English Language and Literature Commons^™

“And We’Re Happy, So Happy, To Be Modern Women”: Dissociative Feminism On Screen And In Literature, Michaela Elizabeth Flaherty

Honors Scholar Theses

On-screen and literary works have increasingly represented a new, digital-age wave of postfeminism: dissociative feminism, which rejects happy-go-lucky, sex-positive fourth-wave feminism, instead embracing nihilism. Fleabag, the titular character of the hit BBC miniseries Fleabag (2016–9), embodies dissociative feminism, though she ultimately comes to reject this darkly relatable perspective. However, social media largely ignores this latter, essential aspect of her character arc and has taken to romanticizing Fleabag’s feminist ideology, effectively constructing a harmful and dangerous virtual echo chamber of dissociative feminism. Participants in this online discourse should instead turn to the HBO limited series I May Destroy You (2020) for …