Digital Humanities Commons^™

Unbalancing Acts: Plagiarism As Catalyst For Instructor Emotion In The Composition Classroom, Ann E. Biswas

Ann E. Biswas

In this essay, the author reflects on her experiences while researching composition instructors’ emotional responses to plagiarism. The research found that instructors faced a variety of complex and competing feelings when students plagiarized, and those responses threatened to upset relationships, power structures, and professional identities in the classroom. The author considers how and why her own emotional labor was altered in light of these findings and what this might suggest about the need for increased professional conversation in our discipline regarding the impact of emotions in the writing classroom.

Freedom Is A Good Book And A Sugar High, Meredith Doench

Meredith Doench

This is a creative nonfiction piece about reading literature with an inmate.

Familiar Strangers: International Students In The U.S. Composition Course, Elena Lawrick, Fatima Esseili

Fatima Esseili

This chapter presents selected findings from our study of a well-established ESL writing program at a U.S. university with a large population of international undergraduate students. The study was conducted in all 13 writing sections. The instruments included demographic data from university registrars; one instructor survey, administered at the end of the semester; and two student surveys, one administered at the beginning of the semester and one at the end. The instructor survey response rate was 100% (13 teachers); the student survey response rates were 82.5% (161 students) and 88% (171 students), respectively.

The reported findings inform five areas: an …

Training Graduate Assistants, Bryan Bardine

Bryan Bardine

This article was featured in the journal's '4Sites Post-secondary' section. Overall, the goals for summer training are threefold:

• TAs need to become familiar with each other.
• TAs need to be knowledgeable about the material.
• TAs should be somewhat at ease in a classroom environment.

Hermann Hesse’S 'Siddhartha' As Divine Comedy, Bryan Bardine

Bryan Bardine

Comedy has always been more difficult to define and pin down than tragedy. Part of the difficulty may be that comedy is, by its very nature, more protean than tragedy: comedy often takes delight in breaking the rules. Moreover, tragedy has been so memorably described in The Poetics that Aristotle may have unintentionally molded the shape of tragedy through the ages. There are different kinds of tragedy, to be sure, but they are usually variations of a similar theme and form. Perhaps because Aristotle's treatise on comedy has been lost, comedy was left free to develop in numerous ways. In …

Metal And Gothic Literature: Examining The Darker Side Of Life (And Death), Bryan Bardine

Bryan Bardine

This article examines the connections between Gothic literature and the lyrics in Death metal music, specifically the lyrics of Cannibal Corpse, Morbid Angel, and Deicide. The study examined the lyrics for each band’s first 3 albums and their most recent three albums, looking for Gothic characteristics. Further, the study aims to see if bands are changing their focus in terms of lyrics over the span of their careers — especially in terms of the Gothic tenets they incorporate into their songs and how they connect to traditional Gothic texts. This study continues the research begun in the article appearing in …

Visualizing Electronic Literature Collections, Urszula Anna Pawlicka

CLCWeb: Comparative Literature and Culture

In her article "Visualizing Electronic Literature Collections" Urszula Pawlicka discusses the development of electronic literature by visualizing material available in the Electronic Literature Collection <http://collection.eliterature.org/>. Her visualization of electronic literature presents a timeline with tag clouds of keywords related to works classified chronologically by dates of publication. Pawlicka's visualization includes also all keywords of the Collection (two date there exist three Collections) separately without division in the publication dates of works. Pawlicka argues that keywords turn out to be important data to demonstrate changes occurring in the history of electronic literature. Further, in her visualization of electronic literature …

Of Shining Sea And Rising Sun: Cultural Storytelling In The Genre Of Horror In Video Games, Anna C. Webster

Undergraduate Research Posters

In the modern era, video games are hardly the simple, mindless medium that they used to be. Rather, they are now being used as a vehicle for artistic expression and storytelling worldwide, creating a colorful and comprehensive new approach to the storytelling experience that was previously reserved for books or movies. The immersive nature of the medium provides for a richer and more stimulating experience, from which the genre of horror greatly benefits. Rather than the more passive experience the viewer gets from watching a movie or reading a book, video games allow for the player to be completely immersed, …

The Graphic Gregor Samsa: Can Kafka's Creature Be Brought To Life?, Samantha J. Sacks

Senior Projects Spring 2016

Senior Project submitted to The Division of Languages and Literature of Bard College.

The User Is Dead, Long Live The User: Creation Through Consumption In The Context Of The Reader And The User, Anna Wheeler

Senior Projects Spring 2016

In her essay "Too Much World: Is the Internet Dead?" Hito Steyerl claims that “the internet is not dead. It is undead and it's everywhere."

In his essay "The Death of the Author" Roland Barthes writes: "It is necessary to overthrow the myth: the birth of the Reader must be at the cost of the death of the Author."

The figure of the reader and the figure of the user have, at different times, been placed on the consumer side of a consumer-producer opposition. The term "user" was coined by developers to describe a certain type of consumer-- one that …