Open Access. Powered by Scholars. Published by Universities.®
English Language and Literature Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Publication
- Publication Type
Articles 1 - 10 of 10
Full-Text Articles in English Language and Literature
Revision As Resistance: Fanfiction As An Empowering Community For Female And Queer Fans, Diana Koehm
Revision As Resistance: Fanfiction As An Empowering Community For Female And Queer Fans, Diana Koehm
Honors Scholar Theses
This thesis explores how fanfiction is a site of resistance and empowerment for female and queer fans. Fans rework popular cultural texts to represent themselves and reflect their own interests and concerns in the face of significant stigma on the part of fandom and media producers.
Ann Yearsley, "Earl Goodwin", And The Politics Of Romantic Discontent, Chris Foss
Ann Yearsley, "Earl Goodwin", And The Politics Of Romantic Discontent, Chris Foss
English, Linguistics, and Communication (Legacy)
There is a dearth of more substantial critical studies on Ann Yearsley’s tragic drama Earl Goodwin in general, and while the few out there have helpfully illuminated the play’s representation of the historical plight of women and the poor during Anglo-Saxon times, as well as its application to their current predicaments in Romantic-era England and France, they have tended to leave unexplored the ways in which Yearsley simultaneously is clarifying and extending her anger at and frustration with the class- and gender-based discrimination she experienced firsthand in the fallout with her mentor Hannah More over the profits from her first …
“[Taking] Responsibility For The Community”: Women Claiming Power And Legitimacy In Technical And Professional Communication In India, 1999-2016, Breeanne Matheson
“[Taking] Responsibility For The Community”: Women Claiming Power And Legitimacy In Technical And Professional Communication In India, 1999-2016, Breeanne Matheson
All Graduate Theses and Dissertations, Spring 1920 to Summer 2023
Though the field of technical and professional communication has long been saturated with the narratives of Euro-Western males, technical and professional communication as a field has a responsibility to expand the lens of study to include the experiences of global and nontraditional practitioners. This study examines the experiences of Indian women working as practitioners, building power and legitimacy in a globalized economy. Drawing from interviews with 49 practitioners as well as an analysis of historical documents, this study examines the methods that Indian practitioners have used to build power and legitimacy by founding professional organizations, leveraging their educational opportunities, and …
Women & Tolkien: Amazons, Valkyries, Feminists, And Slashers, Robin A. Reid Dr.
Women & Tolkien: Amazons, Valkyries, Feminists, And Slashers, Robin A. Reid Dr.
Journal of Tolkien Research
This paper reports on an early pilot project that asks women who self identify as readers or fans of Tolkien's work and/or teachers who have taught Tolkien's work, and/or scholars who have published on Tolkien's work to answer a few open-ended questions about their reasons for enjoying his work. By "women," I mean anybody who identifies as a woman. By "Tolkien's work," I mean any of his published novels, stories, poems, or academic essays. The study arises from the question that is often asked of fans of Tolkien's work: why do women so enjoy it, given the relatively minor narrative …
Anna Larpent And Shakespeare, Fiona Ritchie
Anna Larpent And Shakespeare, Fiona Ritchie
ABO: Interactive Journal for Women in the Arts, 1640-1830
Anna Larpent (1758-1832) is a crucial figure in theater history and the reception of Shakespeare since drama was a central part of her life. Larpent was a meticulous diarist: the Huntington Library holds seventeen volumes of her journal covering the period 1773-1830. These diaries shed significant light on the part Shakespeare played in her life and contain her detailed opinions of his works as she experienced them both on the page and on the stage in late eighteenth- and early nineteenth-century London. Larpent experienced Shakespeare’s works in a variety of forms: she sees Shakespeare’s plays performed, both professionally and by …
Wishing For The Watch Face In Jonathan Swift’S “The Progress Of Beauty”, Jantina Ellens
Wishing For The Watch Face In Jonathan Swift’S “The Progress Of Beauty”, Jantina Ellens
ABO: Interactive Journal for Women in the Arts, 1640-1830
This article illuminates the technological underpinnings of Jonathan Swift’s satire, “The Progress of Beauty” (1719), by exploring how eighteenth-century poetics of beauty and scientific progress pit human against automaton. This article ranges from the ego of masculine technological display to women’s self-identification with the automaton to suggest that Swift’s speaker blazons the aging prostitute’s body with the hope that it might resurrect a lost ideal, the beautiful watch face. Instead, readers are confronted with the vision of Celia who, with her chipped paint, greasy joints, and faulty mechanisms, reminds them that humanity continues to break through its enamel. When readers …
Remembrances Reconsidered: Site-Specific Affective Retellings, Melanie W. Lozier
Remembrances Reconsidered: Site-Specific Affective Retellings, Melanie W. Lozier
Theses and Dissertations
This thesis is an examination of the ways in which strong affective feelings, trauma, and memories are written about by women through diverse narrative forms. Through storytelling, writers engage with the relationship between deep feelings, significant places, and language, such as the frequent employment of words containing the prefix "re."
Reading Charlotte Bronte Reading, Madhumita Gupta
Reading Charlotte Bronte Reading, Madhumita Gupta
Department of English: Dissertations, Theses, and Student Research
This essay considers the significance of undirected childhood reading on an author’s mind and the reason some authors reference specific real books in their fiction. I argue that independent reading (as against schooling or formal education), and the direct and indirect references to certain books in Jane Eyre[1] were deliberate, well-thought-out inclusions for specific purposes at different points in the story. When a title pointedly says Jane Eyre: An Autobiography, it is probable that a significant part of the author’s life has seeped into her creation which makes it essential to consider the relevant parts of her life to …
Spenser’S Narrative Figuration Of Women In The Faerie Queene, Judith H. Anderson
Spenser’S Narrative Figuration Of Women In The Faerie Queene, Judith H. Anderson
Research in Medieval and Early Modern Culture
Concentrating on major figures of women in The Faerie Queene, together with the figures constellated around them, Anderson's Narrative Figuration explores the contribution of Spenser's epic romance to an appreciation of women's plights and possibilities in the age of Elizabeth. The figures she highlights encompass the idealization of Una, humanized by parody; the historicized fixation of Belphoebe; the cross-dressed complexity of Britomart; and the psychological misery of Serena, a throwback to Amoret. They range from cartoons to a fullness sharing numerous features with the Shakespearean women salient in recent debates about character. The critical lens most revealing for each …
"A Meruelous Thinge!": Elizabeth Of Spalbeek, Christina The Astonishing, And Performative Self-Abjection In Oxford, Bodleian Library, Ms Douce 114, Murrielle Michaud
"A Meruelous Thinge!": Elizabeth Of Spalbeek, Christina The Astonishing, And Performative Self-Abjection In Oxford, Bodleian Library, Ms Douce 114, Murrielle Michaud
Theses and Dissertations (Comprehensive)
Contributing to the spirited discussion regarding feminist and pro-feminine readings of Middle English hagiography, this dissertation challenges the tradition of grouping accounts of medieval holy women into a single genre that relies on stereotypes of meekness and obedience. I argue that fifteenth-century England saw a pro-feminine literary movement extolling the virtues of women who engaged in what I term “performative self-abjection,” a form of vicious self-renunciation and grotesque asceticism based on Julia Kristeva's model of the abject. The corollary of women's performative self-abjection is ex-gratia spiritual authority, public recognition, and independence, emphasized in the English corpus of fifteenth-century women’s hagiography. …