Nonfiction Commons^™

The Lantern, 2016-2017, Lauren Toscano, Kara Travis, Courtney Duchene, Sarah Gow, Ray Macedonia, Ria Malones, Kevin Moore, Serena Schaefer, Paige Szmodis, Brian Thomas, Solana Warner, Zooey Cox, Mara Koren, Nicole Kosar, Eden Patrick '17, Arthur Robinson, Emily Shue, Tommy Armstrong, Angela Antoinette Bey, Kathryn Bormann, Dustin Brinker, Chiara Demelfi, Matt Dwyer, Athena Gainey, Sophia Gamber, Michael Heimbaugh, Rae Hodenfield, Juan Lopez, Joe Makuc, Valerie Osborne, Megan Sear, Althea Unertl, Anthony Alvarez, Sydney Cope, Sarah Defelice, Neomi Haut '17, Yanlin Li, Sarah Wilbert, Mario Heitman '18

The Lantern Literary Magazines, 1933 to Present

• Our Lady of Perpetual Virginity • Essential Terms for the Audience • Stories Untold • Jesus Camp • The Second Avenue Schmear • Driving to the Beach • Thanks, Alice • Decay • Peanut Butter Rhapsody • Transactions • Traffic • Sissy • Melting Wings • Ocean • Small Town Summer • Third Story • Family Trees • Mixed, Just Like Me • Sour Graves • How Sweet the Sound • Goodnight, Halfmoon • I'm Going to Ask Him How • Music • Pizza • Manhoodlike • Meditations From a Bunk Bed in a Home on Mount Pocono • …

Ivy Leaves, Volume 92, Ivy Leaves Editorial Staff

Ivy Leaves

The 2017 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jenni Harris, Grant Looper, Shelby Swing, Ruthie Snow, Randi Adams, Cara Ann Hendsbee, Haley Schvaneveldt, Caitlyn Lamb, Jennifer Bowers, Meredith Lyons, Michaela Staon, Tara Stewart, Ben Boerma, Jennifer Jefferson, Matt Swank, Shelby Kenrick, Lindsay Higgins, Cameron Ohls, Anna Tabor, Dr. Randall Wilhelm, and Tim Speaker.

Inscape 2017, Morehead State University.

Inscape: Art & Literary Magazine Archive

The 2017 edition of the Inscape: Literary and Art Magazine.

Reed Issue 150, Tobias Wolff, Holly Pekowsky, Laine Cunningham, Au-Co Tran, Vukasin Streker, Andrew Lam, Paula Paige, C.R. Resetarits, James Valvis, Kris Faatz, Barbara Mujica, Cristina García, Fatema Elbakoury, Marrie Stone, Nick Taylor, Arlene Biala, Liz Lampman, Laura Schulkind, Alyssa Hanna, Janet Joyner, Scott Withiam, Robert Demott, Rosemerry Trommer, Jerome Gagnon, Ron Riekki, Steven J. Rogers, Chris Knight, Gwen Mcneir, John F. Buckley, Martin Ott, Arlene Biala, Lauren Coggins, Maja Zmyslowski, Matt Hohner, Lee Landau, Jen Clem, Lesa Le, Richard Tinoco, Camille Miller, Gracie Ct, Dottie Lo Bue, Jean Davis, Julie Barrett, Alex Purdy, Allen Forrest, Michael Katakis, Andrew Irvine, Christopher Woods, Suzanne Rico, Shanee Stepakoff, Sasha Vasilyuk, Stephanie Collier, Rebekah Chan, Jillian Weiss, Vendela Vida, Timothy Corrigan, Alison Townsend, Peter Nathaniel Malae, Sharon Simonson, Kimy Martinez, Gary Singh, Kelly A. Harrison

Reed Magazine

No abstract provided.

Nasty People: An Illustrated Guide To Understanding Sex, Sophia Weaver

Senior Honors Projects

Sex made me and it probably made you too, but for many of us sex remains a mystery for our entire lives. I see sexual images every day, but I rarely hear it discussed openly or factually. This is problematic. If most people are having sex and most people have a lot of misinformation about it, STDs, unwanted pregnancies and even sexual assaults are much more likely. Research suggests that increased (and well developed) sex ed. can reduce all of the possible negative outcomes of sexual misinformation. My observations of everyday life and my research in academia have given me …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

The Consequences Of Narrative, Kylie Mosbacher

IdeaFest: Interdisciplinary Journal of Creative Works and Research from Cal Poly Humboldt

No abstract provided.

Full Issue, The Anthology

The Anthology

This is the entirety of the 2013 Winthrop Anthology issue.

Full Issue, The Anthology

The Anthology

This is the entirety of the 2014 Winthrop Anthology issue.

Dawn Or Doom: The Risks And Rewards Of Emerging Technologies, Diana Hancock, Steve Tally, Gerry Mccartney, Michele Arthur

Purdue P-12 Networking Summit & Poster Session

Dawn or Doom is a free and open to the public conference at Purdue where we focus on benefits and risks surrounding some of the technologies that are both the most disruptive to current practices and being adopted the fastest. A collection of Purdue faculty experts and some outside speakers showcase their many perspectives related to this technology explosion, explore conditions that will foster innovation and investment into the next generation, and address the big-picture issues where both optimism and pessimism are warranted.

The City From Above, Guadalupe Astorga Contreras

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

The city of Tijuana, Mexico has become a second home to many LMU students through programs like De Colores, which introduce students to issues of immigration, poverty, and education. The city varies from L.A.-style skyscrapers and paved roads to shacks along dirt paths. This image shows some of the diversity and growth of the city as it continues to develop, and provides a different perspective on the crowded communities that make up Tijuana.

Tourist To My Own Culture, Guadalupe Astorga Contreras

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

After nine years of living in the U.S. and staying away from her cultural homeland of Mexico, photographer Astorga returned to some of the places she remembered visiting as a child in her native country. Throughout the trip, the unthinkable change from intimacy to unfamiliarity was clear. These pictures show that progression and invite the viewer to become a tourist alongside Astorga as she visits a place she once considered home.

Only 45 Minutes Away, Guadalupe Astorga Contreras

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Being a part of an immigrant family, photographer Astorga has not had the chance to travel much even within her home state of California. Trips through class, clubs and events sponsored by Loyola Marymount University have provided her with the opportunity to visit places like Catalina Island right off the coast of L.A. and see things she and her family had only talked and dreamed of.

Hereisthefamilymotherfatherdickandjane: An Analysis Of Parenting And The Dick And Jane Readers In Morrison’S The Bluest Eye, Rachel Roseman

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

First-generation college student Rachel Roseman has found the American educational and cultural systems to privilege the white, upper to middle classes. As Toni Morrison demonstrates in The Bluest Eye, those who do not fit this mold often lack educational support and have to learn how to navigate cultural systems on their own. Unlike the character of Pecola, who features in the following essay, Roseman had a strong community and family who supported her decision to attend college and, as a result, achieved success.

Understanding School, Tiffany P. Ta

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

As a first-generation college student in the Silicon Valley, author Tiffany Ta grew up in a high-achieving academic culture that she only really began to unpack and understand in college. Upon being exposed to more diverse cultures and backgrounds, Ta began to realize that her upbringing was vastly different than many others, and that some of her classmates' behaviors were unnatural. This poem reflects how she now feels about the experience looking back.

Did You?, Tiffany P. Ta

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This poem is a reflection on first-generation college student Tiffany Ta's family heritage. The piece focuses on the author's grandmother, who Ta never really got to know.

Ice, Genesis Montalvo

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Commonly known as ICE, the US Immigration and Customs Enforcement works to monitor the level of illegal migration to the United States. They also are in charge of at least 40% of deportation of innocent, non-criminal immigration violators. At times, the children of these immigrants are born in the United States. As US citizens, ICE cannot deport them without violating their rights, resulting in the separation of families. This poem speaks of a young child whose mother was deported by ICE and the yearning of wanting to know where the mother is. The mix of English and Spanish reinforces the …

Sheep In A Grotto, Laken D. Brooks

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Many first-generation college students undergo feelings of inadequacy in what is known as "impostor syndrome." This piece of fiction is born from such feelings of identity confusion and formation. The story functions as a written snapshot of an otherwise normal teenager whose life is threatened by a sexual assault; she faces and overcomes trauma at the cusp of her coming of age. Brooks' tale incorporates a raw focus upon the protagonist's ability to persevere and thrive in the face of violence. Ultimately, this text transcends a single character's journey into womanhood to reflect a message of hope and growth.

The Beauty Within Us, Areli C. Hernandez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This piece of prose, inspired by Chapter 23 of John Steinbeck's The Grapes of Wrath, tells the story of a simple, yet vivacious get-together of migrant Latino workers, exploring the beauty within us--members of the migrant farm worker community.

Volume 7, Issue 3: Full Issue, Manuscripts Staff

Manuscripts

No abstract provided.

Excerpts, Manuscripts Staff

Manuscripts

No abstract provided.

The Weekly Theme, Helen Overton

Manuscripts

No abstract provided.

On Eating Grapes Downward, Betty Smith

Manuscripts

No abstract provided.

The World Unmasks, Ted W. Sedvert

Manuscripts

No abstract provided.

Why I Came To College, John F. Carson

Manuscripts

No abstract provided.

Joseph Lautner--Director Entertainer, Harlan Johnson

Manuscripts

No abstract provided.

Entertainment--Two Kinds, Robert Dietz

Manuscripts

No abstract provided.

Opera Tonight, Suzanne Masters

Manuscripts

No abstract provided.

In The Beginning, Barbara Frederickson

Manuscripts

No abstract provided.

"Night Moment" And "Spring", Robert C. Schalk, Wyoming Robinson

Manuscripts

Poems include: "Night Moment", by Robert Schalk and "Spring", by Wyoming Robinson