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Madwoman Makings: The Modern Girl As An Object Of Fear And Fascination In Unno Jūza’S "Mrs. Hirumi's Refrigeration Bag", Eliza Joy Mortimer

University Honors Theses

This thesis argues that Unno Jūza's 1937 short story "Mrs. Hirumi's Refrigeration Bag" uses the sensational tropes of deviant detective fiction to both stage and interrogate interwar Japanese anxieties around gender, science, and modernity. Focusing on the figure of Mrs. Hirumi—a scientifically empowered and sexually assertive female plastic surgeon who dismembers and cryogenically preserves her husband—the author reads her as a radical iteration of the Japanese Modern Girl character. By drawing on scholarship on deviant detective fiction, imperial modernity, and Kazue Harada's concept of (re)productivity, this thesis demonstrates how the short story both reproduces misogynistic criminological discourse and unsettles heteronormative …

The Construction And Reflection Of The Theoretical Knowledge System Of Chinese Literature And Art:Summary Of The 16th Annual Conference Of The Chinese Association For Theory Of Literature And Art, Qianpeng Gu

Theoretical Studies in Literature and Art

No abstract provided.

Différance, Transparency And Truth: Jean-Luc Nancy On Beauty, Zhizhong Zhang

Theoretical Studies in Literature and Art

In God, Justice, Love, Beauty, Jean-Luc Nancy thoroughly elucidates his perspectives on beauty, extending beyond the confines of conventional epistemological aesthetics by introducing deconstructionism to the discourses on aesthetic issues. Specifically, Nancy reinterprets the legend of Narcissus, positioning its theme as the movement of beauty's self differentialspacing, and unveiling the différance inherent in beauty. However, as a generalized spacing movement, différance cannot highlight the singularity of beauty. Consequently, through an analysis of douard Manet's painting Reading, Nancy contends that beauty, as a motion of meaning that transcends signification, can only be represented as being of near-nothingness, that is, as a …

Dufrenne's Genetic Phenomenological Explanation Of “Affective A Priori”, Ziming Huang

Theoretical Studies in Literature and Art

The discussion on the nature of the affective in phenomenology can be traced back to the debate on the universality of the aesthetic affective in modern epistemological aesthetics. Dufrenne interpreted it from the perspective of genetic phenomenology and identified it as a problem of “affective a priori.” The “affective” is an object of feeling triggered by the work and constituted by the subject; and “a priori” is a means of preforming the object within the subject. As the constituent structure of the object, the affective a priori indicates the unity of the objective cosmological a priori and …

Rita Felski's Critique Of Contextualism: Taking Rem Koolhaas And Bruno Latour As A Clue, Lijun Su

Theoretical Studies in Literature and Art

With a special nested structure, Rita Felski follows and finalizes Rem Koolhaas and Bruno Latour's manifesto of “Context Stinks!” The three theorists of different disciplines such as architecture, sociology and literature take context as a conservative proposition. In response to the contextualist paradigm that is threatened by self-limitation, self-exclusion and generalization, Koolhaas creates space for innovation through the strategy of “bigness”, while Latour questions the theory of social entities, introducing non-human actors into a new coordinate system. Based on them, Felski tries to remold the future of literature within the framework of actor-network theory, in order to forestall text from …

Derrida's Theory Of Sovereignty—And His Criticism Of Robinson Crusoe, Jinlong Xiao

Theoretical Studies in Literature and Art

The 20th century has witnessed an unprecedented exploration and development of the concept of human essence in the Western theoretical community. In the early 20th century, Heidegger proposed that human essence was existence. Later, Foucault argued that human essence was power. By the end of the 20th century, Derrida clearly pointed out that human essence was neither pure existence as advocated by the existentialists, nor pure power, as claimed by the power theorists. Instead, it is something between existence and power: the “powerization” of existence, which Derrida termed “sovereignty.” The operating rhythm of sovereignty involves the autonomy of automation, specifically …

Atmosphere And Artistic Appeal (Qi Yun): An Unfinished Reflection On The Modern Interpretation Of “Artistic Appeal And Rhythmic Vitality” From The Perspective Of Atmosphere Aesthetics, Lei Li

Theoretical Studies in Literature and Art

Drawing from the traditional binary thinking of subject-object division and confrontation, the modern interpretation of “artistic appeal and rhythmic vitality” since the twentieth century considers it either as an aesthetic feature or the overall spirit of the artwork, or as the painter's inner harmony and resonance, failing to fully realize that the ideal effect of “artistic appeal and rhythmic vitality” can only be generated by the two-way communication and resonance between the creator and the object. In the light of the aesthetics of atmosphere, “artistic appeal” is a special category or an advanced state of atmosphere that arises from the …

A Study Of The Historical Formation Of The “Fengyao” Pattern And The “Touchun” Pattern In Five-Character Metrical Poetry, Zhao Zhang

Theoretical Studies in Literature and Art

Since the Song dynasty, the touchun pattern has referred to the five-character metrical poetry in which the antithesis is used in the first couplet rather than the second; the fengyao pattern has referred to those in which the antithesis is only used in the third couplet. These two patterns began to flourish in the works of Shen Quanqi and Song Zhiwen. During the High Tang dynasty, they were equated in number with the standard format of metrical poetry. It was not until the Dali era that they were finally confirmed as variant formats of five-character metrical poetry. This trend of …

A New Explanation Of The Connotation And Poetic Significance Of “Poetry Springs From Emotions And Hence Reads Beautifully” In Rhapsody On Literature, Yanfeng Cai, Xiaoli Wei

Theoretical Studies in Literature and Art

Traditionally, “poetry springs from emotions and hence reads beautifully” in Rhapsody on Literature has been interpreted primarily within the poetic context of expressing emotions and aspirations, often overlooking the broader connotation of “emotion” and the logical relationship between “springing from emotions” (yuanqing) and “beautiful” (qimi). Two key concepts are essential in understanding of this sentence. The first is “emotions”, which has been widely used to denote an objective state, essence, and reality since the pre-Qin era. Recognizing the objective meaning of “emotion” is crucial for a correct understanding of the poetic connotation of “springing from emotions”. …

New Changes In The Theater Ecology In The Late-Qing Shanghai: A Study Based On Wang Guifen's Contract Payment Lawsuit, Chunning Zhao

Theoretical Studies in Literature and Art

Contract payment lawsuits discussed in this paper were disputes over rights and interests arising from the operation of modern xiqu (Chinese opera). During Wang Guifen's performances in Shanghai, he was involved in such lawsuits with quite a few theaters, including Xin Dangui, Tianxian, Liuchun, Tianfu, and Guixian. The practice of inviting and recruiting famous actors with high contract payments was a common form of commercial competition in Shanghai's theaters, and it was also the direct cause of job-hopping by well-known actors and their involvement in legal disputes. The high contract payments intensified malicious competition between theaters, hindered the healthy development …

A Semiotic Interpretation Of Landscape Painting And Its Limitations: A Focus On Duan Lian, Yiqing Liu, Zhijie Sun

Theoretical Studies in Literature and Art

Duan Lian has offered a semiotic interpretation of the history of landscape painting. He argues that the formation, development, divergence and decline of landscape painting are all conveyed through the form of images. This constitutes an interaction of image symbols from form to concept, providing new perspectives and paradigms for the study of landscape painting and semiotics. However, regarding the transcendence of landscape painting, we contend that Duan Lian's semiotic interpretation of landscape painting cannot fully capture its intrinsic aesthetics and spirit, as this approach may lead to an underestimation and weakening of the artistic essence of landscape painting. Semiotics, …

Education For The Average Person And The Celestial-Human Strategy In Ancient Poetry Education: Pedagogical Choices In The Context Of The Li-Du And Su-Huang Debates, Shugong Zhao

Theoretical Studies in Literature and Art

As early as the Wei and Jin dynasties, Chinese literary culture developed a marked adulation of genius. Yet, poetry education took a distinct approach, which favored models not solely based on genius. In discussions contrasting Li Bai and Du Fu, Li Bai was esteemed for his rare natural gift, while Du Fu was valued for his profound intellectual insight. Similarly, in the Su-Huang debates, Su Shi was praised for innate talent, while Huang Tingjian was noted for his disciplined scholarship. Despite these distinctions, poetry education consistently recommended emulating figures like Du Fu and Huang Tingjian. This choice reflects the ancient …

“The Poetics Of Graphite Stone Paintings” And The Quality Of Modern Scholars' Paintings: Wu Changshuo And Pan Tianshou As Examples, Zhongyi Xia

Theoretical Studies in Literature and Art

To identify why only “the poetics of graphite stone paintings” in Wu Changshuo and Pan Tianshou's works deserve to be referred to as representative of “modern scholars' paintings,” several issues need clarification. First, what is the boundary between “paintings by scholars” and “paintings by literati?” Second, how does one identify Wu's “stubborn stone” not only as a kind of “scholarly painting,” but also as “modern?” Third, how does one recognize Pan's “massive rock” as a “scholarly painting” worthy of being called “modern?” The response is as follows. Firstly, “scholarly painting” is rooted in tranquility and introverted in the self-sanctity of …

On “Posthumanism”, Martin Crowley

Theoretical Studies in Literature and Art

The label “posthumanism” identifies neither a doctrine, nor an intellectual or analytical approach with a defining set of protocols. Rather, we may take “posthumanism” as a term loosely applied to a range of contributions and approaches, on the basis of a generally under-specified collection of sympathies and commitments. Approximately stated, these sympathies and commitments would entail the claim that — with due allowance for historical variation — the category of “the human” has long played a key role at the centre of Western thought; that this role has included serving to justify the promotion of human beings above other forms …

The Invention Of Tradition: From Ancient “Articles” To May Fourth “Literature” — A Concurrent Explanation Of The Connotation Of “Chinese Literary Theory”, Xu Xu

Theoretical Studies in Literature and Art

This article focuses on the relationship between literary views and article studies of May Fourth scholars from the perspective of hermeneutics, in order to re-explain the connotation of “Chinese literary theory” and consider the construction of a Chinese literary theory discourse system. Rooted in interpretations of the interplay between literature and dao, May Fourth scholars reshaped the traditional framework, shifting the focus to the relationship between literature and humanity, through the integration of ideals and dao. Their commitment to broad, applied literary views led to a progression from a simple division between cultural traits and literary function to a more …

Within My Glass Doors, Natsume Sōseki, Iwao Matsuhara, Edwin T. Iglehart

Zea E-Books Collection

During his last years (1915–1916) Natsume Sōseki was often troubled by the stomach ailment that eventually took his life at age 49. Constrained by his illness to remain at his home in Waseda, a Tokyo suburb, he nevertheless continued to work on his novels and to write columns for publication in the Asahi Shimbun newspaper.

Within My Glass Doors collects those 39 columns; in them he discusses his visitors, his illness, memories of his childhood and family, and interactions with colleagues new and old. The most autobiographical and revealing of all his writings, this collection of essays displays his remarkable …

Cultural Of Authenticity And Commodification: Analyzing The Aesthetic Waves And Collective Culture In The 2010s And 2020s, Stefanny Leung Yu

Student Theses

The “authentic self” is curated, aestheticized, and most notably, commodified. Digital algorithms, likes, views, and engagement are more than just digital metrics, they are the management of performance. For millions of other users — including the author herself — social media is the locus of personal expression. Most notably, sites like Tumblr, where users in the 2010s posted hazy images or overly filtered graphics along with melancholic song lyrics that match the vibe of the moment, expression was earnest and idealized. Today, social media in the 2020s, new creators like Hannah Neelaman, better known as Ballerina Farm, dress in pastoral …

Japanese-English Translation:「翻訳について」、岸田國士著、一九三五年一月作 The Question Concerning Translation, By Kishida Kunio (Penned January 1935), Translated By Christopher Southward, November 2024, Christopher Southward

Comparative Literature Faculty and Student Scholarship

Japanese translator, essayist and dramatist Kishida Kunio (1890-1954) on the craft of translation with an emphasis on French literature and French - Japanese translation

2024 Conference Program, Georgia Southern University

South East Coastal Conference on Languages & Literatures (SECCLL)

2024 Conference Program

Signifying And The Feeling Of Differences, Samuel Weber

Theoretical Studies in Literature and Art

What does Werner Hamacher's concept of archiphilology have in common with Saussure's view of intralinguistic， differential function in language? Perhaps the way in which the indefinite of language itself “slowly defines itself，” both in response to past acts of appropriations， and appealing for new signifieds the meaning of which can only be seized and unseized over time. Several of Kafka's short stories illustrate how literary works play out the same tension within what can be called a “progressive and digressive” narrative， warding off any internal principle of closure or conclusiveness while continuing to require endings and answers. Holderlin's “Remarks on …

Guest Editor's Overview, Yue Zhuo

Theoretical Studies in Literature and Art

No abstract provided.

Critiquing The Discourse On Women In The Edo Era: Intertextual Studies Of Ariyoshi’S Hanaoka Seishū No Tsuma, Nina Alia Ariefa, Melani Budianta, Dhita Hapsarani

Paradigma: Jurnal Kajian Budaya

Under the Tokugawa clan, Japanese women’s position was declined throughout the Edo era (1603–1868). Almost one century afterwards, a female writer called Ariyoshi Sawako (1931–1984) raised the issue of female position in the Edo era through the novel Hanaoka Seishū no Tsuma (HSNT). This article will focus on two things. First is the exploration of the discourse of women in the Edo Era through three texts written during the era. The second part of the article will discuss the intertextuality of novel, with the discourse on women in the Edo era. New historicism method and Foucault’s concepts of discourse and …

Children’S Gothic In The Chinese Context: The Untranslatability And Cross-Cultural Readability Of A Literary Genre, Chengcheng You

CLCWeb: Comparative Literature and Culture

As an emerging literary subgenre in the twenty-first century, Children’s Gothic challenges and blends the norms of both children’s literature and Gothic literature, featuring child characters’ self-empowerment in the face of fears and dark impulses. The foreignness and strangeness that pertain to the genre haunt the border of its translatability. Daniel Handler’s A Series of Unfortunate Events (1999­–2006), written under the pseudonym Lemony Snicket, poses a chain of translational challenges due to its linguistic creativity, paratextual art, and mixed style of horror and dark humor intended for a child readership. To investigate the interplay between Children’s Gothic and its (un)translatability …

Vegetal Being: Dreamwork, Ritual, And Performance In Han Kang’S The Vegetarian, Briana Hanratty

Electronic Theses and Dissertations

In this thesis, I am writing towards an ecofeminist informed reading of the English version of The Vegetarian by Han Kang, translated by Deborah Smith. My aim is to display how, like an ecosystem of complex interdependency, it is impossible to separate body from theory from text from ecological context. To engage with this form of ecofeminism, I center an autotheoretical methodology with voices from ritual theory and performance theory in order to examine how Yeong-hye, the titular vegetarian of Han Kang’s novel, operates as a narrative-level metaphor for the desire for erotic ecology as a mode of ecological and …

Maturing Manga: An Analysis Of Adult Themes In Shōnen Manga, Audrey Leahy

Honors College Theses

Manga is a Japanese form of visual storytelling comparable to comic books and graphic novels that has seen a significant increase in popularity abroad in the twenty-first century. In Japan, manga is published in magazines intended for particular target audiences. The two most prominent of these are shōnen, manga for young men, and seinen, manga for adult men. This paper examines these demographics and explores the growing similarities between these two demographics. The research compares the adult content and themes of manga in both shōnen and seinen manga. The series Dorohedoro and Chainsaw Man were analyzed both quantitatively for amounts …

Potentiality, Resistance And Bare Life: Giorgio Agamben On Melville’S Bartleby, Yanjun Wang, Yaping Wang

Theoretical Studies in Literature and Art

The idea of potentiality runs through Giorgio Agamben’s political philosophy. In his analysis of Herman Melville’s Bartleby, the Scrivener, Agamben thoroughly interprets potentiality and bare life through Bartleby’s “I prefer not to”. Agamben believes that Bartleby’s inoperativeness is the highest form of resistance, which exists as pure potentiality against the power apparatuses in modern society. Agamben considers Bartleby’s inoperativeness as the exact way to redeem bare life in modern society, where the state of exception already becomes normality. This article starts with Agamben’s reading of Bartley, focuses on potentiality, resistance and bare life to analyze the pure and thorough way …

The Fallacy And Verification Of Criticism On Contemporary Chinese Confessional Poetry, Lei Wei

Theoretical Studies in Literature and Art

Contemporary Chinese confessional poetry has engaged much academic attention despite its short existence between the 1980s and the 1990s. The confessional poetry has been related with female poetry by scholars since the beginning, and they have been criticized for lacking Chinese cultural characteristics, skills or aesthetic values etc.. However, contemporary Chinese confessional poetry is not exclusively the product of female poets, as there are quite a few male poets who created some fine confessional poems. Chinese confessional poetry of new period turned out to be embodied with a literary form of strong nationalistic features and contain rich elements of traditional …

Traumas And Recovery In Takaya Natsuki's Fruits Basket, Vesper North

English (MA) Theses

This thesis examines the various traumas within Takaya Natsuki’s anime series Fruits Basket and how the act of transformation triggers the beginnings of recovery for numerous characters. Fruits Basket bears striking similarities to the French fairy tale Beauty and the Beast (as well as later adaptations) originated by Gabrielle-Suzanne de Villeneuve. Throughout, I draw parallels between the “Beauty and the Beast”-genre with Fruits Basket and how the anime expands upon shared themes, specifically trauma. Additionally, I analyse the birth of and recovery from traumas (caused by bullying, loss, abuse, and feelings of otherness) for “Beauty and the Beast” archetypes within …

Las Voces Desde La Liminalidad Sino-Peruana: –Una Lectura Comparativa De Mongolia Y La Vida No Es Una Tómbola–, Jing Tan

LSU Master's Theses

Chinese immigrants first arrived in Peru in the mid-19th Century. Since then, the Sino-Peruvian community has lived through myriad vicissitudes. Today, despite its indisputable influence in Peru’s history, it is still largely invisible in society, just as the concept of an Asian Latin American identity remains elusive in the national consciousness. In the literary and academic world, the scarcity of a voice highlighting Chinese legacies in Peruvian literature is echoed by the dearth of such a voice in the criticism regarding works by Sino-Peruvian writers about Sino-Peruvian experiences.

This comparative analysis engages with two novels that evince deep parallelism with …

Ten Nights' Dreams And Our Cat's Grave, Natsume Soseki

Zea E-Books Collection

Ten Nights’ Dreams (夢十夜, Yume Jūya) is a classic written work from the Japanese master Natsume Soseki. Originally published in 1908, it announced the emergence in Japanese literature of a modernist and impressionistic mode. Short ­vignettes with fantastic, tragic, or magical events convey an exquisite sensibility compounded with stark realism. Love, honor, duty, artistry, desire, despair, and regret all shape events in the dream-world. The stories themselves suggest echoes of meanings beyond the failures of rational sense-making. Ten dreams—each unique and arresting—form a panorama of life and feeling, at once universal and intensely present.

“Our Cat’s Grave” is a brief …