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2019

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Articles 31 - 60 of 364

Full-Text Articles in East Asian Languages and Societies

The Relocation Of Supply Chains From China And The Impact On The Chinese Economy, Shaomin Li Dec 2019

The Relocation Of Supply Chains From China And The Impact On The Chinese Economy, Shaomin Li

Management Faculty Publications

The U.S.-China trade war has had a huge impact on the supply chains in China, accelerating their relocation that had already begun due to rising taxes, costs of labor, and other input factors. The exodus reported in the past year is only the tip of the iceberg, as more serious effects will not become apparent immediately. A major effect of the relocation on China is job losses, which may reach as many as 5 million in the coming years. Given the unlikeliness of a quick end to the trade war and the reluctance of the Chinese Communist Party (CCP) to …


叙事與抒情 : 《紅樓夢》詩學中的風格論, Li-Chuan Ou Dec 2019

叙事與抒情 : 《紅樓夢》詩學中的風格論, Li-Chuan Ou

嶺南學報 Lingnan Journal of Chinese Studies

《紅樓夢》乃説部第一之傑作,叙事宏大複雜而精妙入微,卻又是抒情傳统的絶佳繼承者,詩歌作為文人最主要的抒情載體,在其中發揮了説部前所未有的功能,包括其他小説所無的“起結構作用”,而有機地參與了叙事範疇,與人物塑造相互作用,堪稱叙事與抒情的絶妙匯融,更使之成為紅學的重要議題。於緊密結合叙事與抒情的《紅樓夢》中,曹雪芹幾近全面地提供了完整的詩學呈現,也包括了風格論述。透過中西風格學的視角,本文一方面從形式因的幾個方面入手,分析作品的詞藻、句子結構和句法、韻律的格式等現象;另一方面則從動力因的範疇,分析作品中所展現某種獨特的世界觀,亦即“人與世界的某種活生生的關係”,一種對社會生活世界的觀照或對生命存在的感知。據此可以進一步足成《紅樓夢》的完整詩學體系,並使《紅樓夢》的抒情性更形朗現。

Being a great masterpiece of classical novel, The Dream of the Red Chamber is celebrated in its grand, complex and finely-characterizing narrative. At the same time, the work also inherits and incorporates a great Chinese lyrical tradition. In the novel, poems (the main vehicle to express and communicate feelings for Chinese literati) play an unprecedented “structural role” and are organically incorporated in the narrative. The wonderful blend of narrative and lyrics is an important topic in Hongxue (The critics of The Dream of the Red Chamber). In The Dream of the Red Chamber, which closely combines narrative and poetic …


論馮秋雪在澳門詞學上之貢獻, Chon-Chit Tang Dec 2019

論馮秋雪在澳門詞學上之貢獻, Chon-Chit Tang

嶺南學報 Lingnan Journal of Chinese Studies

民國年間,澳門“雪社”包括“雪堂”詩社的馮秋雪,不僅創作了大量的詩詞作品,還在詞學的推廣和研究方面卓有建樹。秋雪在《詩聲一雪堂月刊》上編撰“莽蒼室詞譜”、“冰簃詞話”,又請人為宋詞製作西式樂譜。此外,他編著有《宋詞绪》一書,除選詞編集外,在詞譜考訂、詞的批評上亦多有己見。馮秋雪的詞學上承嶺南詞家陳洵,進而接通清代常州詞派的脈絡。對於秋雪詞學的探討不僅可以填補澳門民國詞學研究中的一個重要的空白,而且可為澳門與嶺南以至整個清代至民國詞學關係的尋繹,提供一個較有學術價值的例證。

During the Republican era, Feng Qiuxue of Macao Xue She (snow poetry society, which include Xue Tang, snow poetry institute) not only created large number of poems and ci, but also made outstanding achievement in promoting and researching cf studies. Qiuxue compiled “Mang Cang Shi Ci Pu” and “Bing Yi Ci Hua” in Voice Of Poetry--Xue Tang Monfhy and composed ci in Western style. Furthermore, he compiled Song Ci Xu (preface to ci of Song Dynasty), with unique views on the textual study of cipu and ci criticism. Feng Qiuxue’s ci study links the Lingnan ci writer Chen Xun …


“學詞”與“詞學” : 晚清民國的詞法論述與詞學演進, Zongjie Gong Dec 2019

“學詞”與“詞學” : 晚清民國的詞法論述與詞學演進, Zongjie Gong

嶺南學報 Lingnan Journal of Chinese Studies

伴随著晚清民國之際詞學體系建構的初步展開,研討學詞、總結作詞法也成為此時期詞學研究的焦點。從20世紀最初二十年指導“學詞”論著的不斷湧現,到三四十年代龍榆生、詹安泰對“詞學”與“學詞”的界分,這兩種對詞學不同層面的理解,恰好呈現出詞學在近現代轉型中實現其自身内部結構調整的路徑。有關“詞法”的討論從因襲前人發展為自我創獲,與此同時,詞學研究從以創作為主要導向,演變為創作和研究二分的態勢。對此稍作梳理,可以讓我們在文學創作與文學研究二者的互動關係上,更好地去把握晚清民國的詞體觀發展與詞學演進的軌跡。

As the system of ci theory in Late Qing Dynasty and the Republic of China developed, discussions on methods for ci writing became the focus of relevant studies in that period with a great many publicaitons on how to conduct ci writing. In the 1930s and 1940s, Long Yusheng and Zhan Antai discussed the differences between learning and studying ci and ci theories. The intertwined process of these two streams reveals the evolution and the modernization of ci studies. Clarifying the relationship of these two, will help us better understand the trajectory of the development of ci theories in …


Savvy Women And Boundary Negotiations In Qing Fiction, Jessica Moyer Dec 2019

Savvy Women And Boundary Negotiations In Qing Fiction, Jessica Moyer

East Asian Languages & Cultures: Faculty Publications

This paper examines a particular character type in Qing vernacular short stories: clever women who test the definition of feminine virtue by acting admirably outside normal gender boundaries. These female protagonists argue, meddle in men's business, divert property from the patriline, and even lose their chastity - yet each of them is presented as unquestionably virtuous. The rhetorical approaches by which their male authors present them in a positive light illuminate the strategies available to men and women for thinking creatively about gender in Qing China.


Technology As Enabler Of Learner Autonomy And Authentic Learning In Chinese Language Acquisition: A Case Study In Higher Education, Mario Valdebenito, Yalin Chen Dec 2019

Technology As Enabler Of Learner Autonomy And Authentic Learning In Chinese Language Acquisition: A Case Study In Higher Education, Mario Valdebenito, Yalin Chen

East Asian Languages & Cultures: Faculty Publications

Based on the Constructivist approach, meaningful learning only occurs when learners have agency to construct meaning through social interactions. The ability to self-direct, communicate, collaborate, and transfer learning to real-life situations are crucial skills for the 21st century. These skills allow new generations to adapt to this new information era in any field and/or disciplines they pursue; foreign language acquisition is not an exception. In this article, the authors argue that language learning can help learners cultivate such abilities with the aid of a holistic curriculum design and the effective use of technology. The authors also explore how using tools, …


Alain Badiou's Inaesthetic Critique Of Poetry, Yushen Wang Nov 2019

Alain Badiou's Inaesthetic Critique Of Poetry, Yushen Wang

Theoretical Studies in Literature and Art

The core of Badiou's concept of inaesthetics is to liberate art from philosophy and let it become an independent program of truth in contrast to philosophy. Among arts, poetry was once denounced by Plato, who thought it was an imitation of imitation and therefore unhelpful for the establishment of the Republic. Badiou, however, sets a high value on poetry from his inaesthetic perspective. From the poems of Stéphane Mallarmé, Paul Celan, and others, Badiou discovers a dialectical coexistence between poetry and mathematics. For him, modern poetry, as a form of thought, is able to verify itself. Being the task of …


The Value Of Fiction: The Aesthetic Politics Of Speculative Design And A Future Poetics, Li Zhang Nov 2019

The Value Of Fiction: The Aesthetic Politics Of Speculative Design And A Future Poetics, Li Zhang

Theoretical Studies in Literature and Art

As AI technology permeates the media society of today, futurology has become one of the most notable topics among various disciplines. In reference to Jacques Rancière's aesthetic politics, this article discusses how speculative design distributes the audience's sensibility by means of fiction and creates Dissenus with props, so that the vigorousness of future poetics can be maintained. As today's most critical cross-media practice, speculative design, based on the logic of "What-If," relies on props and their fictional aesthetics to deduce the side effects of emerging technologies. In this way, people can get away from the consumer-based logical script and turn …


"Sister Xianglin's Doubts": The Situation And Dilemma Of Soul In Luxun's Short Story "New Year Sacrifice", Hong Zhang Nov 2019

"Sister Xianglin's Doubts": The Situation And Dilemma Of Soul In Luxun's Short Story "New Year Sacrifice", Hong Zhang

Theoretical Studies in Literature and Art

The "world of Lu Town" in Lu Xun's"New Year Sacrifice"is a caricature of early twentieth-century Chinese society. It is a stable social structure centering on the charisma of Master Lu the Fourth, a member of the gentry in Lu Town. The narrator "I" and Sister Xianglin are marginal people, or "superfluous individuals" in the mainstream society. The encounter of the two discloses a serious dilemma. Sister Xianglin's doubts about the existence of soul and Hell are serious mental tortures that reflect the inner anxiety of the narrator "I" as a modern intellectual. Sister Xianglin and "I" are mirrors of each …


Deciphering The Myth Of "Liberating Actors' Nature": Reflections On An Idea Of Acting And The Import Of Western Teachers, Huizhu Sun Nov 2019

Deciphering The Myth Of "Liberating Actors' Nature": Reflections On An Idea Of Acting And The Import Of Western Teachers, Huizhu Sun

Theoretical Studies in Literature and Art

"Liberating actor's nature" sounds like from the West, yet not from Stanislavsky or any other mainstream acting teachers. It was coined by the Chinese who misread Western teachers. Westerners doing short-term acting workshops unwittingly contribute to this misconception. Because of the language barrier, they usually eschew scripts and focus on physical exercises. Those fragmented workshops are seen in China as representing mainstream Western actor training. "Be yourself", a western marketing cliché, is also mistaken as the core of acting. Actor training should cultivate actors' second nature, not let loose their original nature. Since the 1950s, Western theatre professors increasingly promote …


Mediocre Drama: Jean Baudrillard's Remark On Andy Warhol, Shuyuan Wan Nov 2019

Mediocre Drama: Jean Baudrillard's Remark On Andy Warhol, Shuyuan Wan

Theoretical Studies in Literature and Art

Andy Warhol is Jean Baudrillard's favorite contemporary artist. In Baudrillard's opinion, Warhol was a great transitional figure who has opened a new chapter in the history of art by initiating the trend of commodity fetishism and laying foundations for artistic modernity. He dispelled abstractionism in contemporary art by promoting figurative expressions, established the ready-made style of art, and normalized aesthetic practice in a broader sense. While eliminating the differences between original works and duplications, Warhol also profoundly changed the thinking model and aesthetic trend of artistic creation. He was well versed in creating meaning from meaninglessness, discovering prominence from mediocrity, …


The Selection Of The Scholars In Chinese Textbooks And Homogenization In The Canonization Process During The Republic Of China Period, Hongbo Zhang Nov 2019

The Selection Of The Scholars In Chinese Textbooks And Homogenization In The Canonization Process During The Republic Of China Period, Hongbo Zhang

Theoretical Studies in Literature and Art

Ancient novels such as The Scholars, The Travel Notes of Lao Can, and The Water Margin were frequently selected into Chinese textbooks for primary and secondary schools during the Republic of China period. Because The Scholars was closely related to the Vernacular Movement and catered to the taste of young students, it came to be the most frequently selected novel, and its excerpt, "The Childhood of Wang Mian," became the most frequently selected story. During the Republican period, Chinese textbooks were arranged in accordance with the theme, language, and era of each work, and editors tended to select similar rather …


Jacques Rancière On Literarity, Haiting Zheng Nov 2019

Jacques Rancière On Literarity, Haiting Zheng

Theoretical Studies in Literature and Art

Jacques Rancière reconstructs the term "literarity" through the concept of "distribution of the sensible." By considering "literarity" as the joint of politics and literature, he defines the term as the availability of mute letters and the excess of words. The unbridled wandering of mute letters expands the space of literary expression and blurs the boundary of literature, which represents not only the democracy of literarity but also the paradox of democratic literarity. Literature suppresses the democracy of literarity by various means of self-cancellation. On the one hand, this mechanism transforms the paradox of democratic literarity into a productive contradiction of …


On The Factors To "The Extraordinary Out Of The Ordinary" In The Late Ming Dynasty, Gang Chen Nov 2019

On The Factors To "The Extraordinary Out Of The Ordinary" In The Late Ming Dynasty, Gang Chen

Theoretical Studies in Literature and Art

Teasing "the extraordinary out of the ordinary" is a prevailing aesthetic taste in the late Ming dynasty, initiated by Li Zhi in the intellectual field and proliferated into the creative writing of novels and plays. This research delineates the development of this ideal in the Late Ming dynasty, and explains the reasons for the ideal from three aspects: zeitgeist, partisan contestation and literary claims. It hopes to explore the cultural implications and values with reference to the historical context.


On The Poetic Method "Duotai Huangu": A Clarification Of Misunderstandings, Changhong Zhang Nov 2019

On The Poetic Method "Duotai Huangu": A Clarification Of Misunderstandings, Changhong Zhang

Theoretical Studies in Literature and Art

Duotai huangu(lit. grabbing the embryo and changing the bones) is an important proposition in classical Chinese poetics. However, in the process of transmission, some recipients are haunted by misunderstandings about its conceptual expression, connotation, and poetic value. These misunderstandings are mainly manifested in five aspects. First, the essence of the method of duotai is "to imitate" rather than "to see through" the original poems. Second,duotaiis often erroneously referred to as "tuotai", the meaning of which is fundamentally different from that ofduotai. Third, duotai and huangu are two correlated poetic methods separated by the degree of innovation. The conflation of duotai …


The Early And High Tang Poets' Inheritance And Development Of The Traditions Of Yanzhi O RYuanqing, Qinghai Liu Nov 2019

The Early And High Tang Poets' Inheritance And Development Of The Traditions Of Yanzhi O RYuanqing, Qinghai Liu

Theoretical Studies in Literature and Art

Two main conceptualizations of the essence of poetry before the Tang dynasty are yanzhi, expressing aspirations, and yuanqing, conveying emotions. Tang poets inherited and developed both traditions, and their poetry reflected the conceptualizations in different ways during different periods. Although Tang Emperor Taizong wrote poems in the mode of expressing aspirations and ordered officials to follow suit, a majority of poets believed in the mode of conveying emotions. During the reigns of Emperor Gaozong and Empress Wu Zetian, the court considered conveying emotions as the aim of poetry, while Luo Binwang and Wang Bo followed both modes of yuanqing and …


The Paragon Of Literati, The Decorum Of Essays, And The Signature Of Civil Administration: Remarks On The Term "Three Prose Writers Of Our Qing Dynasty", Yingde Guo Nov 2019

The Paragon Of Literati, The Decorum Of Essays, And The Signature Of Civil Administration: Remarks On The Term "Three Prose Writers Of Our Qing Dynasty", Yingde Guo

Theoretical Studies in Literature and Art

The term "three prose writers of our Qing dynasty" was popularized after the compilation and spreading of Song Luo's The Anthology of Three Prose Writers of Our Qing Dynasty during the reign of Emperor Kangxi. While this term was purely Song Luo's personal coinage, it was widely accepted by his contemporaries who considered Hou Fangyu, Wei Xi, and Wang Wan as the paragons of literati for their "civilian spirits", upright personality and responsibility for the country. Song's Anthology epitomizes the cultural origins and stylistic standards of classical prose, demonstrating literati's consciousness and efforts to define, mold, and exemplify the styles …


"The Pattern Of Dao": A Conceptual Study Of The Core Categories In Ancient Chinese Aesthetics, Mingdong Gu Nov 2019

"The Pattern Of Dao": A Conceptual Study Of The Core Categories In Ancient Chinese Aesthetics, Mingdong Gu

Theoretical Studies in Literature and Art

Dao and wen are two core categories in Chinese aesthetic tradition. The mainstream description of the relationship between these two categories was that "wen is the vehicle for Dao". In the strict sense, this view was not an aesthetic thought per se, because it reduced wen to a tool and thus obscured the inherent aesthetic relationship between wen and Dao. Perhaps Liu Xie's under-researched idea of "the wen of Dao" (the pattern of Dao) provided a more persuasive description to this relationship. This article re-evaluates the significance of the discourse on wen as an aesthetic category from the perspectives of …


Chinese Native-Soil Literature: Occurrence And A Hundred Years Of Evolvement, Cece Wei Nov 2019

Chinese Native-Soil Literature: Occurrence And A Hundred Years Of Evolvement, Cece Wei

Theoretical Studies in Literature and Art

Chinese "native-soil literature" has constantly been interacting with world literature due to its modern consciousness. Due to a deep spiritual connection with Chinese culture, society and history, it is the best entrance to perceiving the rich connotation in modern Chinese literature with regard to the issues of China and world, tradition and modernity. It is an excellent sample for studying modern and contemporary Chinese indigenous literature, which provides us with valuable experience about how to inherit and develop Chinese literature in the dimension of indigenousness, nation, and the world. It is also an effective dimension to explore contemporary "Chinese problems". …


Narrative Function And The Order Of Life: Analyzing The Performative Mode Of Moggallāna Folk-Opera, Zhiquan Zhang Nov 2019

Narrative Function And The Order Of Life: Analyzing The Performative Mode Of Moggallāna Folk-Opera, Zhiquan Zhang

Theoretical Studies in Literature and Art

Since the Ming and Qing dynasties, Mulian (Moggallāna) folk-opera about howMoggallāna saves his mother from Avici Hellhad become the main performative mode of Buddhist deity-worshipping contest. On the level of narrative function, the performance has three types of ritual: those of leading-in and leading-out ritual,, dramaturgic ritual and intervention ritual. The introduction of ritualistic elements into the contest creates a unique space for Mulian Opera in the forms of the geographical space constructed by sacrificial circles and ritual venues, the life space enacted by the rites of life and rites of custom, and the cosmic space of human-deity interaction. The …


Two Major Approaches Of The Interaction Between Literary Criticism And Historical Materials: A Data-Driven Analysis, Xiuming Wu, Tingting Shi Nov 2019

Two Major Approaches Of The Interaction Between Literary Criticism And Historical Materials: A Data-Driven Analysis, Xiuming Wu, Tingting Shi

Theoretical Studies in Literature and Art

Over the past seven decades, the research on contemporary Chinese literature has witnessed a significant change from literary criticism in the narrow sense to a criticism integrated with historiographical source investigation. This change has shown its influence in the field of literary criticism. By An analysis of data on articles published in nine major journals such as Literary Review, Literature & Art Studies, and Modern Chinese Literature Studies from 2007 to 2017 shows that there have been two major forms of the interaction between literary criticism and historiographical sources, which may define as led to two approaches, namely, literary criticism …


Literary Friendship Revisited: Significance Of Wayne Booth's Literary Ethics To The Contemporary Literary Studies, Yun Fan Nov 2019

Literary Friendship Revisited: Significance Of Wayne Booth's Literary Ethics To The Contemporary Literary Studies, Yun Fan

Theoretical Studies in Literature and Art

The theories and critiques since the 1960s have snared contemporary literary studies into a predicament, and with the emergence of post-critique, reviewing Wayne Booth' literary ethics may cast some new light on the predicament. His efforts to reconstruct literary ethics, call for literary friendship, elucidate rhetoric ethics, and explore the public dimension of conduction will illuminate the reshaping of cultural character and the return to ethics and life in contemporary literary studies.


Baroque Irony In Contemporary French Fictions: A Case Study Of "Playful Fiction", Jia Zhao Nov 2019

Baroque Irony In Contemporary French Fictions: A Case Study Of "Playful Fiction", Jia Zhao

Theoretical Studies in Literature and Art

The term Baroque irony is coined by Roland Barthes, which is considered to be representative in the so-called language turn. It represents the relationship between the signifieds within language rather than that between language and the outside world, and thus it questions language itself. The"Playful Fiction" demonstrate Baroque irony in terms of semantics, syntax, morphology and parody. Baroque irony is, the paper concludes, a kind of anti-metaphysical language that does not aim to convey fixed meanings but deconstructs them. It is an anti-rational language that brings readers to a world of texts where meanings coexist and interact. It is also …


Life, Conduct, And Scholarship: Achievements Of Prof. Xu Zhongyu, Qingbing Tong Nov 2019

Life, Conduct, And Scholarship: Achievements Of Prof. Xu Zhongyu, Qingbing Tong

Theoretical Studies in Literature and Art

No abstract provided.


Film Posters As An Alterative/Alternative Archive For Chinese Film History, Yingjin Zhang Nov 2019

Film Posters As An Alterative/Alternative Archive For Chinese Film History, Yingjin Zhang

Theoretical Studies in Literature and Art

The film poster generates public desire for watching the film, but its pictorial cues often exceed its intended ideological or thematic message. The excess information contained in graphic composition, star texts, and visual citations (e.g., to current fashions and other intertexts) makes the film poster an alterative para-text in the sense that it sets in motion a dynamic of circulating multilayered meanings in a medium that resonates with other media and genres of art (e.g., drawing, painting, calligraphy, photography, design, literature, drama, opera, and music). Film posters are therefore enmeshed in intermediality or crossmediality and inevitably gesture toward something outside …


The Mind Of The Other, Political Organism, And The Dramatic Nature Of Ordinary Language: A Case Study Of Stanley Cavell's Comments On Coriolanus, Yunke Lin Nov 2019

The Mind Of The Other, Political Organism, And The Dramatic Nature Of Ordinary Language: A Case Study Of Stanley Cavell's Comments On Coriolanus, Yunke Lin

Theoretical Studies in Literature and Art

Stanly Cavell is the precursor to apply the philosophy of ordinary language, especially the thought of later Ludwig Wittgenstein, into analyzing literary and artistic works. Through detailed analysis of Wittgenstein's discussions on the issues of "the mind of the other" and "private language"s, Cavell claims that thinking in ordinary language is a seduction of the skepticism brought about by the myth of positivism. In his reading of Shakespeare's Coriolanus, Cavell expounds "appetite" as a metaphor of political organism, demonstrating how Wittgenstein's criticism is embodied in a dramatic way. The ontological mechanism of drama realized through explorations of ordinary language is …


William James's Philosophy Of Aesthetic Temporality: About The Relationship Between The Horizontal Composition Of Stream Of Consciousness And The Integrality Of The Spatial Composition Of Art Works, Yanshun Liu Nov 2019

William James's Philosophy Of Aesthetic Temporality: About The Relationship Between The Horizontal Composition Of Stream Of Consciousness And The Integrality Of The Spatial Composition Of Art Works, Yanshun Liu

Theoretical Studies in Literature and Art

William James's grasp of the original practical activities underlies his aesthetic thought of pragmatism. He is well versed in describing and analyzing the aesthetic phenomena in the field where the subject and the object are not separated. On the one hand, he emphasizes the impromptu features of aesthetic behaviors driven by meaning-seeking, centering on the analysis of their fresh state, which is original, occasional while inevitable. On the other hand, he also creatively explores the horizontal features of the smooth and impromptu development of aesthetic life from the perspective of stream of consciousness or consciousness of time. He believes that …


Types And Subtypes Of Artistic Justice, Yun Wang Nov 2019

Types And Subtypes Of Artistic Justice, Yun Wang

Theoretical Studies in Literature and Art

Because forms of performing arts and story-telling such as drama, fiction, and film present a caricature of social life, they inevitably describe people's good and evil deeds and their conflicts. In the world history of art over two thousand years,numerous works of drama, fiction, and film have done so from a position of correct or at least relatively correct morality. In this sense, artistic justice is an eternal theme for performing arts and story-telling,and the theory of artistic justice should have been well established. However, in the present-day, works on artistic justice are mostly published by scholars in the field …


Erotic Manga, Its Artists, And The Pressures Of Censorship, Dominique Andrée Lief Nov 2019

Erotic Manga, Its Artists, And The Pressures Of Censorship, Dominique Andrée Lief

University Honors Theses

Erotic manga (エロマンガ), a genre of adult-oriented Japanese comics is subjected to censorship that may seem irrelevant or confusing to people outside of the industry. Why is erotic manga censored? How is erotic manga censored? How does censorship affect erotic manga artists? These questions are examined through use of English academic sources, Japanese academic sources and news articles, and interviews with professional erotic manga artists translated into English.


Zheng He And The American Liberal Arts Education: Contexts And Complications, Marla Lunderberg Nov 2019

Zheng He And The American Liberal Arts Education: Contexts And Complications, Marla Lunderberg

Faculty Publications

Zheng He was a eunuch of Moslem family heritage who held great authority early in the Ming Dynasty, primarily under the Yongle emperor (reign: 1402–24), as he led seven maritime expeditions, of which three reached the eastern coast of Africa. Of recent English language projects on Zheng He, Henry Tsai (1996) explores the context of the eunuchs of the Ming Dynasty in defining Zheng He’s work, and Edward Dreyer (2007) and Timothy Brook (2010) portray Zheng He within the context of the Chinese tributary system. However, other images also hold power over the Western imagination: Louise Levathes (1994) portrays Zheng …