflects the many paradoxes within the Bible and Christian faith. Read within the context of his religious beliefs and the rest of the Holy Sonnets, “Batter my heart, three-person’d God” is a poem that exhibits Donne’s theology of God and the process of salvation. The speaker affirms that the power of the triune God is required to break the bonds of sin. He finds freedom from sin in submitting to God’s will, and he finds innocence …