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“A Tragic Farce: Revolutionary Women In Elizabeth Inchbald’S The Massacre And European Drama.” European Romantic Review 17.3 (Summer 2006): 275-88., Wendy Nielsen
Department of English Faculty Scholarship and Creative Works
This essay examines Elizabeth Inchbald’s treatment of French Revolutionary women and relationship to European drama in order to appreciate the implications of tragic writing for British women playwrights. Focusing on Inchbald’s connections to French culture and English theater in late 1792 and early 1793 elucidates the self‐censoring and generic conventions of her only tragedy, The Massacre. Events in France like the September Massacres unsettled Burkean notions of femininity and raised the possibility of female violence. This mixing of traditional gender characteristics resembles discourse about Inchbald’s dramas as neither tragic, comic, nor tragicomic. The genre of tragic farce describes Inchbald’s revisions …
Hidden Sentiments, Unfinished Project: Pirandello’S Film La Nuova Colonia, Stefano Giannini
Hidden Sentiments, Unfinished Project: Pirandello’S Film La Nuova Colonia, Stefano Giannini
Languages, Literatures, and Linguistics - All Scholarship
This article investigates the notion of the unfinished work. In Pirandello studies the word unfinished holds particular importance. Luigi Pirandello's last, and one of his major works, I giganti della montagna [The Mountain Giants] was not completed. The many years devoted to its making weaken the assumption that Pirandello was not capable of completing it in favor of his decision not to complete his work. I considered the overlapping of the writing of I giganti della montagna and of the attempts to produce the film La nuova colonia [The New Colony] an important, and insofar unnoticed, key element for understanding …