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Articles 1 - 17 of 17
Full-Text Articles in English Language and Literature
Ethnic Irony In Melvin B. Tolson's "Dark Symphony", Elizabeth Newton
Ethnic Irony In Melvin B. Tolson's "Dark Symphony", Elizabeth Newton
Publications and Research
This article historicizes musical symbolism in Melvin B. Tolson’s poem “Dark Symphony” (1941). In a time when Black writers and musicians alike were encouraged to aspire to European standards of greatness, Tolson’s Afro-modernist poem establishes an ambivalent critical stance toward the genre in its title. In pursuit of a richer understanding of the poet’s attitude, this article situates the poem within histories of Black music, racial uplift, and white supremacy, exploring the poem’s relation to other media from the Harlem Renaissance. It analyzes the changing language across the poem’s sections and, informed by Houston A. Baker Jr.’s study of “mastery …
To Reach The Unreachable Stars: Reexamining The Shared Arthurian Vision Of C. S. Lewis's Science Fiction Trilogy And Raymond Chandler's Marlowe Novels, Hollis Thompson
To Reach The Unreachable Stars: Reexamining The Shared Arthurian Vision Of C. S. Lewis's Science Fiction Trilogy And Raymond Chandler's Marlowe Novels, Hollis Thompson
Electronic Theses and Dissertations
Although Raymond Chandler and C. S. Lewis seem to be a rather strange pairing, the ways in which they both borrow from Arthurian literature and use the myth to speak to their cultural moment are strikingly similar. Following T. S. Eliot’s use of the Grail quest in The Waste Land (which set a standard for the use of such material in Modern literature), these authors use Arthurian elements as a means of exposing hidden connections between the fragments of the literary past and the present within Chandler’s Marlowe novels and Lewis’s science fiction trilogy. Both men present Western identity as …
The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz
The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz
Theses and Dissertations
This thesis seeks to situate The Masses magazine (1911-1917) within a specific discursive tradition of revolution, revealing a narrative pattern that is linked with discourse that began to emerge during and after the French Revolution. As the term “socialism” begins to resonate again within popular American political discourse (and as a potentially viable course of action rather than a curse for damnable offense), it is worthwhile to trace its significance within American history to better understand its aesthetic dimensions, its radical difference, and its way of devising problems and answers. In short, this thesis poses the question: what ideological structures …
Under The Sign Of Suicide, Theodore Emmanuel Prassinos
Under The Sign Of Suicide, Theodore Emmanuel Prassinos
Wayne State University Dissertations
“Under the Sign of Suicide,” examines modernist writers’ intense and sustained preoccupation with and representations of suicide. Beyond numerous essays on the topic, we also find many fictional characters such as Fyodor Dostoevsky’s Svidrigailov and Kirilov both taken by gunshot, Stavrogin and Smerdyakov both by hanging. We also find Franz Kafka’s George Bendemann who takes his life by drowning, and Virginia Woolf’s Septimus Smith by impaling, Her character, Rhoda, dies off a cliff. In American literature, we find Edna Pontellier, Quentin Compson, Clare Kendry, Semour Glass, Teddy McArdle, Willy Loman, Tod Clifton, and on and on. This list is surely …
But What Has Helga Crane To Do With The West Indies? Plantation Afterlives In The Black Atlantic, Rachel Mckenzie Carr
But What Has Helga Crane To Do With The West Indies? Plantation Afterlives In The Black Atlantic, Rachel Mckenzie Carr
Theses and Dissertations--English
“But What Has Helga Crane to Do with the West Indies? Plantation Afterlives in the Black Atlantic” situates the emergence of the southern gothic in modernist American and Caribbean works as a response to the shifting cultural narrative of the plantation in the twentieth century. In this project, I argue that the plantation seeps out of its place and time to haunt landscapes it may never have touched and times in which slavery is long over. While the plantation system is broadly recognized as a literary, political, and cultural force in nineteenth-century literary studies, I conceive it is also a …
The Bird That Flew Backwards, Robin Gow
The Bird That Flew Backwards, Robin Gow
English Honors Papers
The Bird that Flew Backwards examines women poets from literary Modernism in the 1910s and Beat culture in the 1950s. Analyzing these eras in tandem reveals contrasting historical constructions of American womanhood and how sociocultural trends influenced how the “poetess” constructed herself and her work and illustrates the retrograde nature of women’s rights in the 1950s. Through close reading, digital mapping, and historical background, The Bird that Flew Backwards establishes a new critical perspective by linking the more well-known Modernists with lesser-known women in 1910s Greenwich Village Bohemia. This linkage between eras branches off to explore themes of formation of …
Modern American Cover Art: The Great Gatsby Through Time, Jessica Harrell
Modern American Cover Art: The Great Gatsby Through Time, Jessica Harrell
Senior Theses
Book jackets and cover art are, more than anything, an advertising tool used to attract consumers, promote book sales, and establish company identity. F. Scott Fitzgerald’s The Great Gatsby is a staple in the canon of American literature whose cover art has drastically transformed in the ninety years since its original publication. This thesis traces these changes over time, focusing specifically on publishing history, art history, American culture, and thematic interpretations. In doing so, I found that the most substantial influences on these covers were publishing house identity, design trends, and available artistic techniques. Ultimately, The Great Gatsby’s cover …
The Significance Of The Game Of Pool In Ernest Hemingway’S “Soldier’S Home”, Molly J. Donehoo
The Significance Of The Game Of Pool In Ernest Hemingway’S “Soldier’S Home”, Molly J. Donehoo
Electronic Theses and Dissertations
In his 1929 A Farewell to Arms, American Author Ernest Hemingway provides the thesis for all of American Modernism when he writes, “the world breaks everyone and afterward many are strong at the broken places” (216). If the world breaks everyone Hemingway’s focus becomes not in the breaking but in the solutions for becoming strong at the broken places. Throughout his canon Hemingway presents the healing rituals and therapeutic patterns that govern sports and game as a solution to becoming strong at the broken places. While critics have closely analyzed and scrutinized some of his most recognized short-stories, stories …
An Uninformed Pilgrim, Lillian Fassero
An Uninformed Pilgrim, Lillian Fassero
Aidenn: The Liberty Undergraduate Journal of American Literature
Joseph C. Pattison’s article, “The Celestial City, or Dream Tale,” examines Nathaniel Hawthorne’s “The Celestial Railroad” and portrays the narrator as a Christian hero standing against the modernist persuasions of his time – a protagonist who enters the story with firm orthodox convictions and exits his dream journey with unaltered principles or character. However, Hawthorne’s narrator frequently adopts new modernist arguments and wavers in his pre-formed convictions. He toys with Christian faith but promptly discards any accusations of guilt that such beliefs suggest. While he repeatedly compromises his principles and doubts the ramifications of Christian faith, his dynamic nature is …
Southern Transfiguration: Competing Cultural Narratives Of (Ec)Centric Religion In The Works Of Faulkner, O’Connor, And Hurston, Craig D. Slaven
Southern Transfiguration: Competing Cultural Narratives Of (Ec)Centric Religion In The Works Of Faulkner, O’Connor, And Hurston, Craig D. Slaven
Theses and Dissertations--English
This project explores the ways in which key literary texts reproduce, undermine, or otherwise engage with cultural narratives of the so-called Bible Belt. Noting that the evangelicalism that dominated the South by the turn of the twentieth century was, for much of the antebellum period, a relatively marginal and sometimes subversive movement in a comparatively irreligious region, I argue that widely disseminated images and narratives instilled a false sense of nostalgia for an incomplete version of the South’s religious heritage. My introductory chapter demonstrates how the South’s commemorated “Old Time” religion was not especially old, and how this modernist construct …
Kenneth Koch's Postmodern Comedy Revisited, John Campbell Nichols
Kenneth Koch's Postmodern Comedy Revisited, John Campbell Nichols
Masters Theses
This thesis describes and analyzes the postmodern comedy of New York School poet, Kenneth Koch and discusses the changes this comedy underwent throughout his lengthy career. The thesis is divided into four chapters. Chapter I explains the aesthetic of the New York School of poets as contrasted to the dominant New Critical compositional aesthetic embodied by poets such as Robert Lowell in the mid-century United States. Chapter II develops Koch’s comedy as expressing an emergent postmodernism. Chapter III discusses the various aspects of Koch’s comedy, sampling poems from across his career. Chapter IV traces the development and maturity of Koch’s …
The World In Singing Made: David Markson's "Wittgenstein's Mistress", Tiffany L. Fajardo
The World In Singing Made: David Markson's "Wittgenstein's Mistress", Tiffany L. Fajardo
FIU Electronic Theses and Dissertations
In line with Wittgenstein's axiom that "what the solipsist means is quite correct; only it cannot be said, but makes itself manifest," this thesis aims to demonstrate how the gulf between analytic and continental philosophy can best be bridged through the mediation of art. The present thesis brings attention to Markson's work, lauded in the tradition of Faulkner, Joyce, and Lowry, as exemplary of the shift from modernity to postmodernity, wherein the human heart is not only in conflict with itself, but with the language out of which it is necessarily constituted. Markson limns the paradoxical condition of the subject …
Gothic Modernism: Revising And Representing The Narratives Of History And Romance, Taryn Louise Norman
Gothic Modernism: Revising And Representing The Narratives Of History And Romance, Taryn Louise Norman
Doctoral Dissertations
Gothic Modernism: Revising and Representing the Narratives of History and Romance analyzes the surprising frequency of the tones, tropes, language, and conventions of the classic Gothic that oppose the realist impulses of Modernism. In a letter F. Scott Fitzgerald wrote about The Great Gatsby, he explains that he “selected the stuff to fit a given mood or ‘hauntedness’” (Letters 551). This “stuff” constitutes the “subtler means” that Virginia Woolf wrote about when she observed that the conventions of the classic Gothic no longer evoked fear: “The skull-headed lady, the vampire gentleman, the whole troop of monks and monsters …
The Time Machine And Heart Of Darkness: H.G. Wells, Joseph Conrad, And The Fin De Siecle, Haili Ann Vinson
The Time Machine And Heart Of Darkness: H.G. Wells, Joseph Conrad, And The Fin De Siecle, Haili Ann Vinson
USF Tampa Graduate Theses and Dissertations
Much work has been done on the relationship between fin de siècle authors H.G. Wells, Joseph Conrad, Henry James, Stephen Crane, and Ford Madox Ford. As Nicholas Delbanco explains, these writers lived closely to one another in Kent during the transition into the Twentieth Century. While scholars have stressed the collaboration between Conrad and Ford and the disagreements between Wells and James, fewer have treated the relationship of Wells and Conrad. Their most widely read works, The Time Machine and Heart of Darkness, share remarkable similarities that reveal common topical influences on both writers. Furthermore, I argue that Wells …
The Mother Tongues Of Modernity: Modernism, Transnationalism, Translation, Roland K. Végső
The Mother Tongues Of Modernity: Modernism, Transnationalism, Translation, Roland K. Végső
Department of English: Faculty Publications
The relation of modernism to immigrant literatures should not be conceived in terms of an opposition between universalistic and particularistic discourses. Rather, we should explore what can be called a modernist transnationalism based on a general universalist argument. Two examples of this transnationalism are explored side by side: Ezra Pound’s and Anzia Yezierska’s definitions of the aesthetic act in terms of translation. The readings show that the critical discourses of these two authors are structured by a belief in universalism while showing opposite possibilities, both generated by modernist transnationalism. The essay concludes that we now need to interpret the cultures …
Modernist Pedagogy At The End Of The Lecture: It And The Poetics Classroom, Alan Filreis
Modernist Pedagogy At The End Of The Lecture: It And The Poetics Classroom, Alan Filreis
Alan Filreis
Describes a modernist pedagogy based on the end of the lecture as we know it and a convergence of poetics, universities and the rise of digital media.
Alan Moore And The Graphic Novel: Confronting The Fourth Dimension, Mark Bernard, James Carter
Alan Moore And The Graphic Novel: Confronting The Fourth Dimension, Mark Bernard, James Carter
James B Carter
Comics, especially the works of Alan Moore, are examined as meeting the goals of modernist artists and writers due to their combination of image and text, succeedeing where neither form of expression could independently of one another.