Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Performance Studies (3)
- Theatre and Performance Studies (3)
- Architecture (2)
- Communication (2)
- Communication Technology and New Media (2)
-
- Other Theatre and Performance Studies (2)
- Social and Behavioral Sciences (2)
- Theatre History (2)
- Acting (1)
- Art Practice (1)
- Art and Design (1)
- Civic and Community Engagement (1)
- Cognition and Perception (1)
- Cultural Resource Management and Policy Analysis (1)
- Dramatic Literature, Criticism and Theory (1)
- Film and Media Studies (1)
- Historic Preservation and Conservation (1)
- History of Art, Architecture, and Archaeology (1)
- Interdisciplinary Arts and Media (1)
- Interpersonal and Small Group Communication (1)
- Library and Information Science (1)
- Museum Studies (1)
- Other History of Art, Architecture, and Archaeology (1)
- Other Social and Behavioral Sciences (1)
- Playwriting (1)
- Psychology (1)
- Science and Technology Studies (1)
- Sociology (1)
- Keyword
-
- Performance (3)
- Archive (2)
- Documentation (2)
- 3D laser scan (1)
- 3D modeling (1)
-
- Choir (1)
- Community (1)
- Community resilience (1)
- Digitalization (1)
- Digitization (1)
- Dramaturg (1)
- Embedded Archivist (1)
- Folk musical instruments (1)
- Interactive technologies (1)
- LAM (1)
- Libraries (1)
- Movable Cultural Heritage (1)
- Museums (1)
- Oral History (1)
- Photogrammetry (1)
- Place (1)
- Public sphere (1)
- Research-creation (1)
- Sami (1)
- Walking (1)
Articles 1 - 5 of 5
Full-Text Articles in Digital Humanities
A Research Program For Studying Lams And Community In The Digital Age, Andreas Vårheim, Roswitha Skare, Noah Lenstra, Kiersten F. Latham, Geir Grenersen
A Research Program For Studying Lams And Community In The Digital Age, Andreas Vårheim, Roswitha Skare, Noah Lenstra, Kiersten F. Latham, Geir Grenersen
Proceedings from the Document Academy
The paper outlines a research effort into the changing representations, policies, strategies, activities, and practices of libraries, archives, and museums (LAMs) in the digital age. Comprehensive social changes including big slow-moving processes, such as aging populations, global migration, technological change, and environmental change, expose communities and LAM institutions to vulnerabilities. How do the institutions handle vulnerabilities, how do they become more resilient, and how do they contribute to building the resilience of their local communities?
Image And Range-Based 3d Acquisition And Modeling Of Popular Musical Instruments, Giacomo Patrucco, Filiberto Chiabrando, Piercarlo Dondi, Marco Malagodi
Image And Range-Based 3d Acquisition And Modeling Of Popular Musical Instruments, Giacomo Patrucco, Filiberto Chiabrando, Piercarlo Dondi, Marco Malagodi
Proceedings from the Document Academy
This article aims to illustrate the importance of the contribution of 3D survey and modeling techniques in the framework of movable heritage and museum collection documentation and cataloguing. The work reported in this study focuses on digitalization and 3D modeling of some popular music instruments (belonging to the collection of Museo del Paesaggio Sonoro in Italy) in the framework of the SAMIC project (Sound Archives & Musical Instruments Collection). Different sensors and strategies have been applied during this research in order to obtain high-resolution digital replicas of the objects (a LiDAR system and a photogrammetric approach have been …
Should Theatre Disappear Like Soap Bubbles?, Erin Lee
Should Theatre Disappear Like Soap Bubbles?, Erin Lee
Proceedings from the Document Academy
I recently read an excerpt from a 2004 interview with Peter Hall where he claims that he was happy for his materials to disappear "like soap bubbles" (Reason, 2006). One of the fundamentally difficult things about archiving theatre, aside from its ephemeral nature, is the approach that creatives take to their work. Not only do we need to battle the format of live performance but we also need to convince many creatives, not all I must add, that their work can and should remain in the Archive for use in the future. There are glimmers of potential in the area …
Performing The Quality Of Imperceptible Interactions Between Individuals: A Technological Challenge Regarding The Collective, Marine Theunissen
Performing The Quality Of Imperceptible Interactions Between Individuals: A Technological Challenge Regarding The Collective, Marine Theunissen
Proceedings from the Document Academy
Contemporary technologies allow incredible possibilities of capturing individuals, but a problem arises when it comes to capturing a chorus, that is to say a "collective body" in motion. This proposal will address the problem of the sensitive capture of the quality of the interrelations between individuals, and of their refined interpretation through algorithms to "output” them in other forms. We will address two questions on the subject: how to capture the relations between individuals within a collective? How to create a circular-causal loop, whose artistic material (the digital data) is the interrelations of a collective, without engendering redundancy in their …
The Walking Dramaturg: An Autoethnographic Methodology For Performance Documentation, Giselle G. Garcia
The Walking Dramaturg: An Autoethnographic Methodology For Performance Documentation, Giselle G. Garcia
Proceedings from the Document Academy
Technology usually implies the distancing of the human experience, but I argue what technology has enabled can teach us something about the role of multiplicity and the rhizomatic nature of history and storytelling. By looking at the subject position of the practicing performance researcher in terms of the walking dramaturg, the autoethnographic catalogue of such experience becomes a form of documentation in the archive of theatre histories. Taking the time to explore a nuanced understanding of the documeter’s subject position acknowledges the multifarious subject positions that contribute to the archive of theatre histories.
Beyond creating a record of evidence, I …