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Articles 1 - 6 of 6
Full-Text Articles in English Language and Literature
Undiagnosing Iphis: How The Lack Of Trauma In John Gower’S “Iphis And Iante” Reinforces A Subversive Trans Narrative, C Janecek
Accessus
Trauma has long played a role in queer narratives, including Ovid’s “Iphis and Ianthe”, which many scholars have interpreted as reinforcing heteronormativity through Iphis’s transformation into a man in order to marry Ianthe. However, I argue that John Gower’s rendition of this tale reframes Iphis as a trans man and allows us to understand the poem as a subversive trans narrative that revolts against cisnormative conceptions of gender. Utilizing Judith Butler’s writing on the medicalization of gender, I explore the relationship between trauma, performance, and gender within the Ovidian and Gowerian versions of Iphis.
A Space Of Her Own: Genderfluidity And Negotiation In The Life Of Christina Of Markyate, Meghan L. Nestel
A Space Of Her Own: Genderfluidity And Negotiation In The Life Of Christina Of Markyate, Meghan L. Nestel
Medieval Feminist Forum: A Journal of Gender and Sexuality
This paper draws on transgender studies and theories of gender performativity and genderfluidity to consider how twelfth-century holy woman Christina of Markyate resists traditional and third-gender binary policing. It argues that Christina is genderfluid, and that as a secular, masculinized, and religious virgin, she co-exists within and moves among multiple gender spaces that allow her to establish her own authority.
Imperatrix, Domina, Rex: Conceptualizing The Female King In Twelfth-Century England, Coral Lumbley
Imperatrix, Domina, Rex: Conceptualizing The Female King In Twelfth-Century England, Coral Lumbley
Medieval Feminist Forum: A Journal of Gender and Sexuality
This article draws on methods from transgender theory, historicist literary studies, and visual analysis of medieval sealing practices to show that Empress Matilda of England was controversially styled as a female king during her career in the early to mid twelfth century. While the chronicle Gesta Stephani castigates Matilda’s failure to engage in sanctioned gendered behaviors as she waged civil war to claim her inherited throne, Matilda’s seal harnesses both masculine and feminine signifiers in order to proclaim herself both king and queen. While Matilda’s transgressive gender position was targeted by her detractors during her lifetime, the obstinately transgender object …
Demonic Pedagogy And The Teaching Saint: Voice, Body, And Place In Cynewulf's Juliana, Christina M. Heckman
Demonic Pedagogy And The Teaching Saint: Voice, Body, And Place In Cynewulf's Juliana, Christina M. Heckman
Medieval Feminist Forum: A Journal of Gender and Sexuality
In Cynewulf’s Old English poem Juliana, the saint frames her encounters with her adversaries as pedagogical confrontations, refusing the lessons they attempt to “teach” her and ultimately adopting the identity of a teacher herself. These confrontations depend on three key tropes in the poem: Juliana’s voice, as a material manifestation of language deployed by the saint; her body, both as living body and as relic; and place, especially the place of the saint’s martyrdom and/or burial. Viewed through theories of material feminism, these tropes reveal diverse forms of agency in the poem, as both human and non-human agents make …
Chaucer's Pardoner: The Medieval Culture Of Cross-Dressing And Problems Of Religious Authority, Larissa Tracy
Chaucer's Pardoner: The Medieval Culture Of Cross-Dressing And Problems Of Religious Authority, Larissa Tracy
Medieval Feminist Forum: A Journal of Gender and Sexuality
One of the most ambiguous and contentious characters in Geoffrey Chaucer’s fourteenth-century Canterbury Tales is the Pardoner, the last (and arguably worst) of the pilgrims described in the General Prologue. The Pardoner accused of being a gelding or a mare endowed with several effeminate traits, plays on multiple gendered associations—including that of a cross-dressing woman. Throughout the Canterbury Tales Chaucer manipulates gender expectations and assumptions in the figure of the Pardoner without fully clarifying the Pardoner’s sex, sexuality or gender, leaving the text open to potentially subversive interpretations. By the fourteenth century, cross-dressing was a relatively common literary motif, …
“A Drunken Cunt Hath No Porter”: Medieval Histories Of Intoxication And Consent, Carissa M. Harris
“A Drunken Cunt Hath No Porter”: Medieval Histories Of Intoxication And Consent, Carissa M. Harris
Medieval Feminist Forum: A Journal of Gender and Sexuality
This essay traces medieval representations of intoxication and consent and links them to contemporary cases, including Brock Turner’s 2016 rape trial and the 2017 slew of lawsuits filed against Baylor University. Through an examination of medieval texts from a range of genres, including the Biblical stories of Lot and Noah, the Digby Mary Magdalene play, proverbs, Geoffrey Chaucer’s Wife of Bath’s Prologue, the 1292 legal case of Isabella Plomet, and Robert Mannyng’s Handlyng Synne, this essay explores past views of gender, perpetrators, culpability, alcohol, and consent. It argues that victim-blaming those who have been assaulted while intoxicated has …