English Language and Literature Commons^™

Bodies Of Silence And Space: Victimhood, Complicity, And Resistance In Margaret Atwood's The Handmaid's Tale, Sana H. Mufti

Electronic Thesis and Dissertation Repository

This thesis examines the complexity of resistance and the conditions of power for women in The Handmaid’s Tale by Margaret Atwood. Using feminist theory, theories of neoliberalism, and Dominionism, this thesis works to understand the ways in which victimhood and complicity influence resistance in totalitarian regimes. I argue that neoliberal ideologies skew understandings of freedom, agency, and power in a way that ensures individuals, specifically women, remain trapped in the system. Focusing on reproduction, I examine how Gilead controls women’s bodies and reproductive abilities to ensure a future for itself. The Eve-Complex is one way that the state integrates itself …

The Masochian Woman: Coming To A Philosophical Understanding Of Haudenosaunee Women's Masochism, Jennifer Komorowski

Electronic Thesis and Dissertation Repository

This dissertation is a philosophical examination of women’s masochism from several different viewpoints. Beginning from a centre of Western psychoanalytic thought, I analyse what Sigmund Freud, Jacques Lacan, Gilles Deleuze, and Slavoj Žižek say about women and masochistic practices, and then continue the discussion by looking at the work of several women theorists and writers, including Angela Carter, Judith Butler, Kathy Acker, and Luce Irigaray. This analysis centres around Lacan’s theorization of the death drive through the figure of Antigone, and while he does not describe her as the original woman masochist, I believe she is a central figure in …

Unmade And Unmanned Men: Reading Traumatized Masculinity In Late Nineteenth-Century British Adventure Fiction Through The Lens Of The Indian “Mutiny” Of 1857, Madison A. Bettle

Electronic Thesis and Dissertation Repository

Unmade and Unmanned Men: Reading Traumatized Masculinity in Late Nineteenth-Century British Adventure Fiction through the Lens of the Indian “Mutiny” of 1857 examines the selected adventure fiction of George Alfred Henty, Rudyard Kipling, and Joseph Conrad through the historico-political context of India’s First War of Independence, known in Victorian Britain as the Indian “Mutiny” of 1857. Examining masculine trauma in adventure fiction reveals how British men, who were themselves colonized by the Empire’s expectations of them, sought not only to recover from the scars inflicted by imperialism, but also to expose the Empire for inflicting the psychologically damaging expectations that …

Sport, Space And Gender: Embodying Alternate Girlhoods With The Wolves, Kim Solga

Department of English Publications

What does it mean to throw like a girl? If we empower girls to throw – and to kick, to jump, to fly through the air like never before – how does that space-making impact the humans into which they grow? Does staging girls at sport help us to understand sport as a space-making activity every girls needs, and to which every girl has a right? This article reflects on the Pulitzer Prize-winning play The Wolves as it explores the relationship between the practice of sport and the practice of gender.

Education, Migration And Development Panel, Henri Boyi

Africa-Western Collaborations Day 2020

8 graduate students/recent graduate presentations on education, migration and development. Moderated by Dr. Henri Boyi. Reporting of panel done by current GHS students of the 2021 class. Abstracts can be found under "Africa-Western Collaborations Day 2020 Abstracts". Presenters as follows:

Jemima Nomunume Baada, "Experiences of Social Reproduction among Migrant Women in the Brong-Ahafo Region of Ghana"

Elmond Bandauko, "This is a Good Place to Live! Narratives and Counternarratives on Territorial Stigmatization in Harare's Informal Settlements"

Chinelo Ezenwa, "A History of 19th Century European Missionaries in Colonial Africa with Specific References to the Impact of Missionary Schools"

Rebecca Jackson, Jade Rozal, …

Critiquing Psychiatry, Narrating Trauma: Madness In Twentieth-Century North American Literature And Film, Sarah Blanchette

Electronic Thesis and Dissertation Repository

This dissertation explores representations of trauma and mental distress in twentieth-century novels and films. Drawn on research that emphasizes the ways that marginalized communities—in particular women-coded, racialized, and Indigenous persons—have historically been pathologized, the thesis considers how select novels and films query biomedical approaches to mental illness and critique psychiatric contexts, which prioritize social control more than they provide substantive and humane forms of support and care. How might representations of trauma and mental distress be understood without confirming regimes of psy-authority or psy-power? The thesis takes up this core issue by building on theories drawn from Mad Studies, illuminating …

Duration And Depravity: Religious And Secular Temporality In Puritanism And The American Gothic, Taylor Kraayenbrink

Electronic Thesis and Dissertation Repository

Duration and Depravity identifies a temporality of “sinful feeling” operating in the archive of Puritan writings of personal piety, such as diaries, autobiographies, conversion narratives, and sermons, and persisting into early American gothic literature. This temporality of sinful feeling is an attempt to discipline the self through temporal projection oriented towards the theological fact and religiously experienced feeling of sinfulness. Duration and Depravity engages with the proliferation of postsecular criticism in American literature studies generally, and Puritan studies more specifically. Postsecular criticism in literary studies is a style of historicism that reconsiders its primary archive’s position in newly complicated narratives …

The Simultaneous Book: Women's Writing In Contemporary Art, Maryse Lariviere

Electronic Thesis and Dissertation Repository

Novels written by women authors who don’t adhere to the classification “visual artist” are nonetheless gaining momentum in today's contemporary art world. Yet works by authors such as Chris Kraus or Catherine Millet are often not recognized as artist’s novels because their authors are not or/and do not consider themselves to be visual artists. I contend that we can usefully situate their work within the genre of the artist’s novel by addressing how they invent artistic postures and artistic alter-egos within the autofictional worlds of their texts. My dissertation The Simultaneous Book proposes to open up the definition of the …

Building And Maintaining Lgbtq+ Picture Book Collections, Alissa Droog, Danielle Bettridge, Alyssa R. Martin, Ashleigh Yates-Mackay

FIMS Publications

The LGBTQ+ community has had to continuously fight for their rights, including their right to be represented in the library. This toolkit provides instruction on how to develop and manage a library collection of LGBTQ+ children’s picture books. It is split into four sections that include a guide to evaluating materials, recommended picture books, a guide to fighting censorship, and a list of recommended resources.

Unread: The (Un)Published Texts Of Romanticism, Marc D. Mazur

Electronic Thesis and Dissertation Repository

This dissertation reads the unpublished texts of Romanticism not as fragments on the road to publication but as psychoanalytic “partial objects” that re-figure our understanding of the relationship between Romantic authors and publication. Against positivist interpretations of literary production that limit writing to the professionalization of the author and to a sociology of texts, Unread develops the concept of the (un)published whose parenthetical bracketing signals an unstable suspension of textual instability that is at once prior to and yet persistently remains a part of the writing of the published text. I argue that non-publication also arises from the author’s relation …

Lgbtq+ Children’S Picture Books In Ontario Public Libraries, Ashleigh Yates-Mackay, Danielle Bettridge, Alissa Droog, Alyssa Martin

FIMULAW

Diverse representation in picture books is important for the wellbeing of children and families; this includes LGBTQ+ representation, a frequently contested area of literature. Our poster identifies 33 of the most frequently recommended picture books with LGBTQ+ representations and reports on their inclusion in 40 selected Ontario Public Libraries. We then compared these results with five socioeconomic factors for each library: size of population served, the size of the print collection, the size of the materials budget, the average total median household income and the last decade of provincial election results for the riding in which the main branch of …

The Voice As An Object Of Desire In The Work Of Ann Quin, Jennifer Komorowski

Electronic Thesis and Dissertation Repository

This thesis is a discussion of the voice as an object of desire in the work of Ann Quin. In life Quin suffered from bouts of silence and after death her work was itself silenced; I believe investigating the voice as an object is a fitting way to think about her work. My first chapter discusses the object voice as a silent, interior voice using the concept of the voice which Mladen Dolar develops to expand on Jacques Lacan naming the voice as an object of desire. In the second chapter I continue my discussion of the object voice with …

Representing Modern Female Villain: On Feminine Evil, Perverse Nationhood, And Opposition In Rómulo Gallegos’ Doña Bárbara And Salman Rushdie’S Midnight’S Children, Barbara Guerrero

Electronic Thesis and Dissertation Repository

This thesis aims to contribute to the scholarship on modern female villainy by further exploring the ways in which 20^th century female villains are represented as well as the functions they carry out in the text. In this study, I look at Rómulo Gallegos’ doña Bárbara from Doña Bárbara (1929) and Salman Rushdie’s Indira Gandhi from Midnight’s Children (1981). I argue that both villains are a combination of already-existing forms of evil in more recognizable contexts as well as a rejection of and opposition to modern values. Firstly, I examine how the villains both conform and resist the formula …

Beyond Borders: Nature, Revelation, And Identity In Atwood’S Surfacing, Emily Denommé

2016 Undergraduate Awards

Margaret Atwood’s Surfacing studies the effects of the delineation of identity at a time in Canadian history where the question of Canadian national identity was evolving, becoming a marker that was more clearly defined and more consciously sought out by Canadian artists and citizens. Atwood’s novel can be considered in light of these historical developments, but Surfacing’s interest in the establishment of borders of exclusion and inclusion is not an affirmation of the positive effects such identifiers can bring. Instead of the perhaps typical celebration of the collective identity that such group identifiers as nationality can bring, this novel reveals …

Food Figures At The Forks: The Intersection Of Feminist And (Post)Colonial Politics Of Food Imagery In Kiran Desai’S The Inheritance Of Loss, Maryam Golafshani

2016 Undergraduate Awards

In Culinary Fictions: Food in South Asian Diasporic Culture, Anita Mannur argues that food offers ‘an alternative register through which to theorize gender, sexuality, class, and race’ in literature by and about the South Asian diaspora. The use of food in these texts is not merely a figurative flourish, but rather an ‘important vector of critical analysis in negotiating the gendered, racialized, and classed bases of collective and individual identity’ of South Asian bodies. Food is always already political; it must not merely be tasted, but must be read in terms of how it (re)presents and (re)produces intersecting power differentials. …

Politics, Ethics, And Aesthetic Play In Diasporic Iranian Visual Literature: Neshat, Satrapi, Bashi, Soltani, Mehraneh Ebrahimi-Eshratabadi

Electronic Thesis and Dissertation Repository

Does the study of aesthetics create response-ability or have tangible effects in the real world? Does the ambivalent form of word/images created by diaspora artists change our gaze toward the Other and the landscape of the possible? In the age of a global march against abstract terror which seems to be only reinforcing terrorism, the sign “Muslim-woman” along with the concept of democracy have become rallying cries for novel civilizing-missions. Leaving aside the failed efforts of littérature engagée, I resonate with Jacques Rancière that the study of aesthetics is intertwined with that of politics. Gayatri Spivak, too, asserts that …

Dutiful Daughters (Or Not) And The Sins Of The Fathers In Iqbalunnisa Hussain’S Purdah And Polygamy, Teresa Hubel

Faculty Publications

Poet and editor Eunice De Souza has described the neglect of 19th and 20th century writing by women as a “distortion” of “the history of Indian writing in English which is far more rich and varied than the accounts in these histories would suggest.” Iqbalunnisa Hussain's 1944 novel Purdah and Polygamy , though superbly clever in its irony and always brave in its depiction of injustice, is one such piece of literature that has fallen away from history. Against the historical representation of Muslim women as followers of the minority politics of their men, this essay situates Hussain within a …

Talking Nonsense: Spiritual Mediums And Female Subjectivity In Victorian And Edwardian Canada, Claudie Massicotte

Electronic Thesis and Dissertation Repository

This study traces the development of mediumship in Canada in the late nineteenth and early twentieth centuries. Especially popular among women, this practice offered them an important space of expression. Concealing their own identities under spiritual possession, mediums ubiquitously invoked well-known historical figures in séances to transmit their opinions on current issues. As such, they were able to promote new ideas to interested audiences without claiming responsibility for their potentially controversial words.

While many studies have been conducted in the United States, Britain, and France regarding the significant role of mediumship in the emergence of women on the political scene, …

Architectures Of The Veil: The Representation Of The Veil And Zenanas In Pakistani Feminists' Texts, Amber Fatima Riaz

Electronic Thesis and Dissertation Repository

My dissertation, which works at the intersections of feminist theory, architectural theory and postcolonial literary theory, examines the spatiality of the zenana and the burqa as represented in Pakistani literary and cultural texts. I propose that the burqa creates a portable closet, an interstitial, liminal, “third space” that allows Pakistani (secluded and veiled) women to not only traverse the borders between the private (female, domestic) and public (male) spaces, but to also signal chastity and religiosity while in the public, and semi-public spaces of the cities and villages of Pakistan. I argue that the dupatta, the chador and the hijab …

From Tawa'if To Wife? Making Sense Of Bollywood's Courtesan Genre, Teresa Hubel

Department of English Publications

Introduction:

Although constituting what might be described as only a thimbleful of water in the ocean that is Hindi cinema, the courtesan or tawa'if film is a distinctive Indian genre, one that has no real equivalent in the Western film industry. With Indian and diaspora audiences generally, it has also enjoyed a broad popularity, its music and dance sequences being among the most valued in Hindi film, their specificities often lovingly remembered and reconstructed by fans. Were you, for example, to start singing "Dil Cheez Kya Hai" or "Yeh Kya Hua" especially to a group of north Indians over the …

Total Men!: Literature, Nationalism, And Mascuilinity In Early Canada, Aaron J. Schneider

Electronic Thesis and Dissertation Repository

This thesis identifies the figure of the totally competent man (a model of early Canadian masculinity distinguished by an unprecedented breadth of competence) as a recurrent feature of early Canadian literary texts, and examines the development and representation of this figure with particular attention to its deployment as a model of national manhood by early Canadian literary nationalists. It argues that the production of a broadly competent model of manhood as an ideal model of national manhood by early Canadian literary nationalists was an anxious work carried out in the face of real and sensible threats to the new nation …

A Mutiny Of Silence: Swarnakumari Devi's Sati, Teresa Hubel

Department of English Publications

Aim:
To discuss how Swarnakumari Devi's family connections as much as her sex contributed to why her work faded from the memory of nationalist India.

Introduction:

The historical context that helped to produce the writing of Swarna-kumari Devi Ghosal also gives us a glimmer into some of the possible reasons why her work faded from the literary memory of nationalist India. Some of that context is hinted at in the back pages of her collection of short stories in English, published in 1919 by Ganesh and Co., Madras. Reminding us of the inescapable connection between capitalism and knowledge, these back …

In Pursuit Of Feminist Postfeminism And The Blessings Of Buttercup, Teresa Hubel

Department of English Publications

Introduction:

I'm pretty sure I'm not alone in thinking that the term “postfeminism” is often and perhaps most frequently used—by the mainstream media generally and by actual people—as a kind of casual dismissal of feminism that comes implicitly coupled with the suggestion that the cutting-edge place to be these days, with regard to women, is the one where the old victim mentality has been sloughed off and a new flying-free-of-those-chains approach to gender in all its diversity and in all its equal opportunity has been boldly embraced. Given the terms of this unstated argument, any criticism of this postfeminism automatically …

The High Cost Of Dancing: When The Indian Women's Movement Went After The Devadasis, Teresa Hubel

Department of English Publications

Introduction:

On the other side of patriarchal histories are women who are irrecoverably elusive, whose convictions and the examples their lives might have left to us--their everyday resistances as well as their capitulations to authority--are at some fundamental level lost. These are the vast majority of women who never wrote the history books that shape the manner in which we, at any particular historical juncture, are trained to remember; they did not give speeches that were recorded and carefully collected for posterity; their ideals, sayings, beliefs, and approaches to issues were not painstakingly preserved and then quoted century after century. …

Charting The Anger Of Indian Women Through Narayan's Savitri, Teresa Hubel

Department of English Publications

From the introduction:

Written in the late 1930s, when a new irascibility crept into the largely female-produced discourse on the status of women in India, The Dark Room is about a particular woman's indignation and revolt. Savitri is a Hindu wife following in the glorified footsteps of other Hindu wives, such as her namesake from the Mahabharata and Sita of the Ramayana. Although she lives up to the ideals of servitude and devotion implicit in these powerful feminine figures, Savitri of The Dark Room is betrayed by a patriarchal system that allows her husband the freedom of infidelity but denies …