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Articles 61 - 90 of 260
Full-Text Articles in Fiction
Lunch, Veeda Khan
Lunch, Veeda Khan
The Lindenwood Review: a journal of literary prose
No abstract provided.
Father-Mother God, Kit Carlson
Father-Mother God, Kit Carlson
The Lindenwood Review: a journal of literary prose
No abstract provided.
Eduardo Wrapped In A Towel, Ofelia Montelongo
Eduardo Wrapped In A Towel, Ofelia Montelongo
The Lindenwood Review: a journal of literary prose
No abstract provided.
To Rid The World, Claire Caron
To Rid The World, Claire Caron
The Lindenwood Review: a journal of literary prose
No abstract provided.
The Road To Maggie’S Mountain, Robin Michel
The Road To Maggie’S Mountain, Robin Michel
The Lindenwood Review: a journal of literary prose
No abstract provided.
Ravinder, Danielle Burnette
Ravinder, Danielle Burnette
The Lindenwood Review: a journal of literary prose
No abstract provided.
Basement, Kimberly Ramos
Basement, Kimberly Ramos
The Lindenwood Review: a journal of literary prose
No abstract provided.
The Angel Of Pessoa, D.A. Simants
The Angel Of Pessoa, D.A. Simants
The Lindenwood Review: a journal of literary prose
No abstract provided.
Funeral Pie, Judith Taylor
Funeral Pie, Judith Taylor
The Lindenwood Review: a journal of literary prose
No abstract provided.
Grapefruit Vultures, Hayden Rigby
Grapefruit Vultures, Hayden Rigby
The Lindenwood Review: a journal of literary prose
No abstract provided.
Still, Ella Belle
Still, Ella Belle
The Lindenwood Review: a journal of literary prose
No abstract provided.
Panning For Gold, Yong Takahashi
Panning For Gold, Yong Takahashi
The Lindenwood Review: a journal of literary prose
No abstract provided.
Home, Choya Randolph
Home, Choya Randolph
The Lindenwood Review: a journal of literary prose
No abstract provided.
She Never Got The Smell Of Smoke Out Of Her Hair, Emily Kellogg
She Never Got The Smell Of Smoke Out Of Her Hair, Emily Kellogg
The Lindenwood Review: a journal of literary prose
No abstract provided.
Seeing Him In Light, Ivy Aloa Robb
Seeing Him In Light, Ivy Aloa Robb
The Lindenwood Review: a journal of literary prose
No abstract provided.
Phase Transition, Claire Scott
Phase Transition, Claire Scott
The Lindenwood Review: a journal of literary prose
No abstract provided.
Midnight Snack, Dixie Pond
Midnight Snack, Dixie Pond
The Lindenwood Review: a journal of literary prose
No abstract provided.
How To Spend Nine Lives, Melia Lenkner
How To Spend Nine Lives, Melia Lenkner
The Lindenwood Review: a journal of literary prose
No abstract provided.
It Might Be Fine, Crys Stuvland
It Might Be Fine, Crys Stuvland
The Lindenwood Review: a journal of literary prose
No abstract provided.
In Search Of Hallowed Ground, Lisa Yin Zhang
In Search Of Hallowed Ground, Lisa Yin Zhang
The Lindenwood Review: a journal of literary prose
No abstract provided.
No One’S Mother, I Am Her Daughter, Teresa Reilly Keesan
No One’S Mother, I Am Her Daughter, Teresa Reilly Keesan
The Lindenwood Review: a journal of literary prose
No abstract provided.
Alma, Mike Itayla
Alma, Mike Itayla
The Lindenwood Review: a journal of literary prose
No abstract provided.
Caribou Carcass, Tiffany L. Thomas
Caribou Carcass, Tiffany L. Thomas
The Lindenwood Review: a journal of literary prose
No abstract provided.
The Palms, Rebecca Rapp
The Palms, Rebecca Rapp
The Lindenwood Review: a journal of literary prose
No abstract provided.
Chicken Painting Hung On The Wall Of My First Grade Class, Maya Salameh
Chicken Painting Hung On The Wall Of My First Grade Class, Maya Salameh
The Lindenwood Review: a journal of literary prose
No abstract provided.
Hearing Things, Angus Maccaull
Hearing Things, Angus Maccaull
The Lindenwood Review: a journal of literary prose
No abstract provided.
Aligning Assessments With Course Outcomes, Carol Damgen, Carol L. Damgen
Aligning Assessments With Course Outcomes, Carol Damgen, Carol L. Damgen
Q2S Enhancing Pedagogy
This reflection is based on an educational assignment from my Oral Interpretation of Literature course at California State University, San Bernardino, May 2019.
A consistent focus and goal for me as an educator is to align assessments with course outcomes.
The learning outcome for this class session focused on the cognitive approach- “students will develop the skills to communicate an oral interpretation of literature to an audience with believability, dramatic action and honesty.”
The intention of this class period was for my students to clearly understand the difference between acting, reading and oral interpretation. Oral Interpretation is a type of …
"Strong Female Characters"? An Analysis Of Six Female Fantasy Characters From Novel To Film, Valari Westeren
"Strong Female Characters"? An Analysis Of Six Female Fantasy Characters From Novel To Film, Valari Westeren
Honors Projects
This project is twofold. The first section analyzes six female fantasy characters in their literary and filmic incarnations—Dorothy Gale (The Wizard of Oz), Susan Pevensie (The Chronicles of Narnia: Prince Caspian), Arwen Evenstar (The Lord of the Rings), Princess Buttercup (The Princess Bride), Hermione Granger (Harry Potter and the Sorcerer’s Stone), and Annabeth Chase (Percy Jackson and the Olympians: The Lightning Thief)—noting adaptational changes made to each and placing the twelve incarnations in conversation with each other. This conversation centers around the concept of the “strong female character,” …
Serious Men, Michael Jesse Bass
Serious Men, Michael Jesse Bass
LSU New Orleans Theses and Dissertations
This thesis is a Fiction story collection written in fulfillment of the Master of Fine Arts in Creative Writing at the University of New Orleans.
Cherchez Les Femmes, Sheila M. Arndt
Cherchez Les Femmes, Sheila M. Arndt
LSU New Orleans Theses and Dissertations
Cherchez les Femmes is a collection of short stories set in 1890s New Orleans. It follows a group of women as they struggle to find their ways in the world and explores how their lives are affected by a visiting circus sideshow, the eponymous “Cherchez les Femmes.” The collection is concerned with the following: women’s bodies as sites of both suffering and liberation; freedoms metaphorical and literal and how such freedoms are often constrained by gender; performance as it relates to gender and the body and the ways in which such performativity is both tribulation and elation. It also just …