English Language and Literature Commons^™

Bad Girls In Corsets: Women And The Transgressive Body In The Nineteenth Century, Colleen Warwick Green

Open Access Dissertations

Women, and their bodies, posed an increasing anxiety for Victorian society. Culturally and outwardly, the Victorian era strove to maintain a level of decorum that, increasingly, the nineteenth-century woman were, rebelling against. The urge for women to break through social barriers and constraints binding them to the century created a divergence in thought from the traditional mores of the past, in turn affecting the ways in which womens’ bodies were portrayed, displayed and manipulated by the authors and artists of the century.

As women entered actively entered into spaces once closed to them, they furthered the rift of uncertainty and …

In Search Of Health, Freedom & Identity: An Analysis Of Isabella Bird's And Margaret Fountaine's Renovation Of Self Through Travel & Travel Writing, Mikki L. Stacey

Student Publications

“An Analysis of Isabella Bird’s and Margaret Fountaine’s Renovation of Self through Travel & Travel Writing” tracks three interdependent facets of identity that become apparent in the travel literature of Victorian ladies Isabella Lucy Bird and Margaret Fountaine. These facets are:

• the socialized self (the identity developed as a result of the society in which one grows up)
• the renovated self (the identity developed through interacting with and adapting to other cultures )
• and the edited self (the identity one creates when she writes about her experiences—for my thesis specifically, the identity the author creates to reconcile her socialized and …

'And I Am A Material Girl': How Aesthetics And Material Culture Fashion Femininity In Edith Wharton's The Age Of Innocence, From Text To Film, Avery Novitch

Honors Theses

This thesis explores the role of aesthetics and material culture in Edith Wharton’s 1920 novel The Age of Innocence and in Martin Scorsese’s 1993 film adaptation. In Wharton’s Old New York, material opulence is arguably the most essential aspect of culture. Newland Archer is the primary authority on fashion and taste within the narrative, and is thus charged with enforcing standards of socially constructed Victorian femininity with regard to his two romantic interests, May Welland and Ellen Olenska. Scorsese’s film uses mise-en-scène to echo the detail rich design aesthetic found in Wharton’s prose; however, the film’s abandonment of Newland’s distinctly …

"Mother, I Will": Female Subjectivity And Religious Vision In The Brontës Novels, Amanda Scott

UNLV Theses, Dissertations, Professional Papers, and Capstones

Anne, Charlotte, and Emily Brontë have long attracted sustained critical attention, in

large part because of their strong female protagonists. These strong-willed women self-assuredly reject oppression and model new paradigms for the Victorian woman to empower her subjectivity. This subjectivity serves, in turn, not only as the ability to form and express views counter to outworn social prescriptions, but it also serves as the centralized interior focus that allows their protagonists to think of themselves as the foremost subjects of their lives, rather than see themselves as pawns to be moved about in the games of patriarchal hierarchy. This study …