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Full-Text Articles in English Language and Literature

“No Roses, White Nor Red, Glow Here”: The Motif Of The Garden In Two Proserpine Poems By A. Swinburne And D. Greenwell, Cristina Salcedo González Mar 2021

“No Roses, White Nor Red, Glow Here”: The Motif Of The Garden In Two Proserpine Poems By A. Swinburne And D. Greenwell, Cristina Salcedo González

CLCWeb: Comparative Literature and Culture

In this article, I discuss Algernon Swinburne’s and Dora Greenwell’s engagement with the myth of Proserpine through an analysis of the motif of the garden, which takes central stage in both accounts. The examination will illustrate how the authors’ outlined images of the garden challenge the dominant representation of the motif within Western literary tradition, offering a re-interpretation of the myth as social commentary.


Trauma, Ethics, And The Body At War In Brittain, Borden And Bagnold, Carolina Sánchez-Palencia Carazo Mar 2019

Trauma, Ethics, And The Body At War In Brittain, Borden And Bagnold, Carolina Sánchez-Palencia Carazo

CLCWeb: Comparative Literature and Culture

In her article “Trauma, Ethics, and the Body at War in Brittain, Borden and Bagnold,” Carolina Sánchez-Palencia Carazo discusses how the autobiographical accounts of the conflict by Vera Brittain, Enid Bagnold and Mary Borden, inspired by their experiences as voluntary nurses in the front, deconstruct the meanings of femininity, masculinity and patriotism, contesting the official rhetoric of passivity that defined the role of women in World War I. Their extreme engagement with the precariousness and vulnerability of others elicits an empathic response that can be interpreted through Judith Butler (2004; 2009), Emmanuel Lévinas (1969) and Alan Badiou’s (1993) ethics of …


Subverting Transnormativity: Rage And Resilience In Kim Fu’S For Today I Am A Boy, Andrea Ruthven Mar 2019

Subverting Transnormativity: Rage And Resilience In Kim Fu’S For Today I Am A Boy, Andrea Ruthven

CLCWeb: Comparative Literature and Culture

This article analyzes the affective politics of rage and resilience in the novel For Today I Am a Boy (2014) by Kim Fu. The novel explores the dis-identification (Muñoz 1999) of gender identity through the protagonist, focusing on the rage, sadness, fear, and secrecy that function as the glue holding the body together, but that also work to constrain the process of self-identification. The novel is not the celebration of self-realization, nor is it the lamentation of a traumatized protagonist. Instead, the narrative pays attention to the various ways in which non-binary, or non-normative gender identities are marginalized, and to …


Trespassing Physical Boundaries: Transgression, Vulnerability And Resistance In Sarah Kane’S Blasted (1995), Paula Barba Guerrero, Ana Mª Manzanas Calvo Mar 2019

Trespassing Physical Boundaries: Transgression, Vulnerability And Resistance In Sarah Kane’S Blasted (1995), Paula Barba Guerrero, Ana Mª Manzanas Calvo

CLCWeb: Comparative Literature and Culture

Sarah Kane’s Blasted has been analyzed from various perspectives that address the layers of destruction it exposes. From the questioning of its title and meaning, to the unravelling of the protagonists’ abusive relationship, the analyses have emphasized the depiction of vulnerability as the defining human trait that Jean Ganteau observes in contemporary British literature. However, a key aspect has been overlooked in the critical response to the play: for Kane vulnerability does not equal helplessness, but rather stands in opposition to it. Hence, this article concentrates on how Blasted formulates a new understanding of vulnerability that fits Judith Butler’s later …


Resilience As Regeneration In Kate Atkinson’S Life After Life, Beatriz Domínguez García Mar 2019

Resilience As Regeneration In Kate Atkinson’S Life After Life, Beatriz Domínguez García

CLCWeb: Comparative Literature and Culture

In Life After Life (2013), British writer Kate Atkinson returns to the rewriting of History as her-story that characterized her early fiction. The protagonist’s lifespan overlaps with the major historical events of the twentieth century, allowing the writer to explore how those affected the individual lives of women and, at the same time, problematizing history, memory, and the past. Above all, Life After Life highlights the deep vulnerability of women to systemic gender violence, although it also emphasizes women’s resilience. The purpose of this paper is to examine Atkinson’s peculiar rendering of resilience, which interestingly she locates in the body, …


Decolonizing Adoption Narratives For Transnational Reproductive Justice, Sung Hee Yook, Hosu Kim Dec 2018

Decolonizing Adoption Narratives For Transnational Reproductive Justice, Sung Hee Yook, Hosu Kim

CLCWeb: Comparative Literature and Culture

In their article “Decolonizing Adoption Narratives for Transnational Reproductive Justice,” Sung Hee Yook and Hosu Kim examine narratives emerging from transnational adoption practices, focusing on how birth mothers’ narratives—in which a victim-mother makes choices to give a child for adoption in hopes of a better life for the child, and awaits that child’s return—develop alongside and deviate from the normative orders of motherhood. While birth mothers’ self-transformative narrative illuminates their subjectivities—apart from victimhood, simmering in the latent form of agency—Yook and Kim argue that a compelling narrative of self-mastery produces another discursive trap which renders the numerous less-masterful birth mothers …


“Compassion And Benignytee”: A Reassessment Of The Relationship Between Canacee And The Falcon In Chaucer’S “Squire’S Tale”, Melissa Ridley Elmes Jul 2018

“Compassion And Benignytee”: A Reassessment Of The Relationship Between Canacee And The Falcon In Chaucer’S “Squire’S Tale”, Melissa Ridley Elmes

Medieval Feminist Forum: A Journal of Gender and Sexuality

Among its many elements, Chaucer’s “Squire’s Tale” includes an emotionally-charged dialogue between two aristocratic female figures: the human daughter of a king, Canacee, and the wounded falcon she meets in the wood. Scholars have debated the nature of this relationship in interspecial, gendered, and specifically feminist and ecofeminist terms. This essay provides a brief retrospective on some of the most recent scholarship examining their relationship—van Dyke (2005); Kordecki (2011); Crane (2012); and Schotland (2012 and 2015)—leading into a reassessment in two parts: first, that the affinity- and experience-driven bond these female figures develop supports a reading of this scene that …


Wishing For The Watch Face In Jonathan Swift’S “The Progress Of Beauty”, Jantina Ellens May 2018

Wishing For The Watch Face In Jonathan Swift’S “The Progress Of Beauty”, Jantina Ellens

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article illuminates the technological underpinnings of Jonathan Swift’s satire, “The Progress of Beauty” (1719), by exploring how eighteenth-century poetics of beauty and scientific progress pit human against automaton. This article ranges from the ego of masculine technological display to women’s self-identification with the automaton to suggest that Swift’s speaker blazons the aging prostitute’s body with the hope that it might resurrect a lost ideal, the beautiful watch face. Instead, readers are confronted with the vision of Celia who, with her chipped paint, greasy joints, and faulty mechanisms, reminds them that humanity continues to break through its enamel. When readers …


The Sin Of Pride In Dressing Bodies In Spanish And Anglo-American Ballads, Ana Belén Martínez García Sep 2017

The Sin Of Pride In Dressing Bodies In Spanish And Anglo-American Ballads, Ana Belén Martínez García

CLCWeb: Comparative Literature and Culture

In her article "The Sin of Pride in Dressing Bodies in Spanish and Anglo-American Ballads" Ana Belén Martínez García argues that trying to decipher the reasons for characters to dress in a certain way may help discover the underlying sociocultural mechanisms that prevail. The author aims to reveal the gender divide associated to clothing through a comparative approach towards popular literature in Spanish and English. She uses Judith Butler's theory of performative acts in order to conduct the text analysis. Clothes-related acts feature prominently in the case of popular balladry. Spanish "romances" and Anglo-American ballads are poems that were and …


Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke Dec 2016

Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided for the introduction.


Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke Dec 2016

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.


Reexamining Virtue In Arthur Mervyn, Clarissa Mcintire Apr 2016

Reexamining Virtue In Arthur Mervyn, Clarissa Mcintire

Criterion: A Journal of Literary Criticism

Though Arthur Mervyn focuses primarily on the deadly 1793 invasion of the yellow fever into Philadelphia and humanitarian responses to it, the novel’s juxtaposition of contemporary societal attitudes towards fever victims with those towards unchaste or fallen women underlines striking similarities between the two. In this article I claim that, when applied to unchaste women, the novel’s argument for improved treatment of diseased and infected persons also establishes the unreliability of sexual purity as a standard of respectability due to the potential for a woman’s virtue to be taken from her. Therefore, because Arthur’s society judges the respectability of individuals …


A Survey Of Slovenian Women Fairy Tale Writers, Milena Mileva Blazić Mar 2013

A Survey Of Slovenian Women Fairy Tale Writers, Milena Mileva Blazić

CLCWeb: Comparative Literature and Culture

In her article "A Survey of Slovenian Women Fairy Tale Writers" Milena Mileva Blažić begins with an introduction to the Slovenian fairy tale writing tradition dating back nearly 150 years. While male authors published collections of tales, women writers published only individual fairy tales and owing to their biographies giving birth to children and caring for their families gained less, if any, recognition in literary history. Blažić's overview of Slovenian women writers of fairy tales and scholarship about the genre includes the related genre of youth literature. Blažić's survey is placed in the context of West European fairy tale writing …