Korean Studies Commons^™

Asia Pacific Perspectives Vol. 19 No. 1, 2025, University Of San Francisco

Asia Pacific Perspectives

Articles

Think Pieces

Photo Essay

Book Reviews

In Memoriam Gwangju: Transnational Memoryscapes Of Gwangju And Buenos Aires In The Works Of Han Kang And Im Heung-Soon, Heewon Chung

CLCWeb: Comparative Literature and Culture

Currently acclaimed as the first Asian female author who won the Nobel Prize in literature, Korean writer Han Kang has persistently struggled with memoryscapes and traumascapes. Han’s collection of poems Winter Beyond the Mirror delineates the poetic “I”’s experiences of visiting Argentina and describes how she senses the interconnectedness between Gwangju and Buenos Aires. Korean artist-filmmaker Im Heung-soon’s recent film Good Light, Good Air addresses the same issue, and actually Im and Han have shared a mutual concern about it since Han’s novel Human Acts. This essay defines Winter Beyond the Mirror and Good Light, Good Air, coupled …

Writing The Script: Shaping Korean National Identity, Media Imperialism And The Revolution Of K-Dramas, Isai J. Martinez

Electronic Theses, Projects, and Dissertations

This thesis explores the role of South Korean television dramas (K-dramas) as cultural artifacts that the Korean creators have created and become agents, which in turn has constructed and projected globally the modern South Korean national identity. Positioned at the crossroads of cultural imperialism, nationalism, resistance and appropriation, K-dramas have become extremely critical to reshaping South Korea’s place in the global media landscape. Through the lens of the Hallyu (The Korean Wave), this study analyzes how K-drama’s navigate an ambiguous cultural space which simultaneously resists Western media dominance while appropriating global forms including platform-based distribution, tailoring original content to …

Think Piece: New South Korean Framework For Conceptualizing Nonkoreans?: Taehanoegugin And The Politics Of National Boundary-Making, Min Joo Lee

Asia Pacific Perspectives

Taehanoegugin is a newly coined Korean term that gained popularity around 2018 when a television program of the same name began airing on one of the Korean cable networks. It is a mixture of two independent and preexisting terms: the first part of the word, Taehan (대한), refers to the Republic of Korea; the latter part of the term, Oegugin (외국인), means foreigner. Hence, translated, the term means the Republic of Korean-foreigners. The term gained popularity enough to be adopted by other television entertainment programs and a sector of the government. What can we make of the term’s popularity? Does …

Representasi Cancel Culture Di Korea Selatan Dalam Film Pilot (2024), Sharfina Rahmanita Adani, Amelia Burhan

Multikultura

Cancel culture is a social phenomenon that occurs when an individual receives public backlash due to actions or statements considered to violate social norms. This phenomenon has become increasingly prominent in South Korea, attracting attention in its highly collective and responsive digital society, which has led to its portrayal in various media works. One such work is the film Pilot (2024), which tells the story of a famous pilot's reputation falling after a gender-biased comment of his spread widely online and drew public scrutiny. This study aims to analyze the representation of cancel culture in the film Pilot (2024) using …

The Sudden Deluge: Parasite, Matthew 24:36-51, And Immanent Apocalyptic Imagery, Diana Abernethy

Journal of Religion & Film

Bong Joon Ho’s 2019 film Parasite shares significant imagery with the apocalyptic teachings in Matthew 24:36-51. Both feature oblivious carousers before a flood, sleeping homeowners, and domestic workers caught unaware by a returning homeowner. This article argues that this shared imagery gives Parasite an apocalyptic edge that intensifies the film’s warnings about potential consequences of extreme economic disparities in capitalism. This article develops this argument by (1) highlighting the apocalyptic features of Matthew 24:36-51; (2) describing the convergence of imagery between Parasite and Matthew 24:36-51; and (3) exploring how the film’s apocalyptic edge illuminates urgent and latent dangers of extreme …

Commodification Of Korean Culture In The West: Orientalism In The Era Of Modern Social Media, Samantha Giudice

International and Global Studies Undergraduate Honors Theses

South Korea, hereafter referred to as Korea, lies within the Korean Peninsula. It currently boasts a population of 53 million people residing within 38,724 square miles and a GDP of 1.811 trillion US dollars, making it the 13^th largest economy in the world. Since the Korean War to today Korea has turned into a major economic and cultural epicenter remaining at the center of technological advancements and pop culture production. While the exportation of this pop culture has allowed the economy grow at unprecedented rates, it has also led to less favorable interactions with Korean culture by people all …

Jogakpo Window (7 Feet X 4 Feet), Seo-Young J. Chu

Publications and Research

Materials: glass, sunlight, post-it notes. Image description: Photographs show a large window covered with a 조각보 patchwork of colorful post-it notes. Sunlight illuminates the paper.

Minari: The Concealed Asian Aspiration Wrapped In The American Dream, Anh Luan Tran-Nguyen, Arthur Nguyen

Markets, Globalization & Development Review

After the success of the Korean film Parasite, Minari – a quasi-autobiographical drama of the Korean-American film director Lee Isaac Chung – has again turned the global public’s attention to Korean culture at large. In this review, we shed light on two themes that we capture from the movie: tensions and compromises in chasing the American dream of immigrants. Although stories about pursuing the American dream are abundant, we know less about how that dream causes tensions at the individual and family levels and how the tensions are resolved. Minari is an excellent example to probe the unfolding issues relating …

Minari: The Invincible, Soonkwan Hong

Markets, Globalization & Development Review

No abstract provided.

Hyphenated Globalization: First, Wide Propagation; Then, Gradual Elimination, Nikhilesh Dholakia, Deniz Atik

Markets, Globalization & Development Review

No abstract provided.

"Writing Unspeakable Things: Speechlessness, Abjection, And The Ethics/Aesthetics Of (Not) Representing Sexual Violence In Three Korean American "Comfort Women' Novels", M Laura Barberan Reinares

Publications and Research

This article analyzes “comfort women” novels by the Korean American authors Therese Park, Nora Okja Keller, and Chang-rae Lee in terms of the ethics and aesthetics of representing sexual violence through language. I specifically look at these authors’ stylistic strategies to describe rape in writing and how they (more or less successfully) avoid voyeuristic portrayals of the “comfort women” by controlling the narrative point of view and relying on traumatic “speechlessness” and abjection. Building on relevant notions from the fields of photography, cinematography, philosophy, and psychoanalysis, this analysis suggests that in-progress representations of rape in language become a futile project …

Towards A Decolonial Feminist Aesthetics: Gender, Race, And Empire In Theresa Hak Kyung Cha’S Dictee, Juwon Jun

Dissertations, Theses, and Capstone Projects

Defining revolutionary struggle as a struggle between fictions, Trinh T. Minh-ha asserts that art in revolution is a spiritual presence which widens the conception of freedom. Political struggle is constituted by clashes in differently written and conceived realities—hinged on the creation and realization of multiple liberatory fictions. Liberation then requires us to attend to creating new myths and conceptions of freedom which can free us from the current structures of domination that produce current subjects and realities. If culture is indeed an “essential element in the history of a people,” mapping decoloniality in cultural and aesthetic fields may be essential …

Self Hood And Self Realization In Contemporary Korean Dramas, Kevin Chang, Yanjie Wang

Honors Thesis

Korean dramas are an important worldwide cultural phenomenon; however, there has been a lack of direct critical analysis on contemporary Korean dramas. Significantly, popular media is a potent tool to understand a country’s societal values. Given Korea’s intellectual contact with the West, it is possible to interpret K-dramas through the lens of self-realization. It’s Okay to Not be Okay teaches us that trauma must be faced to overcome it though the stories of Moon Gang-tae, Sang-tae, and Ko Moon-young. In Extracurricular, Jisoo and Gyuri represent how the current youth environment of South Korea stifles self-expression and self-realization. Itaewon Class, …

Morkovcha [Korean Carrot Salad], Lidiya A. Kan

Theses and Dissertations

Morkovcha, Korean Carrot Salad is a short documentary that tells a story of ethnic Koreans from Russia and the post-Soviet territories making their new home in New York City. The history of the diaspora is told through conversations with my mother, personal stories, fragmented memories, and my family photo archive. This very personal film is my attempt to revisit the 160-year history of the Russian Korean diaspora and to record and preserve our unique fusion of cultures in the melting pot that is the United States. Its purpose is to help to process and accept the tragic past of my …

Through The Lens Of Koreans: The Influence Of Media On Perceptions Of Feminism, Neha Cariappa

Master's Projects and Capstones

Regardless of country and culture, the media has the power to influence the opinions and perceptions of its viewers. This project evaluates specific Korean movies—and the reactions of South Koreans to gender representations in films that are considered “feminist”—along with the variety show genre, which also tends to reinforce gender stereotypes and imbalances. With these media representations as a framework, this research explores the impact of the internet in forwarding feminist views along with unearthing the reactions of Koreans. Given the anonymity of the internet and social media, these platforms allow for honest expression and counterpoints to sexist views and …

The South Korean “Meta-Avant-Garde,” 1961–1993: Subterfuge As Radical Agency, Sooran Choi

Dissertations, Theses, and Capstone Projects

My dissertation examines South Korean performance and conceptual art from 1961 to 1993 during the Cold War military dictatorship, and focuses on the dynamics of socio-political tension between the military dictatorship and the opposition of political dissidents comprised mostly of artists, students, and intellectuals, who defined themselves as “avant-garde artists.” Censored and suppressed by both the authoritarian government and the complacent art establishment, these art movements were omitted from conventional South Korean art history, and oftentimes dismissed as derivatives of Western art. My dissertation offers a critical revision of these activities by framing them instead as forms of radical dissent. …

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.

The Dmz Responds, Seo-Young J. Chu

Publications and Research

Seo-Young Chu’s “The DMZ Responds” appeared in Telos 184 (Fall 2018), a special issue on Korea edited by Haerin Shin.

Buddhism In Korean Film During The Roh Regime (1988-1993), Ronald S. Green

Philosophy and Religious Studies

This article outlines and critically discusses South Korean Buddhist films made during the time of the Roh Tae-woo government (1988-1993), which can be called a semi-democratic and semi-dictatorial regime. This was a period of transition in film policy from the censorship of the earlier dictatorial regimes to the freedom of expression offered to directors by the later democratic administrations, unprecedented in Korean film history. During this period the technical skill of directors improved bringing about a corresponding improvement in the quality of Korean Buddhist films and thus international attention. Although the government allowed filmmakers considerably more freedom to express ideas …

Buddhism, Uncertainty And Modernity In A Hometown In Heart, Ronald S. Green, Chanju Mun

Philosophy and Religious Studies

A Hometown in Heart (Maeumui gohyang, 1949), written by Ham Sedeok (1915-1950) and directed by Yun Yonggyu (b.1913), is said to be the first Korean Buddhist film. It depicts Buddhism in a remote mountain region without even electricity. The main character of the film, an orphaned child monk, must decide what to do with his life. This paper argues that the central aspect of the Buddhism-related symbols represent Korean tradition and that the supporting characters represent socio-political forces in post-liberation Korean society just after liberation, pulling the young generation of Koreans in various directions. In particular, the film centers on …

I, Stereotype: Detained In The Uncanny Valley, Seo-Young J. Chu

Publications and Research

In "I, Stereotype," Seo-Young Chu applies Mori's theory of the uncanny valley not to robots but to a different species of humanoid artifact: stereotypes of the "yellow peril." Through analyses of stories by Sax Rohmer, World War Two propaganda, and films from the Bond franchise, Chu investigates ways in which the logic of the uncanny valley has interacted with and shaped Orientalist and techno-Orientalist stereotypes (as well as the stereotype-as-a-perceived-type-of-person more generally). In the process, Chu explores what it means to find one's ethnic group detained in the uncanny valley, what it means to use stereotyping as a time-saving technology …

Utopias Misplaced: The Cost Of Outsourcing Dystopian Poetics To North Korea, Seo-Young J. Chu

Publications and Research

This is a slightly revised version of the text of a talk that I (Seo-Young Chu) gave as part of the Fall 2014 Franke Lectures in the Humanities at Yale University. I'm sharing the text here to make the lecture more accessible. Topics include: North Korea/the DPRK, the "uncanny body politic," the uncanny valley, "dystopian poetics," what it means to outsource dystopian poetics, the intersection of aesthetics and politics. Authors/artists mentioned include: Thomas Hobbes, Mary Shelley, David Mitchell, Marjane Satrapi, Song Byeok, Sun Mu, Masahiro Mori, Andy Warhol. The talk also discusses the James Bond film Die Another Day.

Science-Fictional North Korea: A Defective History, Seo-Young J. Chu

Publications and Research

Kafkaesque, Orwellian, eerie, surreal, bizarre, grotesque, alien, wacky, fascinating, dystopian, illusive, theatrical, antic, haunting, apocalyptic: these are just a few of the vaguely science-fictional adjectives that are now associated with North Korea. At the same time, North Korea has become an oddly convenient trope for a certain aesthetic – an uncanny opacity; an ominous mystique – that many writers and artists have exploited to generate striking science-fictional effects in texts with little or no connection to North Korean reality. (The 2002 Bond film Die another Day, for example, draws from North Korea’s science-fictional aura to animate North Korean super-villains who …