Open Access. Powered by Scholars. Published by Universities.®

East Asian Languages and Societies Commons™

Open Access. Powered by Scholars. Published by Universities.®

Film and Media Studies

Institution
Keyword
Publication Year
Publication
Publication Type

Articles 211 - 227 of 227

Full-Text Articles in East Asian Languages and Societies

Insect Abundance And Variability In An Urban-Rural Landscape And Comparison To Foraging Habitat Selection Of Bats, Nicole M. Oehler Dec 2011

Insect Abundance And Variability In An Urban-Rural Landscape And Comparison To Foraging Habitat Selection Of Bats, Nicole M. Oehler

All-Inclusive List of Electronic Theses and Dissertations

I conducted a study of the relationship between prey availability and foraging habitat selection of Indiana bats (Myotis sodalis), big brown bats (Eptesicus fuscus), eastern red bats (Lasiurus borealis) and evening bats (Nycticeius humeralis) in an urban-rural landscape matrix of southwestern Indianapolis. Insects were collected from nine different habitat types found within the range of these species. Insect data were collected from 2006 to 2008 using sticky traps placed in each habitat type. Habitat types were ranked by importance to each bat species (based on previous studies) and then compared to the average number of prey insects captured per habitat …


Kazoku Cinema, Chunhyang And Postmodern Korean Cinema, Hyangsoon Yi Jun 2011

Kazoku Cinema, Chunhyang And Postmodern Korean Cinema, Hyangsoon Yi

Journal of Global Initiatives: Policy, Pedagogy, Perspective

This article examines the salient characteristics of two representative postmodern Korean films from the late 1990s: Park Chulsoo's Kazoku Cinema (1998) and Im Kwon-Taek's Chunhyang (2000). Im and Park are veteran filmmakers who developed their directorial careers in the mainstream commercial film and television industries. In the 1990s, however, they decided to turn from the conventional mode of cinema to a more experimental form of film. These shifts resulted in a series of self-reflexive films. Kazoku Cinema is structured in terms of a film-within-a-film. Park's metacinematic treatment of the movie-making process for a dysfunctional Korean-Japanese family showcases his effort to …


Kurosawa, Akira (1910-1988), James Mark Shields Mar 2011

Kurosawa, Akira (1910-1988), James Mark Shields

Other Faculty Research and Publications

No abstract provided.


Ozu, Yasujirō (1903–1963), James Mark Shields Mar 2011

Ozu, Yasujirō (1903–1963), James Mark Shields

Other Faculty Research and Publications

No abstract provided.


Miyazaki, Hayao (1941–), James Mark Shields Mar 2011

Miyazaki, Hayao (1941–), James Mark Shields

Other Faculty Research and Publications

No abstract provided.


Mizoguchi, Kenji (1898-1956), James Mark Shields Mar 2011

Mizoguchi, Kenji (1898-1956), James Mark Shields

Other Faculty Research and Publications

No abstract provided.


香港文學的現代主義 : 六、七〇年代歐洲電影與香港文學的關係, Pak Shing Tse Jan 2011

香港文學的現代主義 : 六、七〇年代歐洲電影與香港文學的關係, Pak Shing Tse

Lingnan Theses

大量的史實證明,香港五、六○年代銳意介紹西方現代主義的文藝雜誌與 副刊跨越了不同的藝術媒介,為香港現代文學奠下了重要的基礎;而這個基礎 有兩個重要的特質:一它是一個連續的累積過程,二它具有跨越媒介的特色。 由《文藝新潮》(1956-1959)以降,到《新思潮》(1959)、《好望角》(1963) 等提倡現代文藝的雜誌,它們所累積的現代主義文化根基及對不同藝術媒介的 包容吸收,到了六○年代的《中國學生周報》仍然秉承這份精神。本文把西方傳入的現代主義思潮看成是一個在香港連續發展的整體。

現代主義雖然是西方思潮,但在香港的特殊背景之中,反而把其消化成香港獨特的文學風格,令香港文學更加本土化;而對於六○年代在香港成長的作者,歐洲電影更是一個吸收現代主義思潮的重要途徑。本文以現代主義及歐洲電影兩條線索在香港交匯的事實構成一個視角,一方面考察香港本土意識的形成,另一方面探討電影與文學在美學及文化上的互動關係。

在這個視角下,六○年代《中國學生周報‧電影版》所討論的歐洲電影成為本文重要的文獻,而本文會抽取當中較有代表性的電影作品,並以之為章節, 看其對香港文學的影響。討論的作品以長篇作品《剪紙》(1977)及《我城》 (1979)為主,旁及《養龍人師門》(2002)、《象是笨蛋》(1969)以至也斯及西西的影評,以及他們回應某些歐洲電影的文學作品。與過往的評論不同, 本文把這兩部作品放在歐洲電影與現代主義文學交錯的脈絡中,重新發掘其背後的影響來源,討論的電影包括阿倫‧雷奈(Alain Resnais,1922-)的《去 年在馬倫巴》(Last Year at Marienbad, 1961)、路易士‧布紐爾(Luis Buñuel, 1900-1983)的《模糊的情慾對象》(That Obscure Object of Desire,1977)、 安東尼奧尼(Michelangelo Antonioni)的《春光乍洩》(Blow-Up,1966)、路 易‧馬盧(Louis Malle,1932-1995)的《莎西遊巴黎》(Zazie dans le m�tro, 1960)等,並旁及這些導演其他電影作品及當時歐洲的電影文化,以至它們背後的文學原著,包括法國情色文學作家皮亞‧盧維(Pierre Louÿs,1870-1925) 的《女人與玩偶》(The Woman and The Puppet,1898)、 南美魔幻寫實作家科塔薩爾(Julio Cotazar,1914-1984)的短編作品、法國新小說作家的電影劇本等,並以也斯和西西早期作品為參照,察看當中受電影文化影響的轉變過程。


Stay At Home Fathers: The New Gender Benders, Jessica Fischer Aug 2010

Stay At Home Fathers: The New Gender Benders, Jessica Fischer

All-Inclusive List of Electronic Theses and Dissertations

This study compared the gender roles and attitudes toward women‟s and men‟s social roles of stay at home fathers and employed fathers recruited on the Internet. The relationship between gender roles and attitudes toward women‟s and men‟s social roles on reasons for becoming a stay at home father were also investigated. It was predicted that stay at home fathers would endorse more traditionally feminine characteristics for themselves and would have more nontraditional attitudes toward men‟s and women‟s social roles than employed fathers. In addition, it was predicted that fathers who choose to stay at home for practical reasons (i.e. lost …


The National Imagination (Spring 2010), Robert D. Tobin, Belen Atienza, Alice Valentine Jan 2010

The National Imagination (Spring 2010), Robert D. Tobin, Belen Atienza, Alice Valentine

Syllabi

What images make people think of the United States of America? Cowboys? The flag? And are there similar icons in other cultures that help define cultural identity? The National Imagination explores the concept of a national community as constructed and critiqued through literary and cinematic narratives, as well as other cultural texts.

Our underlying premise is that national languages and cultures promote the identity of particular communities. We are interested in examining those subjective expressions of culture—images, symbols, narratives—that lead people to feel that they are members of the communities we call nations. We are also interested in discovering points …


Contention Of Lust, Caution: Sexuality, Visuality And Female Subjectivity, Yanjie Wang Jan 2010

Contention Of Lust, Caution: Sexuality, Visuality And Female Subjectivity, Yanjie Wang

Asian and Asian American Studies Faculty Works

This paper investigates the ways in which Ang Lee provides new insights into subject formation in his film Lust, Caution (Se Jie, 2007). In the paradigm of structuralism, the subject is defined, as well as confined, by the symbolic order or the dominant ideology. The puzzle therefore rests on how to explain the subject’s negotiation with its normative identity, its denial thereof, or even its subversion of said identity. In a close reading of the female protagonist’s subject formation in Lust, Caution, this paper acknowledges the power of ideology, specifically the power of its interpellative operation, in constructing a subject. …


Review Of Japanese Mythology In Film: A Semiotic Approach To Reading Japanese Film And Anime By Yoshiko Okuyama, Ronald S. Green Jan 2009

Review Of Japanese Mythology In Film: A Semiotic Approach To Reading Japanese Film And Anime By Yoshiko Okuyama, Ronald S. Green

Philosophy and Religious Studies

No abstract provided.


The National Imagination (Spring 2009), Robert D. Tobin, Marvin D'Lugo, Alice Valentine Jan 2009

The National Imagination (Spring 2009), Robert D. Tobin, Marvin D'Lugo, Alice Valentine

Syllabi

This course compares the idea of the nation in two or three different traditions. This particular syllabus compares the national in Argentina, Japan, and Germany.

A photo of this Spring 2009 class was taken as part of Professor Bob Tobin's ongoing class photo tradition. The photograph was taken by Stephen DiRado as part of his Classroom Series.


No Man An Island: The Cinema Of Hou Hsiao-Hsien, James N. Udden Jan 2009

No Man An Island: The Cinema Of Hou Hsiao-Hsien, James N. Udden

Gettysburg College Faculty Books

Hou Hsiao-hsien is arguably the most celebrated Chinese-language film director in the international film festival realm. However, this is not due to an inert cultural tradition so much as to numerous historical/contextual factors – most of all his being from Taiwan -- which together explain the accomplishments of Hou.


Japanese Video Art, Micol Hebron Jul 2007

Japanese Video Art, Micol Hebron

Art Faculty Articles and Research

A review of the "Radical Communication, Japanese Video Art, 1968-1988" exhibition, curated by Glenn Phillips, at the Getty Museum.


This Time He Moves! The Deeper Significance Of Hou Hsiao-Hsien's Radical Break In Good Men, Good Women, James N. Udden Jan 2007

This Time He Moves! The Deeper Significance Of Hou Hsiao-Hsien's Radical Break In Good Men, Good Women, James N. Udden

Interdisciplinary Studies Faculty Publications

Following the recent success of Taiwanese film directors, such as Hou Hsiao-hsien, Edward Yang, Ang Lee and Tsai Ming-liang, Taiwanese film is raising its profile in contemporary cinema. This collection presents an exciting and ambitious foray into the cultural politics of contemporary Taiwan film that goes beyond the auterist mode, the nation-state argument and vestiges of the New Cinema.

Cinema Taiwan considers the complex problems of popularity, conflicts between transnational capital and local practice, non-fiction and independent filmmaking as emerging modes of address, and new possibilities of forging vibrant film cultures embedded in national (identity) politics, gender/sexuality and community activism. …


香港文學電影片目, Ping Kwan Leung, Shuk Han, Mary Wong Jan 2005

香港文學電影片目, Ping Kwan Leung, Shuk Han, Mary Wong

嶺南大學人文學科研究中心叢書 Centre for Humanities Research : Book Publications

《香港文學電影片目》收錄1913至2000年改編自文學作品的香港電影,及文人作家參與編製的電影。我們希望可以編一個齊全的片目,以方便日後的硏究者和有興趣的同學,但目前香港文學及電影的資料散佚仍多,我們盡力而為,工作了多年,但相信仍 有不少可以補充的地方。就算是拋磚引玉好了,希望前輩高明和有識讀者能給我們提供寶貴意見。片目雖説是涵蓋九十年的文學電影資料,但側重是在五、六〇年代的文藝電影資料。這兩個年代改編文學作品的電影較多,文人參與電影製作亦較活躍,香港文學跟香港電影的關係最密切,這個情況似乎不復見了。編出這片目,不知對今天的電影工作者會不會有一點參考作用?


Pemaparan Nilai Dalam Manga Bersiri Doraemon : Sebuah Analisis Kandungan, Shahabudin Jurimi Jan 2001

Pemaparan Nilai Dalam Manga Bersiri Doraemon : Sebuah Analisis Kandungan, Shahabudin Jurimi

Student Works (2000-2009)

The purpose of this study is to evaluate the values contained in the mango. Emphasis will be given on the values which is assumed to have positive and negative characteristics. The characteristics which makes mango magazines popular are also identified. The study is conducted by using methodical analysis oft he contents and the data o f the study was obtained from the mango translated magazine of the Doraemon series published by Penerbit Tora Aman Teater o f No. 7 Jal an BK 1118, Kinrara Industrial Park, Bandar Kinrara, Puchong, 47100 Selangor viz. the Bahasa Melayu Edition (Volume 1- 3 printed …