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Full-Text Articles in East Asian Languages and Societies
Narrative Frequency And Three Dimensions Of Time, Weihua Li
Narrative Frequency And Three Dimensions Of Time, Weihua Li
Theoretical Studies in Literature and Art
Time, as an experience for human beings, has three dimensions: linear time, annular time and psycho-time. Gerard Genette's theory of narrative frequency has dealt with only two of the three dimensions, namely, linear time and psycho-time. As a result, Genette's theory of narrative frequency demonstrates as a binary structure between the singular and the iterative. The lack of annular time leads to the neglect and misunderstanding of repetition. From the perspective of the three dimensions of time, a new theoretical structure of narrative frequency can be constructed in the frame of the singular, the repetitive and the iterative.
Beauty As The Intuitive Presentation Of Idea: A Phenomenological Interpretation Of Hegel's Aesthetics, Hongbin Su
Beauty As The Intuitive Presentation Of Idea: A Phenomenological Interpretation Of Hegel's Aesthetics, Hongbin Su
Theoretical Studies in Literature and Art
Hegel's aesthetic view derives from his view of arts, which grows out of his views of art typology and art history. However, his views of art typology contradict his logic principle, and his views of art history contradict the historical practice of art history, and Hegel's aesthetic view is therefore seriously undermined. On the other hand, Hegel’s idea of intellectual intuition proposed in philosophy of mind may serve as a cognitive ability and produce a general representation. This representation, we believe, is actually idea in its intuitive state, which means that idea can be directly presented by way of intuition. …
The Will To Power: Retreating From The Ontological Position, Xueqin Feng
The Will To Power: Retreating From The Ontological Position, Xueqin Feng
Theoretical Studies in Literature and Art
"The will to power" has long been considered to be the foundation of Nietzsche's aesthetics or even his entire thought, as it is the most clarified differentiating mark in Nietzsche's philosophical thought. However, this claim has pinned Nietzsche's aesthetics on the metaphysical concept of aestheticization and overlooked his breakthrough contributions to contemporary aesthetics. The ontological theorization of the will to power is itself not an established theory, and a retreat from the ontological position of the theory can be found in Nietzsche’s later works. Nietzsche eventually abandoned his project to build a mansion of philosophy on The Will To Power. …