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Full-Text Articles in English Language and Literature

"I Want To Melt Into Her Body": Sexual Empowerment And A Feminist Recentering Of The Female Characters In Dracula By Bram Stoker, Carmilla By J. Sheridan Lefanu, And Villette By Charlotte Bronte, Carson Leigh Pender May 2021

"I Want To Melt Into Her Body": Sexual Empowerment And A Feminist Recentering Of The Female Characters In Dracula By Bram Stoker, Carmilla By J. Sheridan Lefanu, And Villette By Charlotte Bronte, Carson Leigh Pender

Graduate Theses

Simone de Beauvoir argues in The Second Sex, “The normal sexual act [of intercourse] effectively makes woman dependent on the male and the species. It is he–as for most animals– who has the aggressive role and she who submits to his embrace. . . coitus cannot take place without male consent, and male satisfaction is its natural end result” (385). Essentially, de Beauvoir argues that the act of sex cannot exist without the presence of man, but particularly for heterosexual women, the act of sex is dependent on the presence of, responsibility of, and response of men. However, despite the …


The Sea Calls: A Selkie's Liminal Existence, Frances Avery May 2021

The Sea Calls: A Selkie's Liminal Existence, Frances Avery

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Traditionally, the selkies (or seal people) of Scottish-Irish lore exist between spaces: the land and the sea, human and animal, childbearing and childless. Their existence at sea is voluntary but their existence on land is forced. Once the selkie has left behind its sealskin and both the literal and metaphorical sealskin has been stolen, the selkie becomes subject to human will. The lenses of body, reclamation, violation, and abuse prove that the reason why selkies have faded from popularity is because the lessons are too mature for a young audience. A feminist and queer reading and interpretation of this traditional …


“I’Ll Make A Captain Among Ye, And Do Somewhat To Be Talk Of Forever After”: Female Civic Agency In Sir Thomas More’S Staged Insurrection, Heather Miller May 2021

“I’Ll Make A Captain Among Ye, And Do Somewhat To Be Talk Of Forever After”: Female Civic Agency In Sir Thomas More’S Staged Insurrection, Heather Miller

Master's Theses

Sir Thomas More is an English chronicle play that has received far less critical attention than generically similar histories written by Shakespeare. Doll Williamson, the play’s strongest female character, assumes a leadership position in initiating, as well as ultimately quelling, the Evil May Day riots, which provide the play’s initial dramatic impetus. Despite the critical tendency to overlook or diminish the seriousness of her dramatic role in the play, including in the staged insurrection scene, I argue in this thesis that we should take the concerns that Doll articulates and embodies seriously from a feminist perspective. Furthermore, I place Doll’s …


“It Could Have Happened To Any Of You”: Post-Wounded Women In Three Contemporary Feminist Dystopian Novels, Abby N. Lewis May 2021

“It Could Have Happened To Any Of You”: Post-Wounded Women In Three Contemporary Feminist Dystopian Novels, Abby N. Lewis

Electronic Theses and Dissertations

My goal for this thesis is to investigate the concept of (mis)labeling female protagonists in contemporary British fiction as mentally ill—historically labeled as madness—when subjected to traumatic events. The female protagonists in two novels by Sophie Mackintosh, The Water Cure (2018) and Blue Ticket (2020), and Jenni Fagan’s 2012 novel The Panopticon, are raised in environments steeped in trauma and strict, hegemonic structures that actively work to control and mold their identities. In The Panopticon, this system is called “the experiment”; in The Water Cure, it is personified by the character King and those who follow him; …


"What Camelot Means": Women And Lgbtq+ Authors Paving The Way For A More Inclusive Arthuriana Through Young Adult Literature, Jeddie Mae Bristow May 2021

"What Camelot Means": Women And Lgbtq+ Authors Paving The Way For A More Inclusive Arthuriana Through Young Adult Literature, Jeddie Mae Bristow

MSU Graduate Theses

Arthurian literature has long been regarded as the domain of “dead white men,” dominated by Thomas Malory and Lord Alfred Tennyson. However, since medieval times, women have also been producing Arthurian literature that not only treats the women characters of the story more equitably, but makes social commentary on how the marginalized of their societies are treated. More recently, women and LGBTQ+ authors (basically, authors who are not cisgender white men) have answered the call for more diverse Young Adult literature with an Arthuriana that has a place for all, both creating a more diverse and equitable Camelot and giving …


Þorn: A Novel Excerpt Exploring Giantesses, Their Relation To Women's Bodily Expectations, And Patriarchal Control In The Literature Of Early Modern Britain And Contemporary America., Brady P Alexander May 2021

Þorn: A Novel Excerpt Exploring Giantesses, Their Relation To Women's Bodily Expectations, And Patriarchal Control In The Literature Of Early Modern Britain And Contemporary America., Brady P Alexander

College of Arts & Sciences Senior Honors Theses

This thesis will analyze examples of women of size in the literature of the British Isles throughout history, focusing predominantly upon the Early Modern Period, and will create a fiction piece in response to such attitudes. I argue that one of the most clear ways to dissect contemporary cultural attitudes about powerful women and women who occupy more space than men is to examine giantesses and other examples of women of size within this period of literature. From this, a novel excerpt will be written from the perspective of a time-traveling woman of size who engages with these texts and …


Feminine Agency In Shakespeare's The Merchant Of Venice And Antony And Cleopatra, Grace Gronowski Apr 2021

Feminine Agency In Shakespeare's The Merchant Of Venice And Antony And Cleopatra, Grace Gronowski

Conspectus Borealis

No abstract provided.