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Articles 361 - 390 of 1362
Full-Text Articles in East Asian Languages and Societies
The Diversification Of Poetic Preferences In The Light Of The Ranking Of Su Shi And Huang Tingjian In The Late Northern And Early Southern Song Period, Guochao Liu
Theoretical Studies in Literature and Art
As two prominent representative poets in the Northern Song dynasty, Su Shi and Huang Tingjian set the key of poetry of the Song dynasty. The ranking of Su and Huang against each other has always been contested in poetry criticism of the Song dynasty. The first wave of the contention culminated during the two Song Dynasties, when there appeared tour types of critics, namely, "Huang-esteemers," "Esteemers for both Su and Huang," "Su-esteemers" and "Censurer of both Su and Huang". The appreciation of Su and Huang's poems and the transformation of critical practices during this period reflected the diversification of poetic …
An Exploration Of Literary Ontology From The Perspective Of Friedrich Kittler's Media Theory, Guang Yang
An Exploration Of Literary Ontology From The Perspective Of Friedrich Kittler's Media Theory, Guang Yang
Theoretical Studies in Literature and Art
Friedrich Kittler is an important media theorist and a unique critic of media literature. Kittler examines the discourse network constructed by the technical media between 1800s and 1900s, and concludes that "media determine our situation." This conclusion can be understood as a media ontology that emphasizes the materiality and the preexistence of technical media. An analysis of the relationship between Kittler's media theory and Foucault's discourse theory may reveal triple-aspected logic behind the formation of Kittler's media ontology and the logic behind the transition from issues concerning media ontology to issues concerning literature. Through his media ontology, Kittler makes the …
Augmented Reality And The Spatial Turn: The Situational Writing Of Cyber Literature And Its Aesthetic Transformation, Moyong Han
Theoretical Studies in Literature and Art
The situational writing of cyber literature displays three typical modes: the spatial sights, the virtual reality, and the locality narrative. Despite their differences, they all tend to shape and characterize through such elements as position, site, space, and visuality. These tendencies and features distinguish cyber writing from conventional literary writing and lead to changes in literature. Specifically, in terms of the relationship between literature and reality, literature begins to be transformed from imitating reality into augmenting reality. Conventional writing, based on imitation, pursues truth behind its fictive surface, while cyber writing is virtual in nature despite its surface verisimilitude. In …
Can "Contemporaries" Know How To Read?, Rabaté Jean-Michel
Can "Contemporaries" Know How To Read?, Rabaté Jean-Michel
Theoretical Studies in Literature and Art
In order to respond to Kyoo Lee's theses on reading, this essay focuses on obscurity and difficulty, terms often associated with modernism. Moving from a controversy opposing Mallarmé and Proust in the last decade of the 19th century to Lacan's use of a Mallarmean language when he describes how symptoms can be read, that is not by thinking naïvely that we are "poets" but by understanding that we are unconsciously scripted "poems," the essay posits a mediation provided by Ezra Pound when he invents both Comparative Literature and Translation Studies.
From Neutrality To The Other: Levinas On Blanchot, Jiajun Wang
From Neutrality To The Other: Levinas On Blanchot, Jiajun Wang
Theoretical Studies in Literature and Art
Levinas's and Blanchot's literary theory coalesced while maintained a tension in between. They both tried to break through Heidegger's ontological literary theory, but Levinas used "the other", and Blanchot used "the outside" as the weapons to achieve this goal. In general, Levinas and Blanchot showed us two different and yet connected ethics and literature. The former intended to use ethics to transcend the totality of philosophy, but ultimately found the literary language in the depth of this ethics, which made the ethics become literary; the latter intended to use literature to transcend the identity of philosophy, but ultimately found the …
History, Miscellaneous History And Fiction, Jinfeng Zhou
History, Miscellaneous History And Fiction, Jinfeng Zhou
Theoretical Studies in Literature and Art
Ancient Chinese fiction had a very close relationship with history. The development of historiography led to the separation of history books. Miscellaneous history and fiction were the products of this process, hence the idea of "the remaining of history". From history to miscellaneous history and to fiction, historicity gradually declined and fictionality increased, in which miscellaneous history became transitional between history to fiction, hence its dual nature. Miscellaneous history had both connection to and difference from fiction. They both had the function of persuasion and supplementing history, but also had many differences in content and style.
Ways Of Seeing: Historicization, Technologization And Chinese Artistic Experience, Tairan Liu
Ways Of Seeing: Historicization, Technologization And Chinese Artistic Experience, Tairan Liu
Theoretical Studies in Literature and Art
Marx raised the issue of "the historicization of senses", arguing that the fundamental feature to distinguish humans from animals is that humans can use their techniques to foresee certain types of things in the future which are not given by the nature but are created by humans. However, issues such as the relationships between technology and the body, between technology and labor, and between technology and the ways of human-sensing invite further investigation. Chinese artistic experience enables us to separate "historicization of senses" from "technologization of senses" under new historical conditions, and then we may reflect on the globalization and …
Microreading/Microwriting, Perloff Marjorie
Microreading/Microwriting, Perloff Marjorie
Theoretical Studies in Literature and Art
This essay, following upon Kyoo Lee's case for "counterreading", argues for what I call "micropoetics": a close reading that takes into account every phoneme, morpheme, and word of a poetic text and reads that text "verbivocovisually", to use James Joyce's term. I take as my model Marcel Duchamp's concept of the infrathin — the smallest possible distinction, whether temporal or spatial, between A and B. Similarity and analogy, I argue, have been overstressed and produced the problematic political discourse of the present with its clichés and vapid generalizations. Infrathin reading, on the other hand, establishes difference and the uniqueness of …
A Close-Up: On U, The Reader Inoutside, Lee Kyoo
A Close-Up: On U, The Reader Inoutside, Lee Kyoo
Theoretical Studies in Literature and Art
Where, or who, is the "close reader" today in the age of imMEDIAted information overflow? This essay introduces a new figure, the "inoutside reader," focusing on its interstitially interactive ambiguity, its selfie-like sobjectivity (simultaneously subjective and objective). Seen and seeing through the "window," the inoutside reader that often counter-reads as well is called and calling 'you' out there and in here; neither exactly an insider nor definitely an outsider but "openly" invited as one of or those of you (vous) freely generated and liberally generalized as such, "U" in the net-work, this data-point-like transistor-reader, acts like a butterfly on the …
Conversion And Roaming: Xia Yan In The Vision Of "The State Theories", Xing Tian
Conversion And Roaming: Xia Yan In The Vision Of "The State Theories", Xing Tian
Theoretical Studies in Literature and Art
Since the founding of P. R. China, "native" Chinese film theory, especially mainstream cinematic theoretical construction, experienced many twists and turns through its historical process. This article seeks to investigate the key points and features of cinematic theoretical construction throughout different historical phases, and theoreticians' simultaneous corrections and adjustments of their theories according to changing social contexts. Under such historical background of academic development, Xia Yan's artistic outlook and development of screenwriting theories against the development of "native" cinematic theory displayed unique value, and thus the detailed and concrete truth of theoretical construction was brought to light from the perspective …
From Literary Subjectivity To Intersubjectivity And Aesthetic Ideology: Contemporary Chinese Literary Theory's Reconstruction Of The May Fourth Tradition In The Recent Four Decades, Que Wang
Theoretical Studies in Literature and Art
The Chinese literary theory in the recent four decades since China's Reform and Opening-up has been focused on literary enlightenment. As an effort to continue the tradition and to fulfil the unfinished task of the May Fourth literary revolution, literary enlightenment is still an important dimension in the subjectivity of literature. The development of literary subjectivity witnessed a transformation from "literature as a study of humanity" to "literary subjectivity" and "literary intersubjectivity". There are two main theoretical orientations within this historical development: one is the intersubjectivity of literature, the other is the theory of aesthetic reflection or aesthetic ideology. The …
Li Bai's Innovations For Linked Seven-Character Quatrains As Exemplified By "Songs Of The Emperor's Excursion To The West" And "Songs Of Of Prince Yong's Excursion To The East", Xiaojuan Xin
Theoretical Studies in Literature and Art
Li Bai's "Songs of the Emperor's Excursion to the West" and "Songs of Prince Yong's Excursion to the East" present a chronological and structurally complete narrative, and initiate the mode of writing chronicle with linked seven-character quatrains in the Song dynasty (960-1729). These examples, with their rhetoric of allegory and multum in parvo, inherits the spirit of the yuefu poetry and insert their influence on the practice of Palace poetry by such mid-Tang poets as Wang Jian. These two series of poems, as Li Bai's creation of yuefu with new themes, not only exhibit Li Bai's efforts to create a …
Natural-Object Metaphor And Chinese Literary Criticism, Xiaoling Feng
Natural-Object Metaphor And Chinese Literary Criticism, Xiaoling Feng
Theoretical Studies in Literature and Art
Natural-object metaphor is included in the metaphor system of Chinese literary criticism, with its historical progress of development and evolvement. Natural-object metaphor has its intrinsic theoretical basis and is connected with the genetic theories of Chinese literature, Chinese aesthetic tradition, and the epistemology and life view of Chinese philosophy. The natural-object metaphor has significance in many aspects of literary criticism. It connects the cultural world and the cosmological world, enriches literary expression and aesthetics, and links literary criticism and art criticism, which reflects the life consciousness and the lyric spirit in Chinese literary criticism and traditional aesthetics.
On Issues Of Internet Literature As A Research Topic, Youquan Ouyang, Yufei He
On Issues Of Internet Literature As A Research Topic, Youquan Ouyang, Yufei He
Theoretical Studies in Literature and Art
Theoretical criticism centering around Internet literature has recently witnessed its growing boom. Issues being popularly addressed include not only the construction of evaluation system for Internet literature, social benefits it brings, legal regulations, but also its cultural heritage, industrialization, categories, reviews, overseas spread, corpus construction, and tendency in research direction. The aim of this article is to review the current situation of Internet literature as an academic hot spot and to reflect on it through a discussion of its dynamics and limitations.
Poetry And The Generation And Maintenance Of National Community: The Core Issue And Line Of Thinking In Heidegger's First Lecture On Hölderlin, Zhenhua Zhang
Theoretical Studies in Literature and Art
This paper is an interpretation of Heidegger's first lecture on Hölderlin. The lecture centers on how a national community is created and maintained, and Heidegger's belief is that poetry plays as decisive role. Poets are hailed as "demigods" between the sphere of divinity and that of people. Poetry-writing embodies the message of God and passes it to the people, and achieves the connection between them; hence a national community is generated.
Theoretical Fiction Notes In The Late Qing Dynasty And The Modern Transformation Of Chinese Fiction Criticism, Qingxin Wen
Theoretical Fiction Notes In The Late Qing Dynasty And The Modern Transformation Of Chinese Fiction Criticism, Qingxin Wen
Theoretical Studies in Literature and Art
As one of the most important ways of Chinese fiction criticism, the emphasis of theoretical fiction notes during the late Qing Dynasty gradually shifted to the elements of fiction itself, such as textual content, characterization, aesthetic taste, social function and so on. It also attempted to make theoretical reflections on and systematic construction of fiction criticism. Specifically, fiction notes emphasized the relationship between the creation and criticism of fiction and humanities, interaction between fiction and society, expression of human value, and exploration of the connotation of fiction from the perspectives of science and democracy. As a result of these new …
How Traditional Chinese Theatre Reflected Modern Life: Discussions During The Seventeen Years, Jingfeng Huang
How Traditional Chinese Theatre Reflected Modern Life: Discussions During The Seventeen Years, Jingfeng Huang
Theoretical Studies in Literature and Art
During the Seventeen Years (1949 - 1966), three intensive discussions on traditional Chinese theatre's reflection of modern life emerged in correspondence to the three pinnacles of modern xiqu creation and performance. Appearing in 1958 and 1960, the first two were derived from the forum of "xiqu reflecting modern life" and the Ministry of Culture's festival of modern xiqu respectively, while the third one took place in 1964, when cities like Beijing and Shanghai held symposiums and the press started columns in cooperation with the nationwide modern xiqu movement. The achievement of these three discussions constituted a comprehensive supplement to and …
The Extremely Sensitive Believer Of "Love In The Human World": The Discovery And Shaping Of Zhu Ziqing's "Sensibility Of The Human World" During The Period Of "Literature For Men", Xianfei Zhang
Theoretical Studies in Literature and Art
A new wave of exploration and shaping of modern Chinese experience starts with the "Preliminary New Literature" which serves the ideological transformation of modern humanistic society reconstruction during the May Fourth period. As a representative writer during the period of "Preliminary New Literature" (or "Literature for Men"), Zhu Ziqing, with a strong belief in modern humanitarianism, begins to express his genuine and unique life experience and feelings. His sentiments include not only sincere brotherly love but also the keen insight into individual's existence as a living being, and most remarkably, the "New People's" sadness, helplessness and indignation over the disregard …
"Andersstreben" And Cross-Media Narrative, Diyong Long
"Andersstreben" And Cross-Media Narrative, Diyong Long
Theoretical Studies in Literature and Art
The term "Andersstreben" means that a type of medium seeks to imitate the features of another type while keeping its own characteristics. In terms of narrative, "Andersstreben" means cross-media narrative. Regarding fiction that features cross-media narratives, we need to understand both its own medium particularities and the other media properties that it pursues. Only in this way can we better appreciate its aesthetics. Cross-media narratives primarily originate from the mutual imitations between temporal arts and spatial arts, and often achieve magical artistic effects and rich artistic connotations that are otherwise unattainable for literature and arts by simply sticking to their …
Reinterpreting The Concept Of Human In The Pre-Qin Classics Of Literary Theory, Jianzhong Li
Reinterpreting The Concept Of Human In The Pre-Qin Classics Of Literary Theory, Jianzhong Li
Theoretical Studies in Literature and Art
In the pre-Qin classics of literary theory, "human" is one of the most important and fundamental concepts. First, the significance of human in the pre-Qin era is diverse. While Confucianism interconnects "human" and "benevolence" and emphasizes the kindhearted dimension of humanity, Taoism, under the slogan that "Man conforms to nature," stresses the unfettered nature of humankind. As an alternative voice, Mohism devalues music and underlines the principle of abstinence. Secondly, the pre-Qin philosophers consider language to be the specialty that distinguishes human beings from other animals. Specifically, Confucians advocate "to achieve glory by writing," "to pass down the classics," and …
Terminological Transformation Of “Literature”: Establishing A New Literature In Modern China, Xinjian Xu
Terminological Transformation Of “Literature”: Establishing A New Literature In Modern China, Xinjian Xu
Theoretical Studies in Literature and Art
Since the transitional period between the Qing dynasty and the Republic of China, literature has been regarded as an efficient instrument to arouse public awareness, to revitalize citizens, and to remold the country in the context of "Western learning spreading to the East." Back then, various reformists and revolutionaries, as well as pioneers of the New Culture Movement, devoted themselves to the enterprise of literature. As a result, literature became a key concept frequently appearing in the Chinese society, followed by a massive occurrence of literary practice throughout the country. As a conceptual product of "Western learning spreading to the …
The "Expropriated" Subject: A Case Study Of The Negative Character Qian Shouwei In "Model Plays", Yihan Chen
The "Expropriated" Subject: A Case Study Of The Negative Character Qian Shouwei In "Model Plays", Yihan Chen
Theoretical Studies in Literature and Art
There are a few scholarly interpretations of negative characters in the eight "model plays". Generally, existing scholarship is mainly dominated by two research methodologies: first, the binary of "literature and art" and "politics", "ideology" and "Utopia", and second, the formation of "subject" from the perspective of modernity. The first methodology leads to the conclusion that due to political constraint, the creative characteristic of literature has not caught due attention; while in terms of the second, "the other" becomes a sign in the subject's self-construction. By introducing Agamben's idea of biopolitics, this article re-examines the situation of Qian Shouwei and restores …
The Creation And Performance Of Traditional Chinese Theatre With Modern Themes: Significance, Problems, And Developmental Trajectory, Hengfu Zhu
Theoretical Studies in Literature and Art
Traditional Chinese theatre with modern themes stems not only from the aesthetic change of the new era but also from the development of Chinese theatre arts, given that modern themes may be more popularly accepted. This paper proposes three suggestions to improve the creation and performance of traditional Chinese theatre with modern themes: to broaden the concept of the mainstream work to cover any scripts that reflect contemporary patriotism and traditional value of Chinese nation with modern aesthetic pursuits; to modernize the theatre expression with poetic lines and lyrics, visualized stage performance through body and expressions, and contemporary style of …
The Ethics Of Memory In Adorno's Aesthetic Utopia And Its Transform, Wenjun Ding
The Ethics Of Memory In Adorno's Aesthetic Utopia And Its Transform, Wenjun Ding
Theoretical Studies in Literature and Art
Regarding how art exists after Auschwitz, Adorno argues that the legitimacy of post-war art is based on representing the memory of accumulated intergenerational suffering, which reflects on and criticizes Auschwitz and its roots in modernity with reference to Walter Benjamin's methodology of theological redemption. Memories of sufferings exist in artworks in a constellation-like structure, causing explosive production of meaning and breaking the monopoly of meaning and value by the identity system. With remembrance as the means, art presents the memory of suffering concerning Auschwitz, and offers a new understanding of the development of contemporary capitalism and possibilities for imagining a …
The Historical Genesis And Contemporary Development Of The Theory "Chinese Artistic Spirit" During The Twentieth Century, Shuiping Tao
The Historical Genesis And Contemporary Development Of The Theory "Chinese Artistic Spirit" During The Twentieth Century, Shuiping Tao
Theoretical Studies in Literature and Art
The theory "Chinese artistic spirit" in this article is an important aesthetic trend and literary tradition, which has been lasting over the past hundred years in the study of Chinese aesthetics and literary theory. It has become frequently discussed by scholars in recent years. Considering the fact that existing scholarship is always limited to one of the different aspects, this article aims to promote the study of Chinese art and aesthetic spirit through a holistic theoretical description and illustration of the academic genealogy, historical context, philosophical basis, theoretical connotation, characteristics and value, and the contemporary development of the aesthetic trend …
The Research Style And Original Achievements Of Xu Zhongyu's Theories On Literature And Art, Xishan Zhou
The Research Style And Original Achievements Of Xu Zhongyu's Theories On Literature And Art, Xishan Zhou
Theoretical Studies in Literature and Art
The 104-year-old Xu Zhongyu, whose academic career of over sixty years has been in tandem with the development of the PRC, has established his distinct style in the theoretical studies of literature and art, namely the combination of theory and practice, of the ancient and the modern, and of inheritance and innovation. His original achievements include initiating the methodology of comprehensively collecting and categorically compiling the materials of ancient Chinese literary theory, raising a series of original and significant academic viewpoints on ancient Chinese literary theory, advocating an interdisciplinary research on the theories of literature and art, envisioning a modern …
The Theoretical Misconceptions And Realistic Choices Of Modern Xiqu Creation: Additionally On The Historical Significance Of Zhang Manjun's New Opera Of Song And Dance, Wei Li
Theoretical Studies in Literature and Art
There are at least three theoretical misconceptions on the creation of modern xiqu: to consider conventionalization essential to xiqu, to consider typification of roles essential to xiqu, and to consider "xiquness," whose meaning is rather vague, as the creative goal and artistic criterion of xiqu. However, these misconceptions fail to hinder the practical development of modern xiqu creation. Directors like Zhang Manjun have created an innovative genre known as "new opera of song and dance." This maneuver, in fact, signifies a return to the comprehensiveness of traditional xiqu, which, centering on music, features a trinity of poetry, song, and dance. …
Unveiling Aestheticism: Reflections On The Dissemination Of Western Aestheticism In China, Chengyong Jiang, Xiang Ma
Unveiling Aestheticism: Reflections On The Dissemination Of Western Aestheticism In China, Chengyong Jiang, Xiang Ma
Theoretical Studies in Literature and Art
For over a hundred years, nineteenth-century Aestheticism's dissemination in China has been insufficiently examined, which leaves the intension and extension of Aestheticism still unclarified even to date. The key to defining Aestheticism is the concept's inherent link to aesthetics, that is, the self-awareness of sensibility, which explains why numerous forms of perceptual knowledge can be intuitively grasped from the works of Western Aestheticism. However, under the influence of natural sciences as well as the industrial and commercial civilization, the target of perceptual knowledge shifted from natural to artificial objects. Through manifesting the diverse forms of perceptual knowledge, Aestheticism conveys the …
Art As The Foundation Of History: On The Historical Dimension Of Heidegger's Art Criticism, Congcong Song
Art As The Foundation Of History: On The Historical Dimension Of Heidegger's Art Criticism, Congcong Song
Theoretical Studies in Literature and Art
In the latest years, the debate between Heidegger and Schapiro on Van Gogh's Shoes has received considerable attention among the Chinese scholars. Despite the controversy over Heidegger's interpretation of the painting, scholars have reached an agreement that Heidegger's art criticism derives from his philosophy of art and therefore lacks the insight of art history abundant in Schapiro's scholarship. This assertion, to a certain extent, misunderstands Heidegger's thought. This paper argues that Heidegger's art criticism also contains a historical dimension, for he not only investigates art history but also pays close attention to the relationship between art and history. The difference, …
Collected Essays Of The Qing Dynasty And The Concept Of Literary History In The Early Twentieth Century, Hengchang Chang
Collected Essays Of The Qing Dynasty And The Concept Of Literary History In The Early Twentieth Century, Hengchang Chang
Theoretical Studies in Literature and Art
Dedicated to "preserving the essence of Chinese culture," Collected Essays of the Qing Dynasty was collaborated by many scholars, among whom Huang Ren possibly undertook the bulk of compilation. Known for its extensiveness, this anthology also features an author-centered editorial style inherited from Collected Poetry of the Ming Dynasty and possesses its unique characteristics. First, it incorporates the most recent articles to refresh the collection. Secondly, it achieves a balance between political practicality and aesthetic quality. Lastly, it encompasses copious articles on frontier geo-history and native-soil literature, which manifests the editors' conscious awareness of academic history. In general, the compilation …