Open Access. Powered by Scholars. Published by Universities.®
English Language and Literature Commons™
Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in English Language and Literature
Depressives And The Scenes Of Queer Writing, Allen Durgin
Depressives And The Scenes Of Queer Writing, Allen Durgin
Dissertations, Theses, and Capstone Projects
My dissertation attempts to answer the question: What exactly does a reparative reading look like? The question refers to Eve Kosofsky Sedgwick's provocative essay on paranoid and reparative reading practices, in which Sedgwick describes how the hermeneutics of suspicion has become central to a whole range of intellectual projects across the humanities and social sciences. Criticizing this dominant critical mode for its political blindness and unintended replication of repressive social structures, Sedgwick looks for an alternative in what she calls reparative reading . Past attempts to expand on Sedgwick's brief yet suggestive remarks regarding reparative reading have foundered due to …
Em(Body)Ing Autonomy: Black Women’S Bodies And Self-Liberation In The Novels Of Zora Neale Hurston And Alice Walker, Caitlin Rose Riley Duttry
Em(Body)Ing Autonomy: Black Women’S Bodies And Self-Liberation In The Novels Of Zora Neale Hurston And Alice Walker, Caitlin Rose Riley Duttry
Honors Theses and Capstones
No abstract provided.
Hybridity, Trauma, And Queer Identity: Reading Masculinity Across The Texts Of Junot Díaz, Hannah Fraser Legris
Hybridity, Trauma, And Queer Identity: Reading Masculinity Across The Texts Of Junot Díaz, Hannah Fraser Legris
Theses and Dissertations--English
When writing about Junot Díaz’s Drown (1996) Brief Wondrous Life of Oscar Wao (2007) and This is How You Lose Her (2012), I focus on the iterations of masculinity depicted and embodied by Yunior de las Casas, the primary narrator of this collection. I explore the links between diaspora, hybridity, masculinity, and trauma, arguing that both socio-historical and personal traumatic experience reverberates through the psyches and bodies of Díaz’s characters. I demonstrate the relationship between Yunior’s navigation of the United States and the Dominican Republic and his ever-shifting sexuality, self-presentation, and gender identity. The physical and discursive spaces he must …