English Language and Literature Commons^™

Joan Rivers And Queen Elizabeth, Marleen S. Barr

Publications and Research

No abstract provided.

"I Enter Into Its Burning": Yvonne Vera's Beautiful Cauldron Of Violence, John C. Hawley

English

Commentators inevitably remark upon Yvonne Vera's prose and upon its startling application to the violent episodes she recounts. Some find it inappropriate, self-conscious, more suited to poetry than to prose. Others (and sometimes the same folks) describe it as by far her strongest suit, wherein descriptive powers overtake narration and plot becomes inevitably amorphous - but lovely. In this essay I wish to analyze why this conflicted response would not have concerned the author and why, in fact, she would have sought to discomfort the reader while bringing pleasure. Many writers before Vera have struggled over the applicability of art …

"Where Angels Fear To Tread": Tracing The Journey Of The Female Poet In Aurora Leigh, Dorcas Y. Lam

Senior Honors Theses

Through Aurora Leigh, Elizabeth Barrett Browning explores the role of female poets as agents of social change in the Victorian society. During the Victorian period, the role of women was largely confined to the domestic setting. While women were allowed to write, female writers were limited to the realm of novels, which was perceived by the Victorian society to be the less distinguished genre. In writing Aurora Leigh, Barrett Browning challenged this gender stereotype by producing a "novel-poem" that unites the feminine voice with masculine authority and superiority. Like Barrett Browning, Aurora Leigh, in her fictional role as a …

Between Catastrophe And Carnival: Creolized Identities, Cityspace, And Life Narratives, Cynthia Dobbs, Daphne Lamothe, Theresa Tensuan

Africana Studies: Faculty Publications

No abstract provided.

Regina Maria Roche’S The Children Of The Abbey: Contesting The Catholic Presence In Female Gothic Fiction, Diane Hoeveler

English Faculty Research and Publications

This article examines Regina Maria Roche’s immensely popular gothic novel, The Children of the Abbey (1796), in light of the ideological and political campaigns that occurred in Britain leading up to the passage of the Catholic emancipation bill in 1829. The Children of the Abbey has been the subject of recent critical interpretation by a number of scholars who attempt to argue that it is pro-Catholic. However, by confronting the portrait of her dead mother in the final volume, Roche’s heroine Amanda discovers not a magical representation of the unknowable and inexplicable past that often stands for Catholicism but instead …

From Tawa'if To Wife? Making Sense Of Bollywood's Courtesan Genre, Teresa Hubel

Department of English Publications

Introduction:

Although constituting what might be described as only a thimbleful of water in the ocean that is Hindi cinema, the courtesan or tawa'if film is a distinctive Indian genre, one that has no real equivalent in the Western film industry. With Indian and diaspora audiences generally, it has also enjoyed a broad popularity, its music and dance sequences being among the most valued in Hindi film, their specificities often lovingly remembered and reconstructed by fans. Were you, for example, to start singing "Dil Cheez Kya Hai" or "Yeh Kya Hua" especially to a group of north Indians over the …

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Literary Annual, Katherine D. Harris

Faculty Publications, English and Comparative Literature

No abstract provided.

“To Say Nothing”: Variations On The Theme Of Silence In Selected Works By Sor Juana Inés De La Cruz, Sandra Cisneros, And María Luisa Bombal, Hannah M. Frantz

Student Publications

This paper explores the various ways in which Sor Juana Inés de la Cruz’s La Respuesta, Sandra Cisneros’s “Woman Hollering Creek,” and María Luisa Bombal’s “The Tree” address the theme of silence. It interrogates how the female characters in each of these works are silenced as well as their responses to that oppression. Meaning is subjective, so writing is a safe outlet for the oppressed. These works each identify an oppressor, either a husband or the male dominated church, as well as an oppressed individual, who is the female lead. In La Respuesta, the Catholic church, and specifically …

Sacrificio, Violencia Y Nación En Lituma En Los Andes De Mario Vargas Llosa, Cesar Valverde

Scholarship

No abstract provided.

Review Of Monsters, Gender, And Sexuality In Medieval English Literature By Dana Oswald, Jeff Massey Ph.D.

Faculty Works: ENG (1995-2016)

The perceived gender, overt sexuality, and frightening reproductive potential of medieval monsters are placed under the cultural mico- and macro-scope in this revised dissertations, an ambitious and provocative (if sometimes self-limited) addition to the growing field of monster studies. As with most recent explorations in the filed, Dana Oswald's argument (repeated with force and regularity throughout) relives heavily on the work of Jeffrey Jerome Cohen, focusing on monsters as embodiments of cultural anxiety. However, the haunting traces of monstrosity collected by Oswald lead her to proclaim that not only does the monster always escape (as theorized by Cohen), but that …

`The Only Beguiled Person?': Accessing Fantomina In The Feminist Classroom., Kate Levin

Publications and Research

This article explores how Eliza Haywood's 18th-century novella Fantomina serves as an allegory for the challenges of maintaining a feminist classroom.

Cumberland [Abstract], Megan Gannon

Department of English: Dissertations, Theses, and Student Research

Set in a fictional town on the coast of Georgia in July of 1972, Cumberland is the story of two fifteen-year-old twin sisters, Ansel and Isabel (“Izzy”) Mackenzie, who have lived with their frugal, eccentric grandmother since the age of eight when their parents were killed in a car accident and Isabel was paralyzed. Over the years, the burden of caring for her sister has fallen increasingly on Ansel. However, as Ansel cultivates a romantic relationship with a local boy, as well as an artistic apprenticeship with a visiting photographer, her growing desires for selfhood and independence compromise her ability …

"To Bend Without Breaking": American Women's Authorship And The New Woman, 1900-1935, Amber Harris Leichner

Department of English: Dissertations, Theses, and Student Research

This dissertation focuses on constructions of female authorship in selected prose narratives of four American women writers in the early twentieth century: Edith Wharton, Willa Cather, Zitkala-Ša, and Gertrude Schalk. Specifically, it examines portraits of women in pieces that appeared in national magazines from 1900-1935 that bracket these writers’ careers and that reflect anxieties about their professional authorial identities complicated by gender and, in the case of Native American Zitkala-Ša (Yankton Sioux) and African American Gertrude Schalk, race as well. In a period characterized by fierce debates over the role of women in a dawning modern age, these writers participated …

Bibliography For The Study Of Text And Image In Modern European Culture, Natasha Grigorian

CLCWeb Library

No abstract provided.

Bibliography Of Central European Women's Holocaust Life Writing In English, Louise O. Vasvári

CLCWeb Library

No abstract provided.