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Full-Text Articles in English Language and Literature

Visualising Anthropocene Extinctions: Mapping Affect In The Works Of Naeemah Naeemaei, Linda Williams Jan 2021

Visualising Anthropocene Extinctions: Mapping Affect In The Works Of Naeemah Naeemaei, Linda Williams

Animal Studies Journal

While many writers have advocated the importance of narrative as a means of engaging with the problem of extinction, this paper considers what the qualities of visual aesthetics bring to this field. In addressing this question, the discussion turns to the problem of the ethical limits of art raised by Adorno and takes a theoretical turn away from posthumanism to consider how visual responses can redirect attention back to human agency. The focus of visual analysis is on five paintings by the contemporary Iranian artist Naeemeh Naeemaei. Neither exclusively Western nor overtly internationalist in their approach, these artworks refer to …


Black And White Memories: Re-Inscription Of Visual Orientalism In Embroideries, Esmaeil Zeiny Aug 2014

Black And White Memories: Re-Inscription Of Visual Orientalism In Embroideries, Esmaeil Zeiny

Esmaeil Zeiny

In the aftermath of the tragedies of 9/11, the West began to represent the East in a darker way. The western mass media, and the art and literary markets are riddled with visual discourses that consolidate the stereotypical representation of the Orient. One of these visual discourses which strengthen the stereotypes is the portrayals of Eastern women. Almost without exception, the whole mass media use images of eastern veiled women either as victim or lecherous to bolster its East/West demarcation. These sorts of images can be found in some contemporary Muslim women’s works as well. By examining the history of …


Tammy Rae Carland's Queer Riot Grrrl Zine"I ( Heart ) Amy Carter": A World Of Public Intimacy, Annah-Marie Rostowsky Mar 2014

Tammy Rae Carland's Queer Riot Grrrl Zine"I ( Heart ) Amy Carter": A World Of Public Intimacy, Annah-Marie Rostowsky

Theses and Dissertations

This thesis analyzes Tammy Rae Carland's queer Riot Grrrl zine I (heart) Amy Carter as a counterpublic sphere engendered by acts of public intimacy that make visible the intersectional complexities of gender, sexuality, class, and race that insidious traumas continually work to conceal. It looks to Ann Cvetkovich's inquiries into the positive aspects of public cultures in the book An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures (2006) as well as Mimi Thi Nguyen's investigation of the Riot Grrrl race crisis in the article "Riot Grrrl, Race, and Revival" (2012) as frameworks to critique Carland's visual and textual …