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Articles 31 - 60 of 72
Full-Text Articles in Nonfiction
1992 Spring Quiz And Quill Magazine, Otterbein English Department
1992 Spring Quiz And Quill Magazine, Otterbein English Department
Quiz and Quill
No abstract provided.
New Tricks (1992), James Swanson, Donald Ackerman, Stephen Bell, Brenda Grimm, Steve Holbeck, Deana Hueners
New Tricks (1992), James Swanson, Donald Ackerman, Stephen Bell, Brenda Grimm, Steve Holbeck, Deana Hueners
New Tricks
The magazine is almost finished- forged in the fiery loins of Beadle Hall (erect in 1886). The Editor (Hephaestus) eyes me anxiously. He's waiting for the foreword and is acutely aware of my procrastinating nature. The clock, uncaring of my plight, ticks on.
New Tricks (The Official Magazine of the Literary Stunt Dogs) has risen from the ashes of the Dakotah Poesy. The Poesy was Dakota State's literary magazine from 1986 to 1990. Sadly, the Poesy died of natural causes and DSU became a university without a literary magazine. Not for long. For in mid-September a young writer (Brian Bargmann) …
On Dumpster Diving, Lars Eighner
On Dumpster Diving, Lars Eighner
New England Journal of Public Policy
Lars Eighner became homeless in 1988 after leaving a job he had held for ten years as an attendant at a state hospital in Austin, Texas. He lives in a small apartment in Austin and continues to scavenge. This article was originally published in the Fall 1990 issue of The Threepenny Review. Reprinted with permission.
Homelessness, A. E. S.
Homelessness, A. E. S.
New England Journal of Public Policy
Personal story from A.E.S., a member of the Portland (Maine) Coalition for the Psychiatrically Disabled.
Diary, Susan M. Fowler
Diary, Susan M. Fowler
New England Journal of Public Policy
A personal story by Susan Fowler, a former resident of Fifty Washington Square, Newport, Rhode Island. She now lives in her own apartment in Newport with her two-year-old daughter and is "doing great." Her work has appeared in In the Heart of the City, a literary magazine produced by the residents of Fifty Washington Square.
The Story Of My Life, Betty Reynolds
The Story Of My Life, Betty Reynolds
New England Journal of Public Policy
Betty Reynolds is a resident of Fifty Washington Square, Newport, Rhode Island. Her work has appeared in In the Heart of the City, a literary magazine produced by the residents of Fifty Washington Square. She loves "to write short stories and poems."
Streets Are For Nobody: Marybeth, Melissa Shook
Streets Are For Nobody: Marybeth, Melissa Shook
New England Journal of Public Policy
From an interview by Melissa Shook, November 1988, Long Island Shelter. (No contact with Marybeth after she left the shelter.) Reprinted, with permission, from "Streets Are for Nobody: Homeless Women Speak, "Boston Center for the Arts, 1991.
Streets Are For Nobody: Judy Silva, Melissa Shook
Streets Are For Nobody: Judy Silva, Melissa Shook
New England Journal of Public Policy
From an interview by Melissa Shook, April 24, 1990, Chelsea. Reprinted, with permission, from "Streets Are for Nobody: Homeless Women Speak," Boston Center for the Arts, 1991.
Streets Are For Nobody: Pat Gomes, Melissa Shook
Streets Are For Nobody: Pat Gomes, Melissa Shook
New England Journal of Public Policy
From an interview by Melissa Shook, July 2, 1990, Cambridge. Reprinted, with permission, from "Streets Are for Nobody: Homeless Women Speak," Boston Center for the Arts, 1991.
Streets Are For Nobody: Awilda Cruz, Melissa Shook
Streets Are For Nobody: Awilda Cruz, Melissa Shook
New England Journal of Public Policy
From an interviewed by Melissa Shook, July 29, 1989, Shepherd House, Dorchester. Reprinted, with permission, from "Streets Are for Nobody: Homeless Women Speak, "Boston Center for the Arts, 1991.
Streets Are For Nobody: Marie, Melissa Shook
Streets Are For Nobody: Marie, Melissa Shook
New England Journal of Public Policy
From an interview by Melissa Shook, September 11, 1988, South End. Reprinted, with permission, from "Streets Are for Nobody: Homeless Women Speak," Boston Center for the Arts, 1991.
Streets Are For Nobody: Margaret Mullins, Melissa Shook
Streets Are For Nobody: Margaret Mullins, Melissa Shook
New England Journal of Public Policy
From an interview by Melissa Shook, February 1989, Long Island Shelter. Reprinted, with permission, from "Streets Are for Nobody: Homeless Women Speak, "Boston Center for the Arts, 1991.
Streets Are For Nobody: Mary, Melissa Shook
Streets Are For Nobody: Mary, Melissa Shook
New England Journal of Public Policy
From an interview by Melissa Shook, June 24, 1990, Castle Island, South Boston. Reprinted, with permission, from "Streets Are for Nobody: Homeless Women Speak," Boston Center for the Arts, 1991.
Streets Are For Nobody: Caroline, Melissa Shook
Streets Are For Nobody: Caroline, Melissa Shook
New England Journal of Public Policy
From an interview by Melissa Shook, July 7, 1988, Boston. Reprinted, with permission, from "Streets Are for Nobody: Homeless Women Speak," Boston Center for the Arts, 1991.
My Name Is Edward, I Am An Alcoholic, Edward Baros
My Name Is Edward, I Am An Alcoholic, Edward Baros
New England Journal of Public Policy
A personal story by Edward Baros, a resident of Fifty Washington Square, Newport, Rhode Island. His work has appeared in In the Heart of the City, a literary magazine produced by the residents of Fifty Washington Square.
Triangulation In Monument Square, S. B.
Triangulation In Monument Square, S. B.
New England Journal of Public Policy
A personal story by S.B., a member of the Portland (Maine) Coalition for the Psychiatrically Disabled.
Down And Out In Boston, Jack Thomas
Down And Out In Boston, Jack Thomas
New England Journal of Public Policy
Jack Thomas is a reporter for the Boston Globe, in which this article first appeared, on February 12, 1992. Reprinted with permission.
My Life, Thomas Newman
My Life, Thomas Newman
New England Journal of Public Policy
A personal story by Thomas Newman, a resident of Fifty Washington Square, Newport, Rhode Island. His work has appeared in In the Heart of the City, a literary magazine produced by the residents of Fifty Washington Square. He hopes to be a photographer.
A Bit Of Oklahoma Geneology, Elva Howard Deeds
Uncle, Margie Snowden North
Westview: Vol. 11, Iss. 3 (Spring 1992)
Spring 1992, 90.9 Wmpg Fm
Winter 1992-1993, 90.9 Wmpg Fm
Winter 1992-1993, 90.9 Wmpg Fm
WMPG Program Guides
WMPG Program Guide Winter 1992-1993
When Coyotes Take The Bandstand, The Small Houses Lean, Joanna Brooks
When Coyotes Take The Bandstand, The Small Houses Lean, Joanna Brooks
Inscape
No abstract provided.
Wonder And Wondering: Five Meditations, Alison Craig
Howth Castle - Vol. 08, No. 01 - 1992-1993, University Of Massachusetts Boston
Howth Castle - Vol. 08, No. 01 - 1992-1993, University Of Massachusetts Boston
Howth Castle (1985-1993)
No abstract provided.
Pardon The Blues Here, Joanna Brooks
Litmag 1991-92, University Of Missouri-St. Louis
Litmag 1991-92, University Of Missouri-St. Louis
Litmag
Litmag is a student-run literary magazine published annually each spring through the English Department. Our purpose is to promote the creative work of students and staff and increase awareness of the ever-present literary talent on UMSL’s campus. We aim to produce a high quality journal that gives emerging writers and artists a venue to display their work and experience the world of professional publishing.
Ivy Leaves, 1991-1992, Ivy Leaves Editorial Staff
Ivy Leaves, 1991-1992, Ivy Leaves Editorial Staff
Ivy Leaves
The 1992 edition of the Anderson College journal of art and literature, Ivy Leaves.
The names of the known editors for this issue of Ivy Leaves were Forrest Christian Parker, Paige Andrews, James Campbell, Ali Wynn, Brenda DuBose, Teresa Culpepper, Michelle Hayes, Guy Kohn, Donnie Henderson, Lynn Smith, Doug Davison and Susan Wooten. Cover design by Teresa Culpepper.
Memories Of Rahija, Abe J. Bassett
Memories Of Rahija, Abe J. Bassett
Books Authored by Wright State Faculty/Staff
Sometime in 1987, sadly, I realized that my father, who would have been 102 had he lived, passed the milestone of his 100th birthday without note or commemoration. I vowed this would not happen with my mother, Rahija Saad Bassett. In early May, 1991, I wrote to all of her children, grandchildren, nephews and nieces, cousins, and others, asking them to pause for a moment of reflection at the noon hour on her date of birth. And I also asked for a written remembrance: a story, an incident, an impression to be shared. This book is a collection of those …