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- Female gaze; Bridgerton; film analysis; male gaze; desire; Mulvey (1)
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Articles 1 - 13 of 13
Full-Text Articles in English Language and Literature
The Monster Mash: A Monster Studies Approach To Literature In The University Classroom, Megan L. Bowen
The Monster Mash: A Monster Studies Approach To Literature In The University Classroom, Megan L. Bowen
Electronic Theses and Dissertations
The Monster Mash is a course proposal for an upper-division undergraduate literature course focused on exploring monsters in literature and building connections between classic and more contemporary texts using high-impact practices (HIPs) with student success in mind. I build on previous work in the field of Monster Studies and introduce my own original monster pattern that prompts students to interpret monsters as they trek through Origin, Separation, Power, Threat, and Diminishment. This pattern highlights commonalities when it comes to the representation of monsters and their stories, allowing students to identify them across texts. I also divide monsters into three categories …
Desire In Bridgerton: Defining The Female Gaze, Hailey C. Coles
Desire In Bridgerton: Defining The Female Gaze, Hailey C. Coles
Honors College Theses
Feminist literature is rife with multiple, sometimes conflicting, sometimes partial, definitions of the female gaze. A definitive understanding of the female gaze incorporates the literature but includes other modes of thought and analysis appropriate for a number of different media. Bridgerton articulates this understanding as it privileges female sexuality not just through dialogue, but through its focus on multiple characters’ bodily awareness. Non-verbal elements like blocking, the physical articulation of bodies, changes in camera angles and foci that privilege subtle and nuanced movements, and even the pervasive use of music all contribute to the form and characterization of the female …
Constructing (Un)Situated Women: Situated Knowledges In Arundhati Roy's The God Of Small Things (1997) And Balli K. Jaswal's Erotic Stories For Punjabi Widows (2017), Necole T. Deloach
Constructing (Un)Situated Women: Situated Knowledges In Arundhati Roy's The God Of Small Things (1997) And Balli K. Jaswal's Erotic Stories For Punjabi Widows (2017), Necole T. Deloach
Electronic Theses and Dissertations
This thesis applies Donna Haraway’s concept of “situated knowledges” to postcolonial feminist novels such as Arundhati Roy’s The God of Small Things and Balli K. Jaswal’s Erotic Stories for Punjabi Widows in order to illustrate why there needs to be a new framework for analyzing literary postcolonial women. Despite the applicability of Donna Haraway’s “situated knowledges” to postcolonial feminist literary studies, there has been little research published that analyzes not just the intersection of “situated knowledges” and postcolonial feminist literature, but also the problems that occur when Western scholars approach postcolonial texts without completely acknowledging their own worldview. I argue …
Femininity Reclaiming Chivalry In The Harry Potter Series, Ashley M. Watson
Femininity Reclaiming Chivalry In The Harry Potter Series, Ashley M. Watson
Electronic Theses and Dissertations
This paper focuses on the reclaiming of chivalric values by female characters in the Harry Potter series by comparing them to Arthurian characters. Scholars have extensively compared the narrative of the Knights of the Round Table to the global phenomenon of the Harry Potter series, but in this paper I explore, through a feminist lens, a character comparison of the Harry Potter novels and Sir Thomas Malory’s Le Morte D’Arthur. I will show how female characters in modern literature reclaim chivalry. This is important because it exemplifies a shift in the position of women into a more active role. I …
Teaching Trauma In Hanya Yanagihara's A Little Life, Kat Shuman
Teaching Trauma In Hanya Yanagihara's A Little Life, Kat Shuman
Electronic Theses and Dissertations
Using Hanya Yanagihara’s A Little Life, this thesis outlines how to ethically and effectively teach literature that deals with trauma. My personal teaching philosophy as well as the current pedagogy surrounding trauma literature preface a detailed syllabus, lesson plans, assessments, and activities that would be useful in teaching a course centered around literature that deals with trauma. This thesis highlights the merits of teaching trauma fiction in the literature classroom.
Looking At The Onlookers: The Attitudes Of Women's Wwi Poetry, Kaitlyn M. Hodges
Looking At The Onlookers: The Attitudes Of Women's Wwi Poetry, Kaitlyn M. Hodges
Honors College Theses
The poems concerning WWI written by women reflect different attitudes about the concept of war and can be grouped into categories based on their stances toward the Great War. The most familiar feminine voice in the poetry of WWI illuminated a nationalistic and glorified view of war, where fighting (and dying) for a just cause outweighs any possible loss of life or limb. Running counter to this sentiment is a strain of poetry that calls into question the jingoistic and ill-informed opinions of the former group. Alongside these antipathetic groups there was a third, more meliorated, set of voices. These …
Sacred And Profane Loves: The Renaissance Influence In C.S. Lewis' Till We Have Faces, Kevin Corr
Sacred And Profane Loves: The Renaissance Influence In C.S. Lewis' Till We Have Faces, Kevin Corr
Electronic Theses and Dissertations
C.S. Lewis’ last novel, Till We Have Faces: A Myth Retold, has often been regarded as his greatest work, but just as often as his most enigmatic work. The purpose of this thesis is to unveil much of the novel’s mystery by considering the impact Renaissance literature had in shaping the novel, most notably Edmund Spenser’s Faerie Queene. Although it is well-known that Lewis was Professor of Medieval and Renaissance Literature at Cambridge, current scholarship on Lewis has overlooked the Renaissance influence in the author’s work, which particularly plays a vital role in Till We Have Faces. …
“There Was That In Her Face And Form Which Made Him Loathe The Sight Of Her”: Disfiguration And Deformity Of Female Characters In 19th Century American Women’S Literature, Kelsi E. Cunningham Miss
“There Was That In Her Face And Form Which Made Him Loathe The Sight Of Her”: Disfiguration And Deformity Of Female Characters In 19th Century American Women’S Literature, Kelsi E. Cunningham Miss
Electronic Theses and Dissertations
Rebecca Harding Davis, Sarah Orne Jewett, and Mary Wilkins Freeman challenge the way that society treats and views the disabled and deformed. Through different representations of the disabled characters, the three short stories by these authors reveal the realities that women faced in the 19th century in response to rigid beauty standards and expectations. The authors in this study address the marginalized position of the disabled characters and show how society’s attempts to “normalize” the women confine them to a fixed identity. Analyzing the texts in relation to disability studies and the authors’ perceived effectiveness of social charity will …
Female Art And Artisans In Edith Wharton’S The House Of Mirth, The Custom Of The Country, And “Roman Fever”, Julia B. Welch
Female Art And Artisans In Edith Wharton’S The House Of Mirth, The Custom Of The Country, And “Roman Fever”, Julia B. Welch
Electronic Theses and Dissertations
In early twentieth century old and new New York social circles, the marriage market’s commodification of women acted as the controlling factor for relationships, female power, and personal identity. When considering Wharton’s works for the first-hand viewpoint that she provided of the marriage market, it becomes clear that her interest in art plays heavily into the way women comport themselves within her novels. In order to discuss this relationship in Edith Wharton’s works, I’ve created terms that delineate the various ways female characters respond to the pressures of the marriage market. The best way to analyze Wharton’s women is by …
Femme Fatales And The Shifting Gender Norms Of The 19th Century, Esther M. Stuart
Femme Fatales And The Shifting Gender Norms Of The 19th Century, Esther M. Stuart
Electronic Theses and Dissertations
This project seeks to explore female monstrosity, specifically the femme fatale, in Gothic literature and its reflection of the shifting gender norms of the nineteenth century. The late 1790s experienced a distinct narrowing of female gender roles. While authors like Mary Wollstonecraft and Mary Hays publish during the eighteenth century, a backlash against such feminist voices took hold as a resurgence of spheres ideology and more traditional gender norms came into vogue. This particular shift in attitudes towards female gender norms is reflected in Scottish poet Anne Bannerman’s work as well as English novelist Charlotte Dacre’s Zofloya. Both authors’s works …
"That Flesh-Locked Sea Of Silence”: Language, Gender, And Sexuality In Beckett’S Short Fiction, Emily F. Oliver
"That Flesh-Locked Sea Of Silence”: Language, Gender, And Sexuality In Beckett’S Short Fiction, Emily F. Oliver
Honors College Theses
This paper asserts the interconnectedness of language, gender, and sexuality in the short prose of Samuel Beckett. “Assumption,” “First Love,” and “Enough,” are used as specific examples of Beckett’s fiction, selected because they assist in understanding Beckett’s participation in, and inversion of, the hegemonic privileging of the masculine. This interpretation focuses on the use of gendered language, verbalization as a sexual expression, and the manipulation of the “male” and “female” voice. The analysis is both informed by, and seeks to nuance, the linguistic criticism established by second-wave French feminists Kristeva, Irigaray, and Cixous.
Gender Differentiation And Gender Hierarchy In C. S. Lewis, Alicia D. Burrus
Gender Differentiation And Gender Hierarchy In C. S. Lewis, Alicia D. Burrus
Honors College Theses
This thesis explores the evidence of sexism in the literary works of C. S. Lewis. Lewis’s relationships with women in his personal life were often estranged, and his works frequently display a predominant view of women as inferior. Each of Lewis’s major fictional works shows evidence of sexism, though such evidence lessens in frequency and prominence with each subsequent work. Lewis’s opinion and portrayal of women did change with his marriage to Joy Davidman Gresham, though his fiction never achieved a complete lack of prejudice against women.
Scouting For A Tomboy: Gender-Bending Behaviors In Harper Lee's To Kill A Mockingbird, Laura Hakala
Scouting For A Tomboy: Gender-Bending Behaviors In Harper Lee's To Kill A Mockingbird, Laura Hakala
Electronic Theses and Dissertations
In Harper Lee's To Kill a Mockingbird, Scout Finch challenges gender stereotypes in her determination to remain a tomboy. Scout interacts with five parental characters (Atticus, Calpurnia, Aunt Alexandra, Miss Maudie, and Boo Radley), who offer models for Scout's behaviors. Though primarily unconventional in terms of gender, these parental figures fluctuate between ideals, demonstrating that gender is an unstable standard that alters according to each individual. Lee depicts characters who resist conforming to the paradigms of masculinity and femininity and instead fill middle positions between the stereotypes, as Scout's tomboyism exemplifies. After encountering different models, Scout consistently exhibits these genderbending …