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Full-Text Articles in English Language and Literature

Craftivism And Cottonian Bindings: “The Handiwork Of Greta Hall”, Helen Williams Jun 2023

Craftivism And Cottonian Bindings: “The Handiwork Of Greta Hall”, Helen Williams

Criticism

Edith Southey, Edith May Southey, and Sara Coleridge Jr. covered Robert Southey’s books in vibrantly printed dress fabrics, creating a collection that came to be called “the Cottonian Library.” This article is a manifesto for Cottonian bookbinding to be studied as feminist literary activism. It argues for the importance of looking beyond the book trades to the domestic and unremunerated ways in which women contributed to Romantic period book design, suggesting that the new feminist Craftivism can prompt us to historicize and to acknowledge the significance of Cottonian bookbinding as a practice that cannot be omitted from any history of …


Deforming Normalcy: Deformity And Disability In William Blake's Art, Seolha Lee Apr 2019

Deforming Normalcy: Deformity And Disability In William Blake's Art, Seolha Lee

Department of English: Dissertations, Theses, and Student Research

This thesis examines William Blake’s verbal and visual art from the perspective that disability is a physical and mental condition that is viewed by society as deviant. Prior to modern conceptions of disability in Britain, the deviation was labeled as “deformity.” This thesis demonstrates various ways in which Blake illustrates deformity, and through this, prefigures the modern sense of disability in his art. I argue that Blake’s representation of deformity in his poetry and drawings is intended to reveal the precariousness of the “normal” human body and inform the reader and viewer that normality is an illusion. The age of …


"A Defect In Their Education": Blake, Haydon, And The Misguided British Audience.Pdf, Stephen C. Behrendt Dec 2009

"A Defect In Their Education": Blake, Haydon, And The Misguided British Audience.Pdf, Stephen C. Behrendt

Stephen C Behrendt

This essay examines the attitudes of William Blake and Benjamin Robert Haydon to the subject of grand-style history painting and traces their frustrations with an English viewing audience whose tastes both artists considered to be misguided, unimaginative, and generally hostile to the "highest" forms of visual art.