Open Access. Powered by Scholars. Published by Universities.®
English Language and Literature Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Literature, General (2)
- Marginalization (2)
- Women's Studies (2)
- Byronic Hero (1)
- Emma (1)
-
- Feminism (1)
- Girl with the Dragon Tattoo (1)
- Harry Potter (1)
- History, European (1)
- Hunger Games (1)
- Jane Austen (1)
- Literature, American (1)
- Literature, English (1)
- Northanger Abbey (1)
- Patriarchy (1)
- Popular Literature (1)
- Pride and Prejudice (1)
- Social Conventions (1)
- Tennessee Williams (1)
- Theater (1)
- Victims (1)
- Women (1)
Articles 1 - 3 of 3
Full-Text Articles in English Language and Literature
Performative Gender And Pop Fiction Females: "Emancipating" Byronic Heroines Through A Feminist Education, Joy Smith
Masters Theses
"I can be a regular bitch. Just try me." With this phrase emblazoned across her t-shirt, Lisbeth Salander, pierced, tattooed, and bedecked in leather, waltzes from the pages of Stieg Larsson's The Girl with the Dragon Tattoo. This woman who subverts authority, maliciously tattoos and sodomizes a man, and intentionally distances herself from close relationships of any kind has somehow managed to capture both the attention and admiration of the American audience. This disheartening phenomenon stems from a renewed interest in the Byronic heroine, a female possessing those traits traditionally assigned to Byronic heroes and men, and the rise of …
Conforming To Conventions In Jane Austen's Northanger Abbey, Pride And Prejudice, And Emma, Veronica Olson
Conforming To Conventions In Jane Austen's Northanger Abbey, Pride And Prejudice, And Emma, Veronica Olson
Masters Theses
A major part of Jane Austen's novels consists of a critique of the societal conventions that were prevalent in Regency England. Through a study of Northanger Abbey, Pride and Prejudice, and Emma, it can be seen that Austen marginalizes those characters who chose conformity to social conventions. Contrariwise, the characters who exhibit a greater degree of autonomy within their patriarchal culture become the focus of the narrative. In looking at societal conventions concerning money, gender roles, and class status in conjunction with Austen's portrayal of various characters in the three novels, Austen's own views about conformity to societal conventions are …
Women As Victims In Tennessee Williams' First Three Major Plays, Ruth Foley
Women As Victims In Tennessee Williams' First Three Major Plays, Ruth Foley
Masters Theses
Although Tennessee Williams does not openly champion the rights of women in his plays, he presents strong cases against their social alienation in a harsh and brutal world governed by men. Williams' emotional leanings, sensitivity, and intuition enable him to see life through women's eyes. In The Glass Menagerie, A Streetcar Named Desire, and Summer and Smoke, Williams astutely sounds the battle cry for women to fight against male oppression. He shows how Amanda Wingfield, Laura Wingfield, Blanche Dubois, Stella Kowalski, and Alma Winemiller are held hostage to the rules governing patriarchal society and become unhappy marginalized victims. The self-contained …