Korean Studies Commons^™

In Memoriam Gwangju: Transnational Memoryscapes Of Gwangju And Buenos Aires In The Works Of Han Kang And Im Heung-Soon, Heewon Chung

CLCWeb: Comparative Literature and Culture

Currently acclaimed as the first Asian female author who won the Nobel Prize in literature, Korean writer Han Kang has persistently struggled with memoryscapes and traumascapes. Han’s collection of poems Winter Beyond the Mirror delineates the poetic “I”’s experiences of visiting Argentina and describes how she senses the interconnectedness between Gwangju and Buenos Aires. Korean artist-filmmaker Im Heung-soon’s recent film Good Light, Good Air addresses the same issue, and actually Im and Han have shared a mutual concern about it since Han’s novel Human Acts. This essay defines Winter Beyond the Mirror and Good Light, Good Air, coupled …

The Sudden Deluge: Parasite, Matthew 24:36-51, And Immanent Apocalyptic Imagery, Diana Abernethy

Journal of Religion & Film

Bong Joon Ho’s 2019 film Parasite shares significant imagery with the apocalyptic teachings in Matthew 24:36-51. Both feature oblivious carousers before a flood, sleeping homeowners, and domestic workers caught unaware by a returning homeowner. This article argues that this shared imagery gives Parasite an apocalyptic edge that intensifies the film’s warnings about potential consequences of extreme economic disparities in capitalism. This article develops this argument by (1) highlighting the apocalyptic features of Matthew 24:36-51; (2) describing the convergence of imagery between Parasite and Matthew 24:36-51; and (3) exploring how the film’s apocalyptic edge illuminates urgent and latent dangers of extreme …

Loving 바리데기: A Traveler's Guide To Anthologizing The 여성 시인, Tiffany Hyunkyung Chang

Comparative Literature Undergraduate Senior Theses

This thesis retells the folktale of the Korean shaman goddess 바리데기’s (Paridegi) as my journey through Korean literature. It follows Korean feminist poet Kim Hyesoon’s typology of the three deaths that 바리데기must experience to become a shamanic goddess and mediator with Death. I map these three deaths (the Death of Losing Your Name, the Death of Diaspora, and the Death of Immortal Crossings) onto the three stages of my development as a second-generation Korean American literary scholar, translator, and artist. Through connecting my personal journeys with the disciplinary concerns facing comparative literature, Asian American studies, Asian area studies, and Korean …

Describing Dictee, Seo-Young J. Chu

Publications and Research

The visual images in Dictee are famously captionless. They resist straightforward explanation. In writing image descriptions of the images in Dictee, I have tried to preserve the "captionlessness" of the original. The point here is not to explain the pictures—an image description is not identical to a caption—but to make Dictee more accessible to readers who are blind and visually impaired. I realize, of course, that in trying to make Dictee's captionless images more "legible," I have inevitably "mistranslated" Dictee as it was originally designed to be experienced. Its captionlessness is lost in translation despite my efforts to preserve it. …

The Animal In The Wild In Hwang Sun-Mi’S The Hen Who Dreamed She Could Fly, Sarah Yoon

CLCWeb: Comparative Literature and Culture

Hwang Sun-mi’s The Hen Who Dreamed She Could Fly has become a contemporary classic children’s story in Korea since its original publication in 2000. Since then, the story has been translated and redesigned with new illustrations in almost thirty different countries (Y. Kim). The Hen Who Dreamed She Could Fly centers on a hen that raises a duckling as her “baby,” with the story drawing upon a rich reservoir of cultural associations between humans and nature in East Asian traditions. In this story, the hen leaves the human-dominated barnyard, based on profit, exploitation, and competition, for a reconnection with moral …

Excerpts From An Anti-Standardized “수능”: A Design-Fictional Approach To Korea, Seo-Young J. Chu, Seo-Young J. Chu

Publications and Research

"Excerpts from an Anti-Standardized '수능'” experiments with design fiction to disrupt overly rehearsed ways of thinking about Korea’s past(s), present(s), and future(s).

Moving At The Speed Of Trust, Sun Ho Lee

Masters Theses

Moving at the Speed of Trust is a workbook of strategies — practices, definitions, and techniques — to nurture community-building in support of inbetweeners who live between power structures and cultures and are often left out. Inbetweeners are those individuals whose lives are in transition through recent immigration or forced translocation from Asia to America.

These strategies revolve around threads of trust: kin, giggles, vulnerability, and shared experience. With these threads, we can question power. We can preserve stories, expand the ways we connect, shift perspectives on what is “standard,” and cultivate a community rooted in understanding. To understand each …

Vegetal Being: Dreamwork, Ritual, And Performance In Han Kang’S The Vegetarian, Briana Hanratty

Electronic Theses and Dissertations

In this thesis, I am writing towards an ecofeminist informed reading of the English version of The Vegetarian by Han Kang, translated by Deborah Smith. My aim is to display how, like an ecosystem of complex interdependency, it is impossible to separate body from theory from text from ecological context. To engage with this form of ecofeminism, I center an autotheoretical methodology with voices from ritual theory and performance theory in order to examine how Yeong-hye, the titular vegetarian of Han Kang’s novel, operates as a narrative-level metaphor for the desire for erotic ecology as a mode of ecological and …

Across Time And Genre: A Comparative Analysis Of Eastern And Western Romanticism, Nayoung Seo

English MA Theses

This research centers on big ideas about flowers, fruit, and growing up as themes that create a bridge between American, British, and South Korean Romanticism. Through comparatively analyzing Romantic elements in literary works across genres, the globe, and time periods—from poems, a short story, to popular contemporary music—this research will trace out the dimensions and contours of that bridge, which more and more people are crossing today than ever before as readers, music fans, and as travelers and immigrants. Each chapter will focus on Romantic elements interwoven with humanity, nature, and art and their demonstration of what it means to …

Nami-Ko: A Realistic Novel, Kenjiro Tokutomi

Zea E-Books Collection

Nami-Ko, also called The Cuckoo (不如帰, Hototogisu), is a tragic story of love and devotion, through sickness, war, oppression, and vengeance. Eighteen-year-old Nami Kataoka hoped her marriage to Baron Takeo Kawashima would bring freedom from her overbearing stepmother. But the couple’s happiness is spoiled by her illness, her mother-in-law’s jealousy, and the schemes of Chijiwa, her husband’s cousin and her own disappointed suitor. Takeo’s naval career takes him away for long periods, and when war breaks out between Japan and China (in 1894), his mother takes advantage of his absence to break up the marriage, sending Nami back …

"Writing Unspeakable Things: Speechlessness, Abjection, And The Ethics/Aesthetics Of (Not) Representing Sexual Violence In Three Korean American "Comfort Women' Novels", M Laura Barberan Reinares

Publications and Research

This article analyzes “comfort women” novels by the Korean American authors Therese Park, Nora Okja Keller, and Chang-rae Lee in terms of the ethics and aesthetics of representing sexual violence through language. I specifically look at these authors’ stylistic strategies to describe rape in writing and how they (more or less successfully) avoid voyeuristic portrayals of the “comfort women” by controlling the narrative point of view and relying on traumatic “speechlessness” and abjection. Building on relevant notions from the fields of photography, cinematography, philosophy, and psychoanalysis, this analysis suggests that in-progress representations of rape in language become a futile project …

Imagining An Asian American Superhero Of North Korean Origin: A Design Fiction, Seo-Young J. Chu

Publications and Research

My talk, a thought-experimental blend of literary criticism and speculative "design fiction," will introduce you to an Asian American superhero of North Korean origin. In this science-fictional superhero, whom I have tentatively named "구름"/"☁️"/"Ku-reum," Korea's elusive realities coalesce into legible form. More specifically, they become available for narrative experience and relatable to us as an anthropomorphic character, a person with whom we might identify, come face-to-face, sympathize, interact dynamically, and have a conversation. Ku-reum is designed to reflect Korea's complex past and hopes for the future. Existing beyond division systems, Ku-reum uses the non-binary pronouns "one"/"they." Neither "South" nor "North," …

Eating And Suffering In Han Kang’S The Vegetarian, Won-Chung Kim

CLCWeb: Comparative Literature and Culture

In his article “Eating and Suffering in Han Kang’s The Vegetarian” Won-Chung Kim examines how Han investigates suffering through the topic of food and eating. Kim shows that The Vegetarian is a work that thoroughly investigates both what constitutes suffering and what role carno-phallogocentric thinking can play in such suffering: suffering becomes in the novel a psychological, physical, and spiritual effect of dietary resistance to male-dominated Korean society. After offering a working definition of sufferings, Kim argues how the suffering caused by Yeong-hye’s refusal to follow the reigning norms of the meat eating, patriarchal society disintegrates the intactness of …

The Dmz Responds, Seo-Young J. Chu

Publications and Research

Seo-Young Chu’s “The DMZ Responds” appeared in Telos 184 (Fall 2018), a special issue on Korea edited by Haerin Shin.

I, Stereotype: Detained In The Uncanny Valley, Seo-Young J. Chu

Publications and Research

In "I, Stereotype," Seo-Young Chu applies Mori's theory of the uncanny valley not to robots but to a different species of humanoid artifact: stereotypes of the "yellow peril." Through analyses of stories by Sax Rohmer, World War Two propaganda, and films from the Bond franchise, Chu investigates ways in which the logic of the uncanny valley has interacted with and shaped Orientalist and techno-Orientalist stereotypes (as well as the stereotype-as-a-perceived-type-of-person more generally). In the process, Chu explores what it means to find one's ethnic group detained in the uncanny valley, what it means to use stereotyping as a time-saving technology …

Science-Fictional North Korea: A Defective History, Seo-Young J. Chu

Publications and Research

Kafkaesque, Orwellian, eerie, surreal, bizarre, grotesque, alien, wacky, fascinating, dystopian, illusive, theatrical, antic, haunting, apocalyptic: these are just a few of the vaguely science-fictional adjectives that are now associated with North Korea. At the same time, North Korea has become an oddly convenient trope for a certain aesthetic – an uncanny opacity; an ominous mystique – that many writers and artists have exploited to generate striking science-fictional effects in texts with little or no connection to North Korean reality. (The 2002 Bond film Die another Day, for example, draws from North Korea’s science-fictional aura to animate North Korean super-villains who …

Science Fiction And Postmemory Han In Contemporary Korean American Literature, Seo-Young J. Chu

Publications and Research

In this essay, Seo-Young Chu explores representations of a specifically Korean American type of postmemory that she calls "postmemory han."

Systematic Vocabulary Development As A Contributory Factor In Achievement In Social Studies, Margaret Noelle Fisher

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.