Nonfiction Commons^™

Volume 2, Issue 2

NEBO: A Literary Journal

Nebo, Volume 2, Issue 2 (Fall 1984), continues Arkansas Tech University’s tradition of publishing exceptional poetry and fiction through its biannual literary journal. Edited by students with faculty guidance, this issue features a compelling selection of works that explore themes of memory, transformation, identity, and the intricacies of human experience.

This issue includes poetry and fiction from a diverse group of writers, including John Gery, Wyatt Prunty, Laura McLaughlin, David Mason, and many more. Their works range from deeply personal reflections to broader cultural commentaries, showcasing a wide variety of literary styles.

Additionally, Nebo proudly celebrates the achievements of …

Nebo: Volume 2, Issue 1

NEBO: A Literary Journal

Nebo, Arkansas Tech University’s literary journal, continues its tradition of showcasing innovative and thought-provoking creative writing in its Spring 1984 issue. This volume brings together poetry, fiction, and essays from a diverse range of voices, reflecting the evolving landscape of contemporary literature. Featuring work from both emerging and established writers, this issue delves into themes of memory, transformation, and the human condition. Readers will discover a collection rich with narrative depth, poetic experimentation, and critical literary discourse. As Nebo enters its second volume, it reaffirms its role as a space for artistic expression and literary excellence.

Nebo: Volume 1, Issue 2

NEBO: A Literary Journal

The Fall 1983 edition of Nebo (Volume 1, Issue 2) continues the journal’s commitment to showcasing compelling poetry and fiction that push the boundaries of literary expression. This issue brings together a diverse collection of works, exploring themes of human experience, memory, relationships, and artistic interpretation. With contributors ranging from emerging to established voices, the selections in this issue offer a wide spectrum of poetic lyricism and narrative depth. Featuring works from Lawrence Millman, Warren Hope, Turner Cassity, and many others, this volume engages with the complexities of storytelling and the power of the written word.

As Nebo maintains its …

Nebo: Volume 1, Issue 1

NEBO: A Literary Journal

Nebo Literary Journal is a dynamic collection of contemporary fiction, poetry, and creative nonfiction that highlights emerging voices in literature. Curated by Arkansas Tech University, this issue features a diverse range of storytelling, lyrical expression, and thought-provoking essays that explore themes of identity, human connection, and the power of narrative. With contributions from talented writers across genres, Nebo serves as a creative space for literary exploration and artistic expression. Whether through evocative poetry or compelling short stories, this issue invites readers to immerse themselves in the richness of modern literature.

Editor's Note & Content Warning, Intertidal Editors

Intertidal

Intertidal Vol. 3 Editor's Note and Content Warning

Editor Bios, Editor Bios

Intertidal

Intertidal Vol. 3 Editor Bios

Assistant Editor Bios, Assistant Editor Bios

Intertidal

Intertidal Vol. 3 Assistant Editor Bios

Author Bios, Author Bios

Intertidal

Intertidal Vol. 3 Author Bios

Caffeine And Me, Chad Erickstad

Floodwall Magazine

No abstract provided.

Teddy Roosevelt National Park, Jonathan Sladko

Floodwall Magazine

I love traveling, and I hope to make it an integral part of my life by getting a job as a commercial pilot in the future. I also love capturing the beauty of the world as I see it while traveling full of vibrant colors, awe-inspiring scenery, and diverse cultures. I hope my photography is able to capture the world as I see it, so that I may share it with you.

Bernese Oberland, Jonathan Sladko

Floodwall Magazine

I love traveling, and I hope to make it an integral part of my life by getting a job as a commercial pilot in the future. I also love capturing the beauty of the world as I see it while traveling full of vibrant colors, awe-inspiring scenery, and diverse cultures. I hope my photography is able to capture the world as I see it, so that I may share it with you.

Love Medicine, Casey Fuller

Floodwall Magazine

I love words. Words are totally amazing. Words allude, cordon off, cordon in, exfoliate, and blossom. And words are just so strange. The meaning in words can change over, their footprints marking you with their history. And yet, one conclusion I’ve come to as an English PhD student at the University of North Dakota, as a person who lives and breathes and teaches words every day, is that words can’t express all of my feelings. It’s a sad notion for me—one that I’ve tried to deny. So, as an English PhD student who is far enough along in his studies …

Minima Moralia, Casey Fuller

Floodwall Magazine

I love words. Words are totally amazing. Words allude, cordon off, cordon in, exfoliate, and blossom. And words are just so strange. The meaning in words can change over, their footprints marking you with their history. And yet, one conclusion I’ve come to as an English PhD student at the University of North Dakota, as a person who lives and breathes and teaches words every day, is that words can’t express all of my feelings. It’s a sad notion for me—one that I’ve tried to deny. So, as an English PhD student who is far enough along in his studies …

Naked Lunch, Casey Fuller

Floodwall Magazine

I love words. Words are totally amazing. Words allude, cordon off, cordon in, exfoliate, and blossom. And words are just so strange. The meaning in words can change over, their footprints marking you with their history. And yet, one conclusion I’ve come to as an English PhD student at the University of North Dakota, as a person who lives and breathes and teaches words every day, is that words can’t express all of my feelings. It’s a sad notion for me—one that I’ve tried to deny. So, as an English PhD student who is far enough along in his studies …

Tree-Lined, Chad Erickstad

Floodwall Magazine

The world we experience is constantly evolving; yet many of our experiences are universal through time. I use photography to capture these universal moments as well as the ones unique to our moment in history. I find nature to be a fertile subject, often at its most brutal or its most serene. I am also interested in ways we have shaped nature and architecture to function for our modern needs and meet our current definition of “aesthetically pleasing.”

Summer School, Nicholas Baldwin

Floodwall Magazine

I question conventional boundaries through a series of action and reaction, a safari between permanence and transience, interrogating whether paper is shaped forever. Pulp painting promises a negotiation of form while carrying abstraction. My intention is to evoke that magic certitude borne of a dedicated approach. Having caught some idea, I broaden it with weird fibers, give the thing depth, complete a cycle of reasoning by returning to the starting point in a way a sculptor might imagine the pose of a figure hidden in a lump of stone. By marrying feeling and intellect, I find a facility of control. …

Marbled Frog Wood Cut, Nicholas Baldwin

Floodwall Magazine

I question conventional boundaries through a series of action and reaction, a safari between permanence and transience, interrogating whether paper is shaped forever. Pulp painting promises a negotiation of form while carrying abstraction. My intention is to evoke that magic certitude borne of a dedicated approach. Having caught some idea, I broaden it with weird fibers, give the thing depth, complete a cycle of reasoning by returning to the starting point in a way a sculptor might imagine the pose of a figure hidden in a lump of stone. By marrying feeling and intellect, I find a facility of control. …

Imitating, Nicholas Baldwin

Floodwall Magazine

I question conventional boundaries through a series of action and reaction, a safari between permanence and transience, interrogating whether paper is shaped forever. Pulp painting promises a negotiation of form while carrying abstraction. My intention is to evoke that magic certitude borne of a dedicated approach. Having caught some idea, I broaden it with weird fibers, give the thing depth, complete a cycle of reasoning by returning to the starting point in a way a sculptor might imagine the pose of a figure hidden in a lump of stone. By marrying feeling and intellect, I find a facility of control. …

Dominoes, Nicholas Baldwin

Floodwall Magazine

I question conventional boundaries through a series of action and reaction, a safari between permanence and transience, interrogating whether paper is shaped forever. Pulp painting promises a negotiation of form while carrying abstraction. My intention is to evoke that magic certitude borne of a dedicated approach. Having caught some idea, I broaden it with weird fibers, give the thing depth, complete a cycle of reasoning by returning to the starting point in a way a sculptor might imagine the pose of a figure hidden in a lump of stone. By marrying feeling and intellect, I find a facility of control. …

Sometimes I Worry, Sevi Sapunar-Lahr

Floodwall Magazine

No abstract provided.

Shards Of Memories, Sevi Sapunar-Lahr

Floodwall Magazine

No abstract provided.

Scrabble, Brenden Kimpe

Floodwall Magazine

No abstract provided.

An Upward Trend, Brenden Kimpe

Floodwall Magazine

No abstract provided.

Land Of Improbable Dreams, Chris Erickstad

Floodwall Magazine

No abstract provided.

Grandma Betty, Jameson Ko Buckau

Floodwall Magazine

No abstract provided.

Abba, Jameson Kay-Olson Buckau

Floodwall Magazine

No abstract provided.

Library Magic, Clara Anderson-Cameron

Floodwall Magazine

No abstract provided.

Residual, Clara Anderson-Cameron

Floodwall Magazine

No abstract provided.

Touch, Or, Beautiful People, Clara Anderson-Cameron

Floodwall Magazine

No abstract provided.

Son Of Abraham, Jasmine Patera

Floodwall Magazine

No abstract provided.