English Language and Literature | Open Access Articles

Reconceiving Self-Abnegation: Female Vulnerability As Embodied (Un)Sovereignty, Renee Lee Gardner Jun 2013

Reconceiving Self-Abnegation: Female Vulnerability As Embodied (Un)Sovereignty, Renee Lee Gardner

Dissertations

Liberal feminism views vulnerability as weakness and dominance as strength. This binary parallels nationalistic assertions of sovereignty. Within militaristic responses such as the U.S. retaliation to 9/11, however, we see the cost of refusing to acknowledge our vulnerability. In my analysis of eleven novels arising from eight distinct nation-states and representing historical moments from the final decades of slavery through the early post- 9/11 years, I use alternative (queer, postcolonial, Islamic) feminisms to read power in vulnerability. I explore female characters who deliberately self-abnegate – sacrificing their lives, bodies, voices, and children – but whose actions can be read as …

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Victorian Women And Their Working Roles, Kara L. Barrett May 2013

Victorian Women And Their Working Roles, Kara L. Barrett

English Theses

Women during the Victorian Era did not have many rights. They were viewed as only supposed to be housewives and mothers to their children. The women during this era were only viewed as people that should only concern themselves with keeping a successful household. However, during this time women were forced into working positions outside of the household.

Women that were forced into working situations outside of their households were viewed negatively by society. Many women needed to have an income to support their families because the men in the household were not making enough money to survive. When the …

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“In Counterfeit Passion”: Cross-Dressing, Transgression, And Fraud In Shakespeare And Middleton, Anastasia S. Bierman May 2013

“In Counterfeit Passion”: Cross-Dressing, Transgression, And Fraud In Shakespeare And Middleton, Anastasia S. Bierman

Department of English: Dissertations, Theses, and Student Research

This thesis examines the way women cross-dressing as men functions as a crime in Thomas Middleton and Thomas Dekker’s The Roaring Girl and William Shakespeare’s As You Like It and Twelfth Night. While many modern scholars have discussed cross-dressing in these plays, many look to the end of the plays as the foundation for their analysis rather than the play as a whole. Because of this oversight, scholars deem the characters in the plays not transgressive, when, in fact, cross-dressing is transgressive. They ignore the way cross-dressing is often presented in writing in the Renaissance, i.e. as a type …

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Women As Victims In Tennessee Williams' First Three Major Plays, Ruth Foley May 2013

Women As Victims In Tennessee Williams' First Three Major Plays, Ruth Foley

Masters Theses

Although Tennessee Williams does not openly champion the rights of women in his plays, he presents strong cases against their social alienation in a harsh and brutal world governed by men. Williams' emotional leanings, sensitivity, and intuition enable him to see life through women's eyes. In The Glass Menagerie, A Streetcar Named Desire, and Summer and Smoke, Williams astutely sounds the battle cry for women to fight against male oppression. He shows how Amanda Wingfield, Laura Wingfield, Blanche Dubois, Stella Kowalski, and Alma Winemiller are held hostage to the rules governing patriarchal society and become unhappy marginalized victims. The self-contained …

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The Female Quixote As Promoter Of Social Literacy, Amy Hodges Apr 2013

The Female Quixote As Promoter Of Social Literacy, Amy Hodges

ABO: Interactive Journal for Women in the Arts, 1640-1830

In Charlotte Lennox’s The Female Quixote, the unruly Arabella clashes with the eighteenth century’s conception of England as an orderly, unromantic site of commercial trade. Arabella’s romances prompt her to expect certain power structures from English society; she invites others to see her body as a spectacle and expects that her actions will solidify her status as a powerful woman. Yet Lennox reveals that English society sees Arabella’s body not as powerful, but as an object upon which they may construct their own potential site for the exchange of knowledge, an objectification that neither Arabella nor Lennox are prepared …

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Madam Britannia: Women, Church, And Nation, 1712-1812, By Emma Major, Kathryn Stasio Apr 2013