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Articles 811 - 840 of 1362
Full-Text Articles in East Asian Languages and Societies
On The Stylistic Construction Of Wang Guowei's History Of Traditional Opera In The Song And Yuan Dynasties, Yanlin Xu
Theoretical Studies in Literature and Art
Wang Guowei's pioneering work History of Traditional Opera in the Song and Yuan Dynasties is both a theoretical summarization of his studies on opera and a systematic exposition of his stylistic thoughts. Influenced by Western studies and inherited from Chinese academic tradition, the book reviews the classification, naming, features, origins of this genre and the debasing social attitude to it, and proceeds to highlight the genre with a strong consciousness of stylistics. It delineates the evolution of Chinese opera from the perspective of stylistics, and proposes that Chinese opera has integrated features of patterns, observable stylistic development from narrative to …
Reflections On The Post-Modernist Concept Of Literary History In A New Literary History Of America, Song Li
Reflections On The Post-Modernist Concept Of Literary History In A New Literary History Of America, Song Li
Theoretical Studies in Literature and Art
Greil Marcus and Werner Sollers' New Literary History of America from Harvard University Press sets a new paradigm for literary history writing in the aspects of style, organization and methodology. It has the following major features. First, it holds a literary view of culture vision. Therefore, the connotation of literature is expanded greatly and the boundary between literature and culture is blurred. Secondly, it embodies the principle of dedifferentiation in post-modernism culture. Thirdly, it advocates a constructional view on literary history. Fourthly, it disassembles the meta-narrative of an ontological history and emphasizes on the micro-narrative of history transection. Lastly, it …
Singularities Of The Three-Body Problem, Or Chinese Logic In The Era Of Science Fiction Globalization, Jun Zeng
Theoretical Studies in Literature and Art
This paper aims to analyze the singularity event of why Liu Cixin's Three-body Problem can single-handedly upgrade Chinese science fiction literature to the world prominence in the era of science fiction globalization. The paper argues that the scientific imagination in The Three-body Problem starts at the scientific frontier of "singularity" and expands on the spectacle of singularity. In The Three-body Problem, the essentialism of identity politics is transcended, which allows for the conceptualization of internal diversity of the post-human and the establishment of a cosmetic sociology on the principle of the dark forest. Therefore, it is possible for an analysis …
The Clash Of Civilizations And The Culture Self-Consciousness: Science Fiction And Social Reality In The Three-Body Problem, Qi Chen
Theoretical Studies in Literature and Art
From the perspective of the relation between science fiction and social reality, the core question of Liu Cixin's The Three-Body Problem Trilogy is the clash of civilizations between human and Trisolaran, which causes the future possibility of the end of human history. The narrative perspectives of the trilogy are the intelligentsia narrative of Wang Miao (Book I), the heroic narrative of Luo Ji (Book II), and the narrative of "the last man" of Cheng Xin (Book III). If the future civilization of the human beings is likely to encounter the cosmic catastrophe caused by the clash of civilizations between human …
Unfinished Subject: Empathy And Subject-Construction In Do Androids Dream Of Electric Sheep？, Simeng Miao
Unfinished Subject: Empathy And Subject-Construction In Do Androids Dream Of Electric Sheep？, Simeng Miao
Theoretical Studies in Literature and Art
Philip K. Dick's novel Do Androids Dream of Electric Sheep? not only invites us to think about the problems of androids' identity, but also forces people into rethinking the existence of ourselves. As the subject, a man recognizing himself is firstly concerned with "identification/distinction." In the constructed world of the novel, the core of identification/distinction lies in the identification between a human being and an android. Empathy plays an important role in subject construction, which indicates that the subject can grasp others through bodily experience to achieve self-construction. However, it is merely imaginary to grasp the subjectivity of others through …
A New Discussion On Kuang Zhouyi's Ci-Poetry Criticism, Keqiang Sun
A New Discussion On Kuang Zhouyi's Ci-Poetry Criticism, Keqiang Sun
Theoretical Studies in Literature and Art
Some new findings about Kuang Zhouyi's critical materials on ci-poetry enable us to review and re-evaluate Kuang's theoretical contribution to ci-poetry criticism which include his explorations into the ci-poetry in the Southern and Northern Song Dynasties and his theoretical explanation of the concept of "big." The paper claims that Kuang should be given full justice as an important ci-poetry scholar in the late Qing dynasty.
Aesthetics In Cross-Cultural Perspective, Davies Stephen
Aesthetics In Cross-Cultural Perspective, Davies Stephen
Theoretical Studies in Literature and Art
In this paper I attempt reconcile two apparently opposed views: artworks are embedded in culturally relative art-historical contexts and cannot be fully understood without an awareness of these contexts, yet artworks trade in themes that are universally and perennially of human interest, such as war and peace, and shape these to cater to shared, biologically based perceptual systems. The first explains some of the difficulties we face in understanding and appreciating art cross-culturally. The second indicates why, nevertheless, a degree of cross-cultural artistic appreciation is possible. As well, our grasp of the challenges and possibilities of the media from which …
An Exploration Into The Logics Of Language Construction During The May Fourth Period, Wei Deng
An Exploration Into The Logics Of Language Construction During The May Fourth Period, Wei Deng
Theoretical Studies in Literature and Art
In his History of National Language Movement, Li Jinxi discussed the process of language construction in the May 4th period with a focus on the pronunciation while putting the vernacular movement into his narrative of the national language movement history. On the other hand, Hu Shi paid high attention to written language and tried to construct the national language with "vernacular literature," hoping to use "a literature of national language" to create "a national language of literature." Hu Shi's endeavor showed the general logic of language construction during the May Fourth period, that is, to construct a modern national language …
Deconstructing Utopian Imagination: The Allegory Of Solaris And Others, Dan Chen
Deconstructing Utopian Imagination: The Allegory Of Solaris And Others, Dan Chen
Theoretical Studies in Literature and Art
Utopia is a socio-economic sub-genre of science fiction. The question of how to imagine a utopia is actually an issue of how to write out the image of a utopia. In Stanislaw Lem's Solaris, there is a formal strategy of "double inscription," which turns the limitation of utopian genre into allegory and critical merits. Thus, it is possible to refute it from the inside of its anthropocentric totality and to divert the interpretation into the field of political ethics. As a result, the surface binary opposition between self and the other is nullified, and the imagination of a zero-degree Utopia, …
Event-Truth And Literary Criticism: On Badiou's Reading Beckett, Cheng Tan
Event-Truth And Literary Criticism: On Badiou's Reading Beckett, Cheng Tan
Theoretical Studies in Literature and Art
Alain Badiou rejects the conventional idea that Samuel Beckett was a playwright associated with the Theatre of the Absurd. He points out that, in Beckett's writing, there is ideological transfer from "solipsism" to "event." As has been shown in Beckett's later works, he devoted himself to his reflection about "event," thus creating a text of "truth." Badiou, through his idea of Inaesthetics, attempts to understand Beckett in Beckett's own way. From the inherent ideological structure of the text, Badiou constructs critical concepts for the text, and consequently makes the truth of text appear in the form of concepts. He succeeds …
How Consumer Phenomenon Enters Literary Writing, Changzhong Wang
How Consumer Phenomenon Enters Literary Writing, Changzhong Wang
Theoretical Studies in Literature and Art
Representation of consumer culture is universal in literary writing and consumption has contributed an extensive content for literary works. When writing about consumer culture, literary production becomes an integral part of the culture. The paper argues that the consumption of literary writing implies an essentially literary discourse instead of consumer culture discourse. Literary writing about consumption shows distinctive characteristics of discursive presence: common and widespread capacity, localized and fragmented modality, and penetrative and interspersed mechanism. In view of the features such as the value, attributes, discursive features, it may be argued that the narrative strategies in literary writing about consumer …
Literature And History: On Hayden White's Theory Of Tropology And Its Effect, Zilu Yang
Literature And History: On Hayden White's Theory Of Tropology And Its Effect, Zilu Yang
Theoretical Studies in Literature and Art
The paper focuses on Hayden White's theory of tropology, and tackles the issue of trans-boundary between literature and history. White's discourse upon the poetry of history relies on the revelation of the mechanism of tropology. This paper demonstrates the four key concepts, namely, metaphor, metonymy, synecdoche and irony, comprising in the connotation of tropology. This quadruple structure points to a certain internal continuity in human consciousness, and constitutes the main mechanism of historical discourse in meaning-production. Classical historians establish the basic forms of writing by way of tropology, and then influence the three layers of writing, namely, weaving of a …
Liu Cixin'sThe Three-Body Problem And The Desire To The Future, Feng Wang
Liu Cixin'sThe Three-Body Problem And The Desire To The Future, Feng Wang
Theoretical Studies in Literature and Art
Science fiction is a description to the possible world of the future, and the future is a special time dimension which cannot be reached but can only be treated as a vision upon reality. Liu's The Three-Body Problem provides us with the possibility of the evil in the future. The description of the future reveals in words a future not yet experienced, and it does so in a way that treats the unexperienced as a world already in existence, and therefore it is more an interpretation than factual description. The interpretation of the future in such description operates on the …
The Logical Progress Of German Idealist Aesthetics: With A Discussion On The Aesthetic Historical Significance Of Schiller's On Beauty, Wei Li
Theoretical Studies in Literature and Art
The trajectory of German Idealist aesthetics form Kant to Hegel revolves around the developmental process from philosophical analysis of psycho-aesthetic structure to dialectic examination of aesthetic object down to critical aesthetics and philosophy of art, with a knowledge background of modern European intellectual climate or the pursuit of determinacy. Schiller's On Beauty (Kallias, 1793), by exhausting the research methods of beauty, constituted an intermediary link in the advancement in German Idealist aesthetics and established its inerasable significance in the history of aesthetics.
The Politics Of Technology: Reflections On Overseas Modern Chinese Visual Cultural Studies, Xiayun Yu
The Politics Of Technology: Reflections On Overseas Modern Chinese Visual Cultural Studies, Xiayun Yu
Theoretical Studies in Literature and Art
The dialectical relationship between words and images is an important issue of modern Chinese literary studies. Although the interpretations from the overseas, especially Rey Chow's "technologized visuality," highlight the key position of visuality in the making process of modern Chinese literature, they exaggerate the opposition between words and images, and this exaggeration implies a colonial thinking of technology which sets the relationship between China and the Western as that between the primitive and the modern through its emphasis on Western-ownership of technology. Thus, technology becomes not only a state of matter but also a structure of ideology. If the emphasis …
The Political Turn And Rational Return Of Critical Discourse In Its Localization In China, Wenfang Yao
The Political Turn And Rational Return Of Critical Discourse In Its Localization In China, Wenfang Yao
Theoretical Studies in Literature and Art
The term "critical discourse" was not indigenous in China, and Liang Qichao and Wang Guowei were believed to bring it as a Kantian concept into Chinese knowledge and discourse system. But Liang gradually strayed from the neutral and rational Kantian concept to relate it with negative political nuance. The denunciative negative nuance was increasingly reinforced in the years from the May 4th New Culture Movement to the 10-year Cultural Revolution. The 1980s saw the return of the implications of the term from the highly political to the rational and neutral, with significant flexibility and tolerance. This return helped to redress …
The Qi-Liang Poets' Rediscovery And Imitation Of The Han Dynasty Music Bureau And Ancient Style Poetry, Yao Zhong
Theoretical Studies in Literature and Art
The Qi-Liang Period was an important phase in the acceptance history of the Han Music Bureau Poetry and the ancient style poetry. The Qi-Liang poets rediscovered and imitated the Han poetry and through this they had developed a reflective relationship with the Han poetry in terms of technique, style and criticism. Their emphasis on the folk song tradition and on the Wu-dialect ballad (Wu Sheng Xi Qu) had not only highlighted the folk song features but also the lyric genre in the Music Bureau poetry, while their pursuit for lyricism, individualistic style and the expression of personal sentiments led to …
The Structure Of Narrative Dynamics In Lyric Poetry: Exemplified With Classical Chinese Lyric Poems, Junqiang Tan
The Structure Of Narrative Dynamics In Lyric Poetry: Exemplified With Classical Chinese Lyric Poems, Junqiang Tan
Theoretical Studies in Literature and Art
As a product of author-reader communication, lyrical texts, like narrative texts, have internal narrative dynamics to push the narrative progression. The structure of the dynamics shows as the three relations of time, logic and space in the texts. These relations exist in the combination of events and development of plots in narrative texts, but in lyrical texts they show in different ways. The fusion of narrative dynamics and reader dynamics pushes the narrative progression and realizes the communications between the author and the reader. This paper takes classical Chinese lyrics as examples to illustrate the analysis.
Narrative, Situation And Metaphor: How Plato's Republic'S Opening Paragraphs Are Written And Read, Linfang Zhu
Narrative, Situation And Metaphor: How Plato's Republic'S Opening Paragraphs Are Written And Read, Linfang Zhu
Theoretical Studies in Literature and Art
Plato's Republic is both a philosophical and a literary text. Plato had kept revising the opening of The Republic till the end of his life. The Republic has a structure of dual narrative, with the man called "I" also playing a double role in this book. The time, the place, the order of appearance and the unfolding of the events all correspond to the theme. The genre of dialogue and narrative saves this philosophical text from being trapped too deep into the metaphysical mire, but too many symbolic metaphors make the interpretation of the text an attempt to solve mysteries. …
Notes On Text Theory, Youxiang Tu
Notes On Text Theory, Youxiang Tu
Theoretical Studies in Literature and Art
The conception of le texte scriptible (the writerly text) in Roland Barthes reveals the character of the text of undistinguished relation between subject and object. According to Barthes, "the text" is both an object and a subject, and if it is a pure object, it will be a work, while as a subject the text brings the author's role into play. The theoretical significance of the text is given not innate, and the pure plurality in Roland Barthes's theory does not refer to multiple meanings, because ambiguity can still lie in a unified structure, when pure plurality eliminates the centrality …
On Beauty: Its Naming And Reference, Hongxiang Li
On Beauty: Its Naming And Reference, Hongxiang Li
Theoretical Studies in Literature and Art
What is beauty? This is the first and an everlasting question in aesthetics. However, there is no clear definition about beauty so far in aesthetic history because of the confusion of name and reference. Beauty is often interpreted as the beautiful thing or the beautiful attribution of thing. This paper aims to delineate the problematic of the naming and reference of beauty by putting the problem back to the context of Plato's time and tracing the process of the formation of this philosophic concept. The paper falls into three sections, which first problematizes the naming of beauty and the reasons …
On Liu Shipei's "On The Difference Of The Southern And The Northern China's Literature", Jian Wu
On Liu Shipei's "On The Difference Of The Southern And The Northern China's Literature", Jian Wu
Theoretical Studies in Literature and Art
Traditional distinction between the Southern and the Northern China's literature were made on historical specificities, while Liu Shipei in his pioneer essay in modern literary criticism "On the Difference between the Southern and the Northern China's Literature" took a theoretical perspective that viewed the distinction as an ahistorical literary framework a priori. Liu's argument may be read as a point for a paradigmatic breakup, but Liu did not push forward his idea in his practice. Instead, he attached more weight to the essence (zhi) over the literary (wen) in this traditional pair of concepts, and his contribution in the history …
Redefining Art, Anying Chen
Redefining Art, Anying Chen
Theoretical Studies in Literature and Art
This paper tries to present a new definition of art on the basis of contemporary Western philosophy of art. William E. Kennick's and Arthur Danto's definitions are sophisticatedly open, but they fail to take into account of the dimension of value in art. This paper proposes that art is both a production and a culture, which means that art is the production of cultural value through artisanship. The definition of art in the classical aesthetics has defined art as craftsmanship plus aesthetic value and defines artworks as the product with aesthetic value, while this paper defines art as craftsmanship plus …
Style-Breaking In Song-Dynasty Ci-Poetry And Its Acceptance In The Context Of "Flexible Method", Xiaoli Wang
Style-Breaking In Song-Dynasty Ci-Poetry And Its Acceptance In The Context Of "Flexible Method", Xiaoli Wang
Theoretical Studies in Literature and Art
The idea of "flexible method" in composting ci-poetry in the Song Dynasty has two essential elements of "rule" and "change," and this idea embodies the pursuit of literary innovation in the Song Dynasties. It is an important part of the poetic theory and has profound influence on the literary evolution in the Song Dynasties. The style-breaking methods such as "composing ci-poems like regulated poems" and "composing ci-poems like prose" were in effect the proliferation of the idea of "flexible method" in the field of ci-poetics. There has been much elucidation in the Song and Yuan commentaries on ci-poetry that echoes …
Truth / Method: The Gadamer-Ricoeur Debate, Jin Qiu, Fenggang Du
Truth / Method: The Gadamer-Ricoeur Debate, Jin Qiu, Fenggang Du
Theoretical Studies in Literature and Art
There exist remarkable differences between Gadamer's and Ricoeur's understandings of the concepts "truth" and "method." Ricoeur believes that Gadamer's hermeneutics brings about the disjuncture of hermeneutic truth, while Gadamer holds that Ricoeur's structuralist method cannot integrate the conflicts of interpretations into a unified ontology. This paper points out that both philosophers develop their theories of truth on the basis of Heidegger's hermeneutical ontology, but in different ways. Gadamer focuses on the truth of understanding disclosed in the event of hermeneutic dialogue, while Ricoeur emphasizes the truth of self-understanding mediated by hermeneutic reflection. Both philosophers keep similar distance from the absolute …
What Is Narrative Ethic Criticism?, Hongsheng Wang
What Is Narrative Ethic Criticism?, Hongsheng Wang
Theoretical Studies in Literature and Art
This paper probes into the origin, significance and problematic of narrative ethic criticism, and demonstrates narrative ethics can be approached from three aspects. Firstly, narration and ethics are indivisible in that there has been for a long time an intertwining and mutually generative relationship between them. Secondly, narration may be characterized to be moral or immoral as well as ordered or unordered, which means there exists non-ethical or even anti-ethical narration. Finally, narration itself may have ethical nature, and this nature is very likely to be under tension due to the possibility of constructing multiple value orders by way of …
The Duality Of Expressive Rhetoric: The Intention Of Literary Mind And The Carving Of Dragon As Investigated From "Casting And Paring", Baojing Li
Theoretical Studies in Literature and Art
On the basis of a global reading of Liu Xie's Literary Mind and the Carving of Dragon, this paper proposes a link between the section "Casting and Paring" and the other sections in the book, and maintains that only through such a link can the structural features, cultural efficiency and Confucian responsibilities in Liu Xie's expressive rhetoric. The parallelism in argumentative mode between the section "Affections and Coloration" and the section "casting and paring" informs a two-sided rhetoric with affection as the subjective quality and casting as the textual quality. "Casting and paring" (argumentation and writing) is realized as a …
A Comparative Study Of Deleuze's And Badiou's Theory Of Cinema: Exemplified By Wim Wenders' False Movement, Xinyu Hu
Theoretical Studies in Literature and Art
Gilles Deleuze and Alain Badiou have different philosophical foundations constructed their own theories of cinema and applied them into the analyses of cinematic works. One of their intersections of analysis falls on Wim Wenders' False Movement. Through a comparative study of their analyses of the film, the paper tries to arrive at a deeper understanding of both philosophers' theory of cinema and a general survey of their similarities and differences. Through the analysis, the paper also hopes to expose the problem of the relationship of philosophy and cinema.
A Philosophical Discussion On Liu Xie's Concept Of Literary Talent Mindset, Shugong Zhao
A Philosophical Discussion On Liu Xie's Concept Of Literary Talent Mindset, Shugong Zhao
Theoretical Studies in Literature and Art
The idea of literary talent mindset was epitomized in The Literary Mind and the Carving of Dragons in the period of Wei-Jin and Six Dynasties. The book contained the most comprehensive and profound knowledge of literary mind as an aptitude, which was seminal to almost all the later discourses on the issue of literary talent, and its theoretical insight remains unsurpassable in many aspects. Liu Xie's philosophical view of the nature and human is reflected in this concept of literary talent mind, which gave both weight to gift and diligence, and the equal emphases on human efforts and born gift …
A Re-Examination Of "Imagistic Thinking": With A Focus On Zhu Guangqian And Li Zehou, Qian Cao
A Re-Examination Of "Imagistic Thinking": With A Focus On Zhu Guangqian And Li Zehou, Qian Cao
Theoretical Studies in Literature and Art
Zhu Guangqian's and Li Zehou's concepts of "imagistic thinking" were formed in the 1950s and the Post-Mao Period, with each having distinctive characteristics and both having common ground. While both equal "imagination" with "imagistic thinking," Zhu had always been taking them as the same and Li’s concept has evolved into using imagination to replace imagistic thinking. Although imagistic thinking is a transitional concept in the history of contemporary Chinese aesthetics, its theoretical value and significance are highlighted in the present context of linguistic turn and visual culture.