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Articles 1 - 6 of 6

Full-Text Articles in Digital Humanities

When The Virtual Meets The Real: An Assessment Of The Benefits And "Costs" Of Open Access Texts For First Year Writing Courses At Cuny, Johannah Rodgers Nov 2012

When The Virtual Meets The Real: An Assessment Of The Benefits And "Costs" Of Open Access Texts For First Year Writing Courses At Cuny, Johannah Rodgers

Publications and Research

An assessment of the advantages, drawbacks, and costs of Open Access / OER texts for First Year Writing courses at CUNY.


Video Art (Writing) On Youtube Via The Book And The Web, Alexandra Juhasz Jan 2012

Video Art (Writing) On Youtube Via The Book And The Web, Alexandra Juhasz

Publications and Research

No abstract provided.


The Me And The We: A First Person Meditation On Media Translation In Three Acts, Alexandra Juhasz Jan 2012

The Me And The We: A First Person Meditation On Media Translation In Three Acts, Alexandra Juhasz

Publications and Research

No abstract provided.


Despain Uses Latest Technology To Study English, Aldemaro Romero Jr. Jan 2012

Despain Uses Latest Technology To Study English, Aldemaro Romero Jr.

Publications and Research

No abstract provided.


Where’S The Pedagogy? The Role Of Teaching And Learning In The Digital Humanities, Stephen Brier Jan 2012

Where’S The Pedagogy? The Role Of Teaching And Learning In The Digital Humanities, Stephen Brier

Publications and Research

The Digital Humanities (DH) has focused narrowly on digital research methods and projects and digital publication efforts. Yet DH has also had a significant, if under recognized, impact on classroom pedagogy. This chapter evaluates the ways DH practices, embodied in a series of pedagogy projects at the City University of York (CUNY), have been used to reshape teaching and learning in college classrooms.


Topic Modeling And Figurative Language, Lisa M. Rhody Jan 2012

Topic Modeling And Figurative Language, Lisa M. Rhody

Publications and Research

Located at the center of Jorie Graham’s collection The End of Beauty, “Self Portrait as Hurray and Delay” crafts a portrait of the artist, poised at a precarious moment in which thought begins to take shape. Like Penelope, Graham entertains the illusion, if only momentarily, of a choice between bringing a creative impulse into form or allowing it to come undone. A weaver of language, Graham subtly, deftly, but unsuccessfully attempts to delay the inevitable moment in poetic creation in which complexity of thought adopts form through language, and so realized is also reduced. In The End of Beauty, the …