English Language and Literature Commons^™

Jane Eyre, The Invisible Bisexual: Bisexual Erasure In Historical Literature, Christine L. Roland

PANDION: The Osprey Journal of Research and Ideas

The purpose of this article is to reveal Charlotte Brontë’s canonized heterosexual character Jane Eyre as bisexual and explain why critics unintentionally erase bisexuality in historical literature. Homosexuality emerged as a species in the 1800s, but the heterosexual-versus-homosexual binary scale overlooked bisexuality. Yet, bisexuality existed—and Victorian society encouraged it between women. Lesbianism and female “friendships” were promoted within female boarding schools and between women in heterosexual marriages; the precise relationships exemplified in Jane Eyre. Though Jane marries a man, her heterosexual “familial” marriage emerges only out of her bisexual nature, for she does not marry Rochester until he becomes effeminate. …

Haunted Heroines: An Examination Of The Complication Of The Gothic Heroine, Molly S. Callison

Honors Projects

This undergraduate research thesis is an examination of two of the most significant evolutions of the literary figure of the Gothic heroine, focusing on innovations made by Jane Austen in Northanger Abbey (1817) and Charlotte Brontë in Jane Eyre (1847). It discusses the origins of the Gothic heroine, set up by Horace Walpole in The Castle of Otranto (1764), and examines the ways that Austen and Brontë make their heroines more internally complex, bringing not only realism to the Gothic heroine but a psychological depth to the feminine Gothic.

Jane Eyre And Education, Cameron N. D'Amica

Student Publications

Charlotte Brontë created the first female Bildungsroman in the English language when she wrote Jane Eyre in the mid-nineteenth century. Brontë’s novel explores the development of a young girl through her educational experiences. The main character, Jane Eyre, receives a formal education as a young orphan and eventually becomes both a teacher and a governess. Jane’s life never strays far from formal education, regardless of whether she is teaching or being taught. In each of Jane’s experiences, she learns invaluable lessons, both in and out of the classroom environment. Jane excels in the sphere of formal education, which allows her …

Jane Eyre: The Bridge Between Christianity And Folklore, Teagan Lewis

Student Publications

Charlotte Brontё’s acclaimed novel, Jane Eyre, was first marketed as an autobiography. The story, told from the point of view of a poor orphan girl, takes on a narrative similar to that of a fairytale. In this way, a reader may find difficulty in believing this novel to be a work of nonfiction. Charlotte Brontё employs aspects of both Christianity and fantasy in her novel not to discourage her readers from believing its validity but rather to emphasize how even poor orphan girls like Jane have forces of good guiding them. Jane Eyre is fictional, yet the hardships she …

Reading Charlotte Bronte Reading, Madhumita Gupta

Department of English: Dissertations, Theses, and Student Research

This essay considers the significance of undirected childhood reading on an author’s mind and the reason some authors reference specific real books in their fiction. I argue that independent reading (as against schooling or formal education), and the direct and indirect references to certain books in Jane Eyre^[1] were deliberate, well-thought-out inclusions for specific purposes at different points in the story. When a title pointedly says Jane Eyre: An Autobiography, it is probable that a significant part of the author’s life has seeped into her creation which makes it essential to consider the relevant parts of her life to …

Letting In The Night: The Moon, The Madwoman, And The Irrational Feminine In Jane Eyre And Wide Sargasso Sea, Sophia Rosenthal

Scripps Senior Theses

This analysis examines Jane Eyre and Wide Sargasso Sea through the lens of lunar imagery and the irrational feminine, arguing that both texts are aspects of an extended, collective narrative in which both heroines rescue and reclaim their feminine essence from the construction of a masculine idealism.

"Mother, I Will": Female Subjectivity And Religious Vision In The Brontës Novels, Amanda Scott

UNLV Theses, Dissertations, Professional Papers, and Capstones

Anne, Charlotte, and Emily Brontë have long attracted sustained critical attention, in

large part because of their strong female protagonists. These strong-willed women self-assuredly reject oppression and model new paradigms for the Victorian woman to empower her subjectivity. This subjectivity serves, in turn, not only as the ability to form and express views counter to outworn social prescriptions, but it also serves as the centralized interior focus that allows their protagonists to think of themselves as the foremost subjects of their lives, rather than see themselves as pawns to be moved about in the games of patriarchal hierarchy. This study …

Intersectionality In Jane Eyre And Its Adaptations, Laurel Loh

Graduate Theses and Dissertations

During the almost 170 years since Jane Eyre was published, there have been numerous adaptations in many different mediums and genres, such as plays, films, musicals, graphic novels, spin-off novels, and parodies. The novel has been read in many different critical traditions: liberal humanist, historicist, feminist, and postcolonial approaches dealing with topics such as the problem of female authorship and consciousness. In addition, it has been read in terms of an ideological struggle based on race, class, and gender; xenophobia and imperialism; female labor politics; and genre issues, to just name a few. As literary critics have explored numerous themes …

Psychosexualism In Victorian Literature: A Psychoanalysis Of Jane Eyre And Dracula, Heather Marie Ward

Theses, Dissertations and Capstones

My thesis consists of historical facts and literary analysis and is made up of three chapters. In the first chapter, I look at two varying elements of psychosexualism, the emotional and the physical, and discuss how each can be applied to Jane Eyre and Dracula. The chapter also contains an explanation for the term psychosexualism and provides a brief history of: the Victorian notion of hysteria and spermatorrhea, the twentieth-century classifications of love and sex addiction, as well as the twenty-first-century to Histrionic Personality Disorder and Sexual Sadism Disorder. The second chapter provides an analysis of Jane Eyre, specifically looking …

Haunted By Passion: Supernaturalism And Feminism In Jane Eyre And Villette, Laurel Lorber

Seton Hall University Dissertations and Theses (ETDs)

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The Jurisprudence Of Jane Eyre, Anita L. Allen

All Faculty Scholarship

No abstract provided.

Madness And Sexual Politics In The Feminist Novel: Studies On Brontë, Woolf, Lessing, And Atwood, By Barbara Hill Rigney. The University Of Wisconsin Press: Madison, 1978 (Book Review), Nancy Topping Bazin

English Faculty Publications

[First Paragraph] Barbara Hill Rigney's aim in Madness and Sexual Politics in the Feminist Novel is "to reconcile feminism and psychology in the areas of literary criticism" and "to find examples in the major works of four representative feminist writers of the relationship between madness and the female condition." (p. 3). Rigney analyzes four novels, Charlotte Bronte's Jane Eyre, Virginia Woolf's Mrs. Dalloway, Doris Lessing's The Four-Gated City, and Margaret Atwood's Surfacing, and finds that "all depict insanity in relation to sexual politics and state that madness, to a greater or lesser degree, is connected to …