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Articles 631 - 660 of 1362
Full-Text Articles in East Asian Languages and Societies
The Aesthetic Regime Of Art And The Construction Of Its Politics: On Jacques Rancière's Aesthetic Thoughts, Haiting Zheng
The Aesthetic Regime Of Art And The Construction Of Its Politics: On Jacques Rancière's Aesthetic Thoughts, Haiting Zheng
Theoretical Studies in Literature and Art
Jacques Rancière is not satisfied with the two modes of modernism, namely turning art into mere life or into pure art. He endeavors to reveal the hidden tension between this binary opposition, maintaining that art should play freely within this binary tension space and make the tension space a dissensus theatre of the part of no part. The essential of aesthetic revolution of modernism lies in recognizing and receiving the previous excluded parts of literature, such as details drifted away from the integrated story, characters detached from the writer's arrangement, which challenge the given distribution of the sensible with its …
The Construction And Review Of The Wujiang School And Linchuan School: A Study Of The History Research Books Of Traditional Chinese Drama In The Republic Of China, Huaping Cheng
Theoretical Studies in Literature and Art
The naming of Wujiang Group and Linchuan School in the history of drama was established by drama historians of the Republic of China. Because these drama historians had neither defined the concept of School, nor had they reached a consensus and guidelines that should be followed in the division of the School. These drama history research books differed in the classification and number of dramatists. In interpreting the theory of the two factions, there is also a tendency to exaggerate the opposition between the two groups. Since the Republic of China, some drama historians had denied the existence of Linchuan …
Transcending The "Word-Image" Debate: The Writing Experiment Of T. J. Clark's The Sight Of Death, Yi Zhuge
Transcending The "Word-Image" Debate: The Writing Experiment Of T. J. Clark's The Sight Of Death, Yi Zhuge
Theoretical Studies in Literature and Art
The "word-image" relationship is an important subject of modern Western aesthetics. It represents the division between the writing of art history and that of art criticism. The bone of contention between the two writing camps is whether the art work can be reducible to words. Art writings vibrate between this dualism, and some try to transcend the "word-image" division in theory. In his The Sight of Death: An Experiment in Art Writing, T. J. Clark, by adopting the diary style without a strong style of language, recorded his daily viewing of Poussin's paintings and his deep contemplations. He stresses the …
The Perfect Trinity Of Poetry, Calligraphy And Painting As A Neo-Classicist Paradigm In Zhao Mengfu: The Three Aspects Of Zhao Meng-Fu's Thought On Literature And Art, Yi Zhang
Theoretical Studies in Literature and Art
In the formation of the neoclassicism integrating the Yuan's and Southern and Northern Dynasties' retro ethos, Zhao Mengfu, known for his literary and artistic talents, played a pivotal role because of his opportunities to travel between South China and Dadu, the then capital, and to mix with his contemporary literati and artists, thus becoming an archetype of an artist featuring the trinity of poetry, calligraphy and painting. His "conception of antiquity", his understanding of the "Tang approach and Jin rhyme" and his high-brow, superbly skilled painting contains his valuation of classicality, naturalness, tradition, and innovativeness, informing the trend of the …
"What Are Poets For" And Ecological Ethics, Kuiying Zhao
"What Are Poets For" And Ecological Ethics, Kuiying Zhao
Theoretical Studies in Literature and Art
Martin Heidegger's essential question of "what are poets for" is used to explore the relationship between the poet and nature, being, beings as a whole, the thing, and language in the "world's night" of "destitute time". In Heidegger's view, human beings' venture that follows their manufactural willing has led to the vanishing of the thing, the shrink of beings as a whole, destruction of the foundation of all beings, and deprived things and human beings of their homes of being. Then poet's mission is to reflect on the control of technology, to participate in the rescue of the thing, to …
A Critique Of Studies Of The Cultural Identity Of Hong Kong Literature Since The 1990s: The Case Of Inherent Contradiction Between Nativeness And Chineseness, Shiying Xu
Theoretical Studies in Literature and Art
Since the 1990s, Hong Kong and overseas scholars have borrowed the idea of the "third space" to investigate the issue of cultural identity in Hong Kong literature, which has brought about three typical views: "the margin theory", "the crevice theory" and "the theory of imagining Hong Kong moving North", all based on the inherent contradiction between the Hong Kong nativeness and Chineseness. In order to transcend the framework of "Hong Kong and China", Zhu Yaowei shifts his vision to the framework of "East and West, local and global, orientalism/postcoloniality and global capitalism". The above discussion shows that political factors play …
A Probe Into The Theory Of Event Literature: Reflections On The Reconstruction Of Literary Studies "After Theory", Jing Yin
Theoretical Studies in Literature and Art
Terry Eagleton criticized different kinds of post theories which were once in fashion in his After Theory, and proposed that literary theory should return to literature itself and reflect on such grand issues as morality and ethics in a constructive way. Based on the "literary ethics" put forward by Terry Eagleton and the concept of "event" highlighted by his theoretical reflection, this paper tries to combine Gilles Deleuze's and Alain Badiou's concepts of "event" in order to carry forward Eagleton's reflection on theory and develop an effective theory of event literature, which focuses on writers who, as the faithful subjects …
Bai Xianyong's New Aesthetics Of Kunqu Opera, Sheng Ding
Bai Xianyong's New Aesthetics Of Kunqu Opera, Sheng Ding
Theoretical Studies in Literature and Art
Bai Xianyong proposed the concept of New Aesthetics of Kunqu Opera after the youth version of The Peony Pavilion and the new version of The Story of Jade Hairpin. The goal of the New Aesthetics of Kunqu is to integrate the classical aesthetics of Kunqu and modern theatrical aesthetics, and the integration is characterized by the centrality of classicality aided by modernity. The works which come as a result of the New Aesthetics of Kunqu Opera have received praises scholars and some criticism from senior fans at the same time. This paper expounds on Bai Xianyong's theory and practice, and …
Becoming, Intensity And Transversal Communication: The Cross-Cultural Dialogue Between Deleuze's Thoughts And Taoist Thoughts, Dandan Jiang
Becoming, Intensity And Transversal Communication: The Cross-Cultural Dialogue Between Deleuze's Thoughts And Taoist Thoughts, Dandan Jiang
Theoretical Studies in Literature and Art
This paper explores the paradoxical thought in the works of the French philosopher Gilles Deleuze (1925-1995), including his writings in collaboration with Félix Guattari, around the question of "becoming". It examines the connotation of certain notions and their internal connection in Deleuze’s works, and, by drawing on the reinterpretations of Deleuzian philosophy by the contemporary Italian philosopher Agamben, discusses becoming and intensity, immanence and Transcendental empiricism, body without organs and transversal, etc. It also explores some possibilities of cross-cultural dialogue between Deleuze's thoughts on becoming and the works of the Taoist thinker Zhuangzi in ancient China.
Empiricism, Sense And Modernity Of Aesthetics: Edmund Burke's The Sublime And Beautiful From The Viewpoint Of Medieval Aesthetics, Chen Chen
Theoretical Studies in Literature and Art
Edmund Burke's The Sublime and Beautiful is familiar to Chinese scholars, the studies of which nevertheless are inadequate, as many studies confine themselves to Burke's exposition of the sublime. But in fact Burke implies a critique of the tradition of the medieval doctrine of beauty, which is particularly evident in the first section of the third part of this book. As central concepts in the Scholastic doctrine of beauty in the Middle Ages, proportion, fitness, and perfection are transmitted to Burke's times. Burke, employing John Locke's empiricism, criticizes traditional qualities of the beautiful on the side of the object, and …
From "Poetry Critique" To "Drama Critique": Lü Tiancheng And Qi Biaojia's Critique Of Drama, Chao Wang
From "Poetry Critique" To "Drama Critique": Lü Tiancheng And Qi Biaojia's Critique Of Drama, Chao Wang
Theoretical Studies in Literature and Art
"Drama critique", an important form of critical studies of drama in the Ming dynasty, benefits more or less from the critical paradigms of poetry and prose in terms of the consciousness of different schools, the awareness of comparison and the image- and analogy-based aesthetical mindset. Meanwhile, Lü Tiancheng and Qi Biaojia, starting from the "nature and naturalness" theory in poetry criticism, pursue an aesthetical taste characterized by "ideo-mood-imagery" and "feel". By modifying the various indexes of "calligraphic critique" and "painting critique", including the "spirit, exquisiteness, potential and embodiment", they successfully refresh the essence of "drama critique", which reflects the evolution …
Literary Theory: Nationality In An Age Of Globalization, Fan Nan
Literary Theory: Nationality In An Age Of Globalization, Fan Nan
Theoretical Studies in Literature and Art
The maintenance of nationality of Chinese literary theory in an age of globalization is part of the issue of the relationship between culture and nationality. Many factors are herein involved, including nationality and the globalization of Chinese literary theory, the relationship between the discourse of modernity and traditional culture, and the treatment of Localization, the modern constructive transformation of ancient Chinese literary theory, etc. A thorough study of these factors is needed to draw a reasonable conclusion. There is an important principle for introducing into China Western literary theories: the significance of the theory is to represent and interpret China's …
Lubomir Dolezel's Literature Fiction And Possible Worlds Theory, Yu Zhang
Lubomir Dolezel's Literature Fiction And Possible Worlds Theory, Yu Zhang
Theoretical Studies in Literature and Art
Lubomir Dolezel is one of the most important literary theorists of the so-called fiction and possible worlds theory in the English world. In Dolezel's Heterocomica: Fiction and Possible Worlds, the author provides a conceptual framework of possible worlds against the one-world frame in traditional fiction study, arguing that fiction worlds are a special kind of possible worlds. Focusing on the fictional universe projected by literary texts and the discursive means of achieving fictional effects, he offers a new approach to narrative and fiction study. This paper is a complete review of the entire system of Dolezel's possible worlds theory, and …
A Summary Of The 13th Annual Meeting Of The Society Of Chinese Literary Theory And The Conference On Reviewing And Rethinking Chinese Literary Theory Of The Past Century , Jian'gang Yang
Theoretical Studies in Literature and Art
No abstract provided.
New Changes Of Confucianism During The Late Qing Dynasty And The New Novel's Imagination Of The Nation, Jun Zhu, Xun Sun
New Changes Of Confucianism During The Late Qing Dynasty And The New Novel's Imagination Of The Nation, Jun Zhu, Xun Sun
Theoretical Studies in Literature and Art
New Novel's imagination of the nation in the 20th century marked the beginning of modern Chinese novel as well as the narrative of a modern nation state. It was related both to the introduction of western modernity and new changes of Confucianism during the late Qing Dynasty. The convergence of the evolution theory in Gongyang studies and that in the West changed the traditional temporal and spatial structure in Chinese novels, which consequently resulted in the shift from traditional utopians to the imagination of the future "New China". While Chinese writers were introducing western political ideas by writing political novels, …
An Interpretation Of Zhang Xuecheng's Idea "The Philosophers And History Failed, Yet The Collection Flourished", Xu Fu
Theoretical Studies in Literature and Art
In Shijiao Zhang Xuecheng argues that "the philosophers and history failed, yet the collection flourished", using refined words to summarize the change of academic studies after Warring States. Not only does the argument describe the change of private writing's form, but also reveals its substantial change, which is the loss of purposes. In his discussion of the decline of history, Zhang Xuecheng especially emphasizes the loss of specialized subjects. This argument contains Zhang's academic ideal, and provides a frame of reference when it comes to other topics in Wenshi-Tongyi. The multiple dualities in this argument are consistent with the meaning …
Game Impulse's Negation Of Time In Time: Temporality In Schiller's Aesthetics (Ii), Yanshun Liu
Game Impulse's Negation Of Time In Time: Temporality In Schiller's Aesthetics (Ii), Yanshun Liu
Theoretical Studies in Literature and Art
Temporality is the key to Schiller's aesthetics and aesthetic education, which should be elucidated. Schiller believes that temporality must be followed in order to give a clear account of the fundamental differences between the perceptual impulse and the rational impulse in terms of their composition. He argues that the game impulse, which is of narrow temporality, cannot have far foresight, that the rational impulse as maxims, ethical norms and religious gods can negate time, and that temporality is by no means a tertiary criterion independent of the other two impulses. Only in the game impulse can rationality be activated and …
Jonathan Culler And Feminism, Fang Wu
Jonathan Culler And Feminism, Fang Wu
Theoretical Studies in Literature and Art
Jonathan Culler constructs Feminist reading theory from the angle of literary deconstructionism. He elaborates on Feminist reading theory from three facets: reading and interpretation of women's experience, women's reading that identifies with men and that asserts reason. As a male theorist recognized by many women critics, Culler fully affirms Feminism and reflects upon it from a deconstructionist perspective.
The Logical Basis Of "Illocution" And The Problem Of "Intentionality": Quine's "Reducto Ad Absurdum" And The Dispute Between Wittgenstein And Kripke, Yunke Lin
Theoretical Studies in Literature and Art
With the introduction of analytic philosophy in general and the analysis of everyday language in particular into studies of literary theory, illocution has become a widely accepted theoretical resource therein. The ready application of this theory in literary studies without considering its evolution within analytic philosophy has caused many problems in literary theory, the most visible of which is the issue of "intentionality" contained in illocution. Searle's seminal paper "The Logical Status of Fictional Discourse" marks the involvement of analytic philosophy in studies of literary theory, but his "given intentionality" stance has become a new problem. The logical status of …
The Neo-Noir Crazy Stone Phenomenon, H. Kuoshu Harry
The Neo-Noir Crazy Stone Phenomenon, H. Kuoshu Harry
Theoretical Studies in Literature and Art
The Crazy Stone phenomenon in China is often described as the black carnival of both the movie goers and the concerned scholars. The filmic and discursive enthusiasm for Crazy Stone has drawn much attention to the carnival theory by M. Bakhtin and the postmodern theoretical attention to mass culture. Surveying the cultural implications of craziness and how Crazy Stone connects with both the global as well as domestic film cultures, the author of this article observes the absence of such concepts as film noir and neo noir in this round of discussion and argues that Crazy Stone discourse and many …
The Theoretical Evolution And Literary Orientation Of "Symptomatic Reading", Wenfang Yao
The Theoretical Evolution And Literary Orientation Of "Symptomatic Reading", Wenfang Yao
Theoretical Studies in Literature and Art
The term "symptomatic reading" initiated by Althusser, as far as the origin of the term is concerned, can be traced to Freud and Lacan. Freud uncovers meaning from slips of tongue, dreams and the symptoms of the insane. Adopting philosophy, psychology and linguistics in rebuilding psychoanalysis, Lacan seeks to restructure, in a scientific and systematic manner, Freud's view that symptoms are meaningful. This is what lays the foundation for the theory of "symptomatic reading" put forward by Althusser. In the process of establishing the theory, Althusser derives the method from the form of negation Hegel investigates in his Science of …
Zhuzhi Poetry's Shift Of Writing Pattern And Its Improvement Of Status In The Qing Dynasty, Yi'an Zhu
Zhuzhi Poetry's Shift Of Writing Pattern And Its Improvement Of Status In The Qing Dynasty, Yi'an Zhu
Theoretical Studies in Literature and Art
Compared with the composition features in the Ming dynasty, zhuzhi poetry becomes more realistic in the Qing dynasty. Zhuzhi poetry and hundred endemic poetry are used to write detailed comments in ancient books and local chronicles, which pay special attention to documenting events and reality. These changes are related to the popularity of pragmatism that encourages contribution to society. At the same time, the intentional practice of taking part in compiling historical books enables many poets write local chronicles in the form of zhuzhi poetry. Because of their use of zhuzhi poetry to offer supplements to local chronicles and their …
Analyzing Poetics With Calligraphy: Calligraphy And Poetics Of The Classicist School In The Ming Dynasty, Xianpo Yuan
Analyzing Poetics With Calligraphy: Calligraphy And Poetics Of The Classicist School In The Ming Dynasty, Xianpo Yuan
Theoretical Studies in Literature and Art
Analyzing poetics with calligraphy is an important strategy for the Ming dynasty classicist poetics. It originates from Su Shi and Yan Yu, flourishes with the first seven celebrities and the last seven celebrities, and ends in the five litterateurs. Such a combination of calligraphy and poetics aims to establish classical aesthetics by learning from calligraphy in terms of its classical characteristics, and thus to find a theoretical basis for ancient poetics. Furthermore, the classicist school moves beyond the connection of form between calligraphy and poetics by emphasizing practice, namely, composing poetry in the way of coping calligraphic works. In short, …
On Terry Eagleton's Revolutionary Criticism, Wei Wang
On Terry Eagleton's Revolutionary Criticism, Wei Wang
Theoretical Studies in Literature and Art
The “revolutionary criticism” which Eagleton uses in the interpretation of Walter Benjamin is often equated with “political criticism” or “ideological criticism” by some researchers, but what have been downplayed or even ignored are the relationship between “revolutionary criticism”, cultural revolution, and the revolutionary cultural practice, as well as the revolutionary energy generated among them. Eagleton points out that the “revolutionary criticism” has anticipated the practice of contemporary deconstruction criticism, and yet they have qualitative difference. Significantly, some of his descriptions of deconstructionism are simplistic. Some scholars believe that the “revolutionary criticism” is his ideal criticism, which neglects the problem of …
Originality In Modern And Contemporary Chinese Drama Revisited: Spoken Drama Vis A Vis Chinese Opera, Huizhu (William) Sun
Originality In Modern And Contemporary Chinese Drama Revisited: Spoken Drama Vis A Vis Chinese Opera, Huizhu (William) Sun
Theoretical Studies in Literature and Art
From a comparative perspective and using originality as the main criterion, this study examines dramatic literature in modern and contemporary China, including Chinese opera as well as spoken drama, especially taking seriously the former, often overlooked by modern literary scholars. The conclusion is that the achievements of Chinese opera are greater than those of spoken drama. And modern Chinese opera has unwittingly had a breakthrough in the area of modern verse drama where western dramatists have tried but largely failed in the last century or so. Some Chinese operas may likely become the most valuable world classics from Chinese theatre.
"Engaging In Literature For Life" In The Era Of Post-Revolution: The Theoretical Framework And Connotation Of Zhu Ziqing's Literary Appreciation, Cheng Luo
Theoretical Studies in Literature and Art
Previous studies have primarily recognized Zhu Ziqing's significance in modern hermeneutics of poetry, literary criticism, the establishment of literary studies as a discipline, etc; and they tend to pay much attention to the influence of Richards and Empson's semantic criticism on Zhu's methodology of appreciation. However, in the historical context of post-revolution Zhu's literary appreciation is not just for "appreciation" or "knowledge", but originates from his anxiety about the cultural and political conflicts between the new and the old. That the two literary events between him and Gu Sui and Zhu Guangqian reveal Zhu's uniqueness on his theoretical framework of …
A Discussion Of "Wen Bi" Theory In The Southern Dynasties From The Taboos Of "Bi", Yunyun Tang
A Discussion Of "Wen Bi" Theory In The Southern Dynasties From The Taboos Of "Bi", Yunyun Tang
Theoretical Studies in Literature and Art
Scholars have been discussing the connection between "Wen Bi" theory and its function in the division of literary genres. The book Wenjing Mifu Lun emphasizes the harmony but does not require end rhyme. "Wen Bi" theory is closely linked to the parallel prose according to taboos of "Bi", and thus they share popularity in the Southern Dynasties and decline in Tang Dynasty. We can also conclude from this fact that there is study of rhythm in the Southern Dynasties, which, however, was not sufficient to prove that there was the idea of "pure literature" at that time.
A Study Of Liu Yongji's Litterateur Temperament Through An Analysis Of The Separation And Reunion Of Xueheng And Xiangjun, Wenxin Chen, Junwei Jiang
A Study Of Liu Yongji's Litterateur Temperament Through An Analysis Of The Separation And Reunion Of Xueheng And Xiangjun, Wenxin Chen, Junwei Jiang
Theoretical Studies in Literature and Art
This paper aims to reveal Liu Yongji's litterateur temperament by analyzing the separation and reunion of Xueheng and Xiangjun, and by focusing on Liu Yongji's activities in the 1920s with reference to an inclusive definition of the academic community of Xueheng. In terms of Xueheng, Liu Yongji's role was always a supporter and a follower. In contrast, he adopted a more independent cultural attitude in terms of his discourse for Xiangjun. Unlike Xiangjun, which paid more attention to literature, Xueheng valorized academic research. Unlike Liu Yongji's high-hearted pride, Wu Mi’s style was much more like one of a fighter. These …
Eagleton On Culture And The Death Of God: A Discussion Of "The Theological Turn" Of Western Leftists, Xi Wang
Eagleton On Culture And The Death Of God: A Discussion Of "The Theological Turn" Of Western Leftists, Xi Wang
Theoretical Studies in Literature and Art
As a well-renowned critic of Western cultural leftists, Eagleton turns his research focus from cultural sphere to political issues in the new era. He reminds the intellectuals that the secular age seems to have been replaced by a new era, namely, the post-secular era, where metaphysical conflicts have caused various kinds of vital threats to world peace directly. He argues that Marxist critics have the responsibilities to venture into the overlapping areas of religion and politics. Eagleton's new work Culture and the Death of God attempts to correspond to the above aporia and open up the third way of returning …
Huaxia Mythological Astronomy And The Comparative Literary Studies Of The Multi-Ethnic Chinese Nation, Yunhong Dai
Huaxia Mythological Astronomy And The Comparative Literary Studies Of The Multi-Ethnic Chinese Nation, Yunhong Dai
Theoretical Studies in Literature and Art
Contemporary literary studies in China is moving towards a new direction, which is to reflect on and study the literature of multi-ethnic China by considering cultural-historical characteristics of the Chinese multi-ethnic nation and the multiple sources and ethnic groups in and of Chinese literature. Studies in Chinese mythology and archaeoastronomy indicate that Huaxia mythological astronomy is the source and basis of Chinese history, culture and literature. If the Chinese comparative literary studies reflect on their history, horizons and scope, Huaxia mythological astronomy should become a cornerstone and starting point of this discipline.