Poetry Commons^™

“Nararampag Nga Mga Takna . . . Nangangaliding Nga Mga Higayon”: Memory, Nostalgia, Love, And Loss In Victor Sugbo’S Taburos Han Dagat, Jessa A. Amarille

Akda: The Asian Journal of Literature, Culture, Performance

This paper explores how the concepts of memory, nostalgia, love, and loss are depicted in the poems 1) “Ha Akon Paglinakaton,” (In My Travels[1]), 2) “May Ada Panahon” (There Comes a Time), 3) “Parada Han mga Sinya” (The Parade of Zinnias), 4) “An Pagdumdum” (On Recalling), 5) “Kawarayan” (Emptiness), 6) “Agurang Mundo” (Old Mundo), 7) “Taburos Han Dagat” (Sea Spray), 8) “La Madonna Alegro,” and 9) “Cadena de Amor” from Victor N. Sugbo’s Taburos Han Dagat (2014) using an ecocritical lens. Published in a post-Haiyan context, the poems may be classified as belonging to the ecopoetry genre with …

Book Review: Kumar, Ashwani. (Ed.). (2022). Engaging With Meditative Inquiry In Teaching, Learning, And Research: Realizing Transformative Potentials In Diverse Contexts. New York, Ny: Routledge., Giovanni Rossini Phd

Journal of Contemplative and Holistic Education

Book Review of following text:

Kumar, Ashwani. (Ed.). (2022). Engaging with Meditative Inquiry in Teaching, Learning, and Research: Realizing Transformative Potentials in Diverse Contexts. New York, NY: Routledge.

Queer Ecologies: A Final Syllabus/Zine Product Of Our Independent Study, Yeh Seo Jung, Ray Craig

Crossings: Swarthmore Undergraduate Feminist Research Journal

This zine is the product of our independent study course Queer Ecologies, which is an exploration of bio-social systems using a queer and feminist theoretical lens. We aim to look critically at knowledge formation and construct alternative visions for more just and sustainable relationships between science, nature, and ourselves. While queer theory most directly interrogates the normative structure of heterosexuality both in humans and in biology more broadly, these studies include analyses of hierarchy, power, and value. Queer Ecology can be used to examine phenomena such as climate change, extinction, pollution, species hierarchies, agricultural practices, resource extraction, and human population …

“Something Large And Old Awoke”: Ecopoetics And Compassion In Tracy K. Smith’S Wade In The Water, Kaitlin Hoelzer

AWE (A Woman’s Experience)

Susa Young Gates Award Essay

First Place

Both historical and contemporary Black poets have used their work to identify, condemn, and suggest solutions to problems stemming from racism in American society. Indeed, as Arnold Rampersad notes in his introduction to The Oxford Anthology of African American Poetry, many Black poets use “poetry as a vehicle of protest against social injustice in America.” Art is inherently political, even when its arguments do not overtly engage in political debates. As Lorraine Hansberry argues, all art is rooted in a particular social and political consciousness. The choice is “not whether one will …

Chrysalis, Nafisa Choudhury

HCA Healthcare Journal of Medicine

This poem explores the experience of being an Asian American care provider and civilian, growing up and trying to mesh together culture with “fitting in” and suffering racism from other individuals and patients. It was inspired by the March 16, 2022, shootings in Atlanta and discusses the origin of hatred and racism/xenophobia. What I hope this conveys is a glimpse into the shared perspectives of many Asian American and Pacific Islanders and describes the optimism moving forward as we begin to tackle these issues.

La Voie De La Plume, Sylvie Kande, Aly Ndiaye

The Goose

Cette conversation entre Aly Ndiaye alias Webster, artiste hip-hop et conférencier sénégalo-québécois, et Sylvie Kandé, écrivaine franco-sénégalaise établie à New York, s’est déroulée par correspondance de septembre à octobre 2020. Ils ont aussi décidé de se lancer un défi d’écriture.

About The Creators, Eden Railsback, Juan Vergara

Underground Anthology

No abstract provided.

About The Editors, Eden Railsback, Juan Vergara

Underground Anthology

No abstract provided.

About The Authors, Eden Railsback, Juan Vergara

Underground Anthology

No abstract provided.

On-Ramp, M. Alexander, Pamela Arciniega

Underground Anthology

No abstract provided.

Our Friend Maya Angelou, Ibrahim Ua

Underground Anthology

No abstract provided.

The Truth About Stories, Elizabeth Chan-Diaz

Underground Anthology

No abstract provided.

Penultimate, Ibrahim Ua

Underground Anthology

No abstract provided.

Our Message From Death Row, Ibrahim Ua

Underground Anthology

No abstract provided.

Coqui, Alessandro Zanghi

Underground Anthology

I'm writing about this night I had an asthma attack back home over winter break. I awoke in the middle of the night unable to breathe so I went to my bathroom to sit in the shower and breathe in the humid air to help open up my lungs. While I was sitting there the humidity and water reminded me of Puerto Rico (Borinquen in Taino) and my memories of the island and thoughts of my ancestral connection to the land gave me comfort. The idea that I could travel there just by simply turning on the faucet and sitting …

Brown Eyes, Ibrahim Ua

Underground Anthology

No abstract provided.

Contributors, Eden Railsback, Juan Vergara, Shanae Aurora Martinez

Underground Anthology

No abstract provided.

Underground Anthology Title, Eden Railsback, Juan Vergara, Shanae Aurora Martinez

Underground Anthology

No abstract provided.

The Politics Of Self-Representation In Abdelmajid Benjelloun’S Novel In Childhood : An Ambivalent And Displaced Morrocan « Self », Azize Kour

Dirassat

This article examines the politics of Moroccan cultural self- representation from a novelistic perspective. It attempts to foreground the ambivalent standpoint that many Moroccan novelists evince in imag (in) ing Moroccan cultural identity. A hybrid approach to the Self/ Other dialectic comes into play in this endeavour at self-definition. Importantly, this article tries to outline Moroccan self-representation from gendered, spatial and national perspectives. It, therefore, seeks to answer the following questions: How does Abdelmajid Benjelloun's autobiographical novel In Childhood represent Moroccan identity and culture? Is its portrayal of Moroccaness supportive or critical of the Orientalist lenses that Morocco has been …

De La Esclavitud A La Libertad: La Historia De Una Esclava Afromexicana, Margaree G. Jackson

Vernacular: New Connections in Language, Literature, & Culture

Resumen: “De la esclavitud a la libertad: La historia de una esclava afromexicana,” es una colección de poemas descolonizados contados desde la perspectiva de una mujer afromexicana ficticia del siglo XVII. La protagonista, Maricela Rivas, es una esclava que nació en la plantación azucarera Nuestra Señora de la Concepción, una plantación verdadera ubicada en Veracruz, México. Su historia se basa en las pocas historias que existen sobre la vida de la mujer afromexicana que formaba parte esencial de la sociedad y cultura mexicana pero que le falta representación y una voz. Estos poemas le dan una voz y perspectiva al …

Aztlán Del Sol, Marcus Zúñiga

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

An artistic writing developed from the themes and concepts of an of art installation made by a visual artist of Mexican-American descent from New Mexico. The work references the relationship of Aztec mythology to the American Southwest, art theoretical discourse in object oriented ontology and aesthetics, and key ideas in astronomy. Additionally interwoven is an expanded sense for interpreting ancestry and history under the constructs of multicultural conceptions of time, specifically cultures with notable spiritual rituals of Sun worship and observation.

Nothing Above, Everything Below: Zumbadores De La Sierra Jémez, Enrique R. Lamadrid

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

"Nothing Above, Everything Below" is a "species poem" dedicated to the two kinds of "zoomers" that frequented Rudolfo Anaya's casita in Jémez Springs in the summertime. He was deeply inspired by the Jémez mountains, its peoples and creatures. Hummingbirds are so fascinating to all, that they easily become commonplace. Clichés when writing about them are difficult to overcome. This is the story of the two zumbadores (Sp.) that migrate to breed in northern boreal forests. They do not hum, but rather zoom between cultures, between life and death. This memorial tribute honors Anaya and his great generosity. He made his …

White On The Outside | Brown On The Inside, Damon R. Carbajal

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

This poem is one of a trio of poems published in this volume titled, “at the interSEXtion of being GAY and CHICANX: Un Trío de Poemas,” that dive into what it means growing up as a gay, Chicanx light-skinned in the current times post the moviemento and through the strides of the queer liberation movement. The poems explore many facets of living at this intersection including, but not limited to, toxic masculinities, queerphobia, mental health, sexual assault, pride, etc. The poems also explore the notion of what it means to be mestiza as Mexicano and White and how this further …

Looking While Reading I, Ii, Iii, Sarah Minor

Journal of Creative Writing Studies

This article introduces the term “visual essay” by tracing the genre’s history through the concrete poetry movement and the rise of the lyric essay. In describing the aims of visual essays, Minor distinguishes between “illustrative” and “non-illustrative” shaped texts, and suggests connections between “non-illustrative” examples and the aims of “Intersectional Form,” a term coined by scholar Jen Soriano.

Fighting The Tragedy Of The Commons (Poem), Olivia Romo

Natural Resources Journal

No abstract provided.

I Didn't Know Aiiieeeee, But It Knew Me, Adrienne Su

Asian American Literature: Discourses & Pedagogies

"I Didn't Know Aiiieeeee, But It Knew Me" is a poem that reflects on the influence of both the anthology and the word Aiiieeeee on the writer's development. It uses an adaptation of the ghazal to explore both the continuities and discontinuities of becoming a writer when Asian-American literature was mostly inaccessible.

Zuihitsu: Teaching Aiiieeeee! As Intersectional Ecological Archive, Kenji C. Liu

Asian American Literature: Discourses & Pedagogies

A response to the Aiiieeeee! anthology on its 45th anniversary, using the Japanese zuihitsu form to reflect on its intersectional and ecological complexities and relevance for today.

Square American Apple Pie, Karen Zheng

I2

No abstract provided.

Walt Hunter. Forms Of A World: Contemporary Poetry And The Making Of Globalization. Fordham Up, 2019., Jeremy Glazier

Studies in 20th & 21st Century Literature

Review of Walt Hunter Forms of a World: Contemporary Poetry and the Making of Globalization. Fordham UP, 2019. 190 pp.

Some Thoughts

I2

No abstract provided.