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Articles 121 - 141 of 141
Full-Text Articles in Fiction
The Boys Of Night Winter, Paul Sohar
The Boys Of Night Winter, Paul Sohar
Bryant Literary Review
Their puffy winter jackets lifting their
faces high above the horizon
the boys troop in from the snow
The Hills Of Laura, Billy Lombardo
The Hills Of Laura, Billy Lombardo
Bryant Literary Review
It is true that I hated Hucker Norton. But I did not mean to crush his thumb.
He wasn't one of us, really. Even his name told you he was from some other place. We were Petey and Tommy and Davy and Matty, and he was Hucker.
A Persistent Error, Dorinda Clifton
A Persistent Error, Dorinda Clifton
Bryant Literary Review
My-Hundred-Year-Old Window
I live on the second floor of an old building. One room, one window. Having only one window keeps me focused on the life I can see within its perimeter.
Touching My Reflection, Michele Heather Pollock
Touching My Reflection, Michele Heather Pollock
Bryant Literary Review
I peer into a mirror
of last night's rain
In A Field Near Sardis Dam, Louis Bourgeois
In A Field Near Sardis Dam, Louis Bourgeois
Bryant Literary Review
Silence. A scarecrow flickers in the wind.
The corn is dead. Geese speckle the horizon,
followed by crows and herons.
Dress Rehearsal For Utopia, Karen Donovan
Dress Rehearsal For Utopia, Karen Donovan
Bryant Literary Review
We're glad they made Clear Falls.
The white rocks love the water,
the water loves its splash and brim.
The Wounded, Dave Cappella
The Wounded, Dave Cappella
Bryant Literary Review
The one-legged pigeon understands
the loneliness of the man.
Hobbling under the patio table
behind a chair, the bird waits
for a morsel from the stranger.
The Snow Moon, Rebecca Lilly
The Snow Moon, Rebecca Lilly
Bryant Literary Review
A full moon sheared the tip of a pine. Lying in bed, a woodsman and
his wife saw it one December night. "Something must be done," said
his wife. "I know it's a sign."
In Oxford Cemetery, Louis Bourgeois
In Oxford Cemetery, Louis Bourgeois
Bryant Literary Review
You thought because
the trees moved
and the stones didn't
The Watermark: A Journal Of The Arts - Vol. 11.5 - 2004, University Of Massachusetts Boston
The Watermark: A Journal Of The Arts - Vol. 11.5 - 2004, University Of Massachusetts Boston
The Watermark: A Journal of the Arts (1993-ongoing)
No abstract provided.
Sojourn, Kate Seferian
[Introduction To] Vision’S Immanence: Faulkner, Film, And The Popular Imagination, Peter Lurie
[Introduction To] Vision’S Immanence: Faulkner, Film, And The Popular Imagination, Peter Lurie
Bookshelf
William Faulkner occupied a unique position as a modern writer. Although famous for his modernist novels and their notorious difficulty, he also wrote extensively for the "culture industry," and the works he produced for it—including short stories, adaptations, and screenplays—bore many of the hallmarks of consumer art. His experiences as a Hollywood screenwriter influenced him in a number of ways, many of them negative, while the films turned out by the "dream factories" in which he labored sporadically inspired both his interest and his contempt. Faulkner also disparaged the popular magazines—though he frequently sold short stories to them.
To what …
Lights And Shadows - 2004, University Of North Alabama
Lights And Shadows - 2004, University Of North Alabama
Lights and Shadows
Art and Literature Magazine
Valley Of The Wave, Alissa Dian Burger
Valley Of The Wave, Alissa Dian Burger
Dissertations and Theses @ UNI
Valley of the Wave is a novella about friendship, loss, and letting go. Anna and Samantha are best friends when Anna commits suicide, and the story follows Sam as she struggles to learn the truth behind her friend's death. This is a project I have been working on for several years, through several forms and formats, and it holds a special place in my heart.
Block, Christie Bailey
Ummm…, Fabian Molina
The Plan, Mike Collins
Visions Must Be Re-Visioned : Gender Politics In Earthsea, Audrey Barton
Visions Must Be Re-Visioned : Gender Politics In Earthsea, Audrey Barton
Theses : Honours
This thesis analyses Ursula Le Guin's interpretation of gender and genre in her Earthsea novels, A Wizarf of Earthsea (1968) and Teha1111 (1990). Examining Le Guin's assertion for the need to "re-vision" her former work with the latter, I interrogate the ways in which she attempts to "break free" from the ideologies that impose themselves upon her work. Part one explores the mode of the hero quest used in A Wizard of Earthsea and examines the significance of this in terms of "gendering" the text. Part two examines the revisioned text Tehanu and the ways in which the …
The Albanian And An Accompanying Exegesis : Place And Form In The Albanian, Donna J. Mazza
The Albanian And An Accompanying Exegesis : Place And Form In The Albanian, Donna J. Mazza
Theses: Doctorates and Masters
This thesis takes the form of a novel titled The Albanian and an exegesis, “Place and Form in The Albanian". The novel spans the period from October 1989 to the end of 1991 and is set against a backdrop of Eastern European change and its effect on a small group of Albanian refugees and Rosa, a young woman from Western Australia. Rosa narrates the tale in first person, present tense. The novel begins with her arrival in Dubrovnik, where she meets a young Albanian man on the verge of exiling himself in order to survive ethnic persecution. He fascinates Rosa, …