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Articles 1 - 5 of 5
Full-Text Articles in English Language and Literature
Seeing With The Eyes Of The Soul: Visionary Women, Meditative Lives Of Christ, And Their Readers In Late-Medieval England, Caitlin J. Branumthrash
Seeing With The Eyes Of The Soul: Visionary Women, Meditative Lives Of Christ, And Their Readers In Late-Medieval England, Caitlin J. Branumthrash
Doctoral Dissertations
This dissertation investigates the interactions in the transmission and reception of visionary women’s texts, devotional retellings of Christ’s life, and female book cultures in late-medieval England (ca.1350-1550). Surveying English manuscripts and texts containing the texts of St. Birgitta of Sweden and Mechthild of Hackeborn indicates a link in the commensurate popularities of the Life of Christ genre and the visionary women. Devotional Lives of Christ written by men incorporate visionary texts, though they reflect implicit medieval misogyny even as they celebrate the holy women. In contrast, a Life of Christ written by a medieval English nun blends the lived experiences …
Home/Economics: Enterprise, Property, And Money In Women’S Domestic Fiction, 1860-1930, Julia Poindexter Mcleod
Home/Economics: Enterprise, Property, And Money In Women’S Domestic Fiction, 1860-1930, Julia Poindexter Mcleod
Doctoral Dissertations
“Home/Economics: Enterprise, Property, and Money in Women’s Domestic Fiction, 1860-1930” connects American women’s literature to the ideological tensions that affected women’s participation in the development of industrial capitalism in the late-nineteenth and early twentieth centuries. Working against separate spheres ideologies that largely restricted women’s activities to domestic duties as wives and mothers and discouraged them from working in the public marketplace, American women authors engaged with the contemporary economic theories of John Stuart Mill and Thorstein Veblen and promoted New Woman principles to forge new avenues of fulfilling and productive work for women.
In chapters focusing on entrepreneurial work that …
Gothic Modernism: Revising And Representing The Narratives Of History And Romance, Taryn Louise Norman
Gothic Modernism: Revising And Representing The Narratives Of History And Romance, Taryn Louise Norman
Doctoral Dissertations
Gothic Modernism: Revising and Representing the Narratives of History and Romance analyzes the surprising frequency of the tones, tropes, language, and conventions of the classic Gothic that oppose the realist impulses of Modernism. In a letter F. Scott Fitzgerald wrote about The Great Gatsby, he explains that he “selected the stuff to fit a given mood or ‘hauntedness’” (Letters 551). This “stuff” constitutes the “subtler means” that Virginia Woolf wrote about when she observed that the conventions of the classic Gothic no longer evoked fear: “The skull-headed lady, the vampire gentleman, the whole troop of monks and monsters …
Lizard Girl And Other Girl Stories, Melinda Beth Keefauver
Lizard Girl And Other Girl Stories, Melinda Beth Keefauver
Doctoral Dissertations
This dissertation addresses the notable lack of the comic mode in contemporary ecofiction and aims to integrate humor and ecological inflection through the female narrative voice. Comedy and ecology rarely intersect in literary fiction. Ecofiction tends to be unfunny because the category grows out of the nonfiction tradition of nature writing, a genre that yields solemn, reverent, meditative essays that lack humor. Also, works of ecofiction can seem didactic, lacking the complexity, richness, and ambiguity that characterize literary fiction. Furthermore, literary critics often view comedic stories as lacking in literary quality. However, comedy has an intensifying effect on narrative, imbuing …
Invisible Mink, Jessie L Janeshek
Invisible Mink, Jessie L Janeshek
Doctoral Dissertations
Emily Dickinson, Frances Sargent Osgood, and Sarah Piatt render the nineteenth-century “women’s sphere” ironically Unheimliche while simultaneously conveying it as the “home sweet home” the sentimental tradition prescribes it should be. These American women poets turn the domestic milieu into, as Paula Bennett phrases it, “the gothic mise en scene par excellence…the displacements, doublings, and anxieties characterizing gothic experience are the direct consequence of domestic ideology’s impact on the lives and psyches of ordinary bourgeois women (121-122).”
Anne Sexton and Sylvia Plath continue to represent the Unheimliche home in their poetry through the middle of the twentieth century, specifically by …