Fiction Commons^™

I Know How It Ends, Richard Jennis

The Messenger

No abstract provided.

The Dragon And The Librarian, Katie Skipper

The Messenger

No abstract provided.

A Few Steps Back, Joseph Zelek

The Messenger

No abstract provided.

Run Like Water, Burn Like Sun, Ashley Wilda

The Messenger

No abstract provided.

Fairest Of Them All, Tracy Akers

The Messenger

No abstract provided.

Black Hole, Brittany Clemens

The Messenger

No abstract provided.

Benny, Casey Schmidt

The Messenger

No abstract provided.

The Messenger, 2015

The Messenger

No abstract provided.

The Only Dreamer, Katelyn H. Long

Williams Honors College, Honors Research Projects

For my Senior Honors Project, I submitted an excerpt from a novel length story about a family line with the inheritable ability to take objects out of people’s dreams. In this young adult fantasy, Melody is a nineteen year old girl who struggles with the fact that her twin sister has inherited the ability while she has not. The excerpt introduces Melody’s family and shows the tension that exists between them while hinting to the reader that there is something more sinister that drives Melody away from her home.

The novel explores morality and its gray areas, the difficulty that …

Screaming From The Inside, Kelly M. Kunze

Williams Honors College, Honors Research Projects

This collection of fiction and nonfiction stories examines the effect of my introversion on the creative work I produce as well as the role my observational nature plays in my writing. My original intention was to write stories about introverted characters and their perspective on the world, but the stories ended up focusing on the theme of family. I was dedicated to the stories being written from an honest, organic place and the result is a manuscript that discusses family from the earnest perspective of an introvert.

It Looks Something Like This, Courtney M. Bird

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.

The Historian’S Daughter (A Novel); Monsters And Memory (An Essay), Rashida Murphy

Theses: Doctorates and Masters

This thesis comprises two parts, a novel and an essay. ‘The Historian’s Daughter’ is a work of fiction based on family memories and historical research that speaks to the trauma of abandonment and displacement in an immigrant family living in Australia. The accompanying essay is titled ‘Monsters and Memory’ and is an autoethnographical text which combines theoretical, experiential and embodied research to argue that the inclusion of women’s stories, particularly those of trauma and abuse, must be foregrounded in any exploration of cultural and diasporic memory. Drawing primarily on the work of Said (1978, 1993, 1999, 2001), Bhabha (1990, 1994), …

Maps For The Lost: A Collection Of Short Fiction And Human / Nature Ecotones: Climate Change And The Ecological Imagination: A Critical Essay, Susan Heather Greenhill

Theses: Doctorates and Masters

The thesis comprises a collection of short fiction, Maps for the Lost, and a critical essay, “Human / Nature Ecotones: Climate Change and the Ecological Imagination.” In ecological terms, areas of interaction between adjacent ecosystems are known as ecotones. Sites of relationship between biotic communities, they are charged with fertility and evolutionary possibility. While postcolonial scholarship is concerned with borders as points of cross-cultural contact, ecocritical thought focuses upon the ecotone that occurs at the interface between human and non-human nature.

In their occupation of the liminal zones between human and natural realms, the characters and narratives of Maps …

Sexuality, Desire And The Ageing Female Body: An Essay, Lauren Marsh

Theses: Doctorates and Masters

This thesis consists of a novella, ‘One Night in Hong Kong’, and an essay, ‘Sexuality, Desire and the Ageing Female Body.’ The novella tells the story of an erotic affair between the female narrator and a man in a hotel room in the neon city of Hong Kong. Told in four parts, the story shifts in time, reflecting on earlier events in the narrator’s life and a trip she made to the Sicilian city of Catania in 1954.

Older female protagonists and their sexuality are rarely depicted in contemporary Australian fiction. Where representations do exist, they act as ‘interventionist’ texts, …

Starry Mask, Linea Cutter

Digressions: Literary & Art Journal

No abstract provided.

Harvest Festival, Linea Cutter

Digressions: Literary & Art Journal

No abstract provided.

Long Live The Evil Queen: Once Upon A Time's Evolved Villain, Frank S. Lombari

Pell Scholars and Senior Theses

Mirror on the wall, who's the fairest Queen of all? In today's pop culture, many traditional villains are beginning to be turned into antiheroes. ABC's television show Once Upon a Time has taken a number of fairy tale villains and provided them both a background and character growth. Specifically, the adaptation of the Evil Queen has shifted from primary antagonist to redeemed hero over the first three seasons. The show also displays her in the real-world rather than just a fairy tale universe. The author claims that this radical development occurs due three essential aspects: the Evil Queen and Snow …

Mercy For Anne And A Rose For Lucrezia, Amanda Iacampo

Pell Scholars and Senior Theses

As two of Renaissance Europe's most controversial women, Anne Boleyn and Lucrezia Borgia have been the targets of much conjecture in the world of historical fiction. Sarah Dunant, author of the New York Times bestseller Blood and Beauty poses the question: Why bother with the slander when the truth is more unexpected? Dunant's professional research on Lucrezia draws the fine line between historical fact and popular myth. Unlike Hilary Mantel's Wolf Hall-which greatly exaggerates the "monster legend" surrounding Anne Boleyn-Blood and Beauty succeeds in being the more compellingly accurate novel, and leading work of historical fiction.

Retreat And Other Stories, Marlene Angela Martins

Dissertations and Theses

No abstract provided.

Caitlin Stainken's Thesis, Caitlin Stainken

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.

Bottomfeeders, William Linn

Theses and Dissertations

Bottomfeeders is a collection of short fiction. It includes stories concerning life, death, hoboes, wrestling, videogames, and cropdusters, among other things. It is both very serious and impossibly dumb, as is the way of things.

The Editorial Double Vision Of Maxwell Perkins: How The Editor Of Fitzgerald, Hemingway, And Wolfe Plied His Craft, Rachel F. Van Hart

Theses and Dissertations

Scholars and literary enthusiasts have struggled for decades to account for editor Maxwell Perkins’s unparalleled success in facilitating the careers of many of the early twentieth century’s most enduring and profitable writers, among them F. Scott Fitzgerald, Ernest Hemingway, and Thomas Wolfe. This study seeks to penetrate that mystery by dissecting Perkins’s editorial practice and examining how he navigated the competing tensions between commercial success and aesthetic integrity in various circumstances. At play in the construction of his literary legacy are prevailing perceptions of authorship, complex interpersonal relationships, and the inherent battle between art and commerce. Focusing on his day-to-day …

The Destined Duke, Jennifer D. Glover

Liberal Studies (MA) Final Essays

The idea for what would become this fiction piece, The Destined Duke, occurred to me during my first graduate writing class at Hollins University with Professor Amanda Cockrell. I remember the first question she asked of us, her students, was in regard to what genre we loved to read and what we may be interested in writing. As I sat at the large class table about two-thirds around, I awaited my turn, listening to my fellow classmates and trying to determine if I was brave enough in a graduate writing class to admit that I love to read romance novels …

The Romantic Author And The Romance Writer: Resisting Gendered Concepts Of Creativity, Rebecca Tushnet

Georgetown Law Faculty Publications and Other Works

Dominant narratives of creativity regularly expect female-associated forms of creativity to be provisioned naturally without need for the economic incentives provided by exclusive rights, just like housework and childcare. Even as the concept of Romantic authorship has come under sustained analytic assault, its challengers often look elsewhere–to the kinds of creativity in which men are more likely to participate–to find models of situated, always-influenced authorship. In this chapter, I examine one variant of the problem, in which certain arguments about copyright discount the value of forms that are predominantly produced and enjoyed by women. But creative works in these oft-denigrated …