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Articles 331 - 360 of 565

Full-Text Articles in Fiction

Review Of The Sheep Look Up, By John Brunner, Davin Heckman Jul 2004

Review Of The Sheep Look Up, By John Brunner, Davin Heckman

Reconstruction: Studies in Contemporary Culture

No abstract provided.


L'Image Des Réfugiés Et Des Personnes Déplacées Dans La Fiction Africaine Francophone, Augustin H. Asaah Jun 2004

L'Image Des Réfugiés Et Des Personnes Déplacées Dans La Fiction Africaine Francophone, Augustin H. Asaah

Présence Francophone: Revue internationale de langue et de littérature

In their capacity as moralists and committed intellectuals, African Francophone writers such as C.C. Sow, N.N. Ndjekery, M.S. Keita, F. Couao-Zotti, Ahmadou Kourouma, Nimrod and E. Dongala portray various images of refugees and internally displaced persons in their works. This depiction is driven by the perceived need to humanize these displaced members of society by establishing moral/affective bridges between unfortunate members of society and readers. It is also sustained by the desire to reduce the damage caused by wars and natural disasters, as well as the need to reveal the plural identities of humans to the world.


Review Of Jennifer Government, By Berry Max, David Banash Apr 2004

Review Of Jennifer Government, By Berry Max, David Banash

Reconstruction: Studies in Contemporary Culture

No abstract provided.


Visions Must Be Re-Visioned : Gender Politics In Earthsea, Audrey Barton Jan 2004

Visions Must Be Re-Visioned : Gender Politics In Earthsea, Audrey Barton

Theses : Honours

This thesis analyses Ursula Le Guin's interpretation of gender and genre in her Earthsea novels, A Wizarf of Earthsea (1968) and Teha1111 (1990). Examining Le Guin's assertion for the need to "re-vision" her former work with the latter, I interrogate the ways in which she attempts to "break free" from the ideologies that impose themselves upon her work. Part one explores the mode of the hero quest used in A Wizard of Earthsea and examines the significance of this in terms of "gendering" the text. Part two examines the revisioned text Tehanu and the ways in which the …


Saddam/Sex/Superfeminist; Or, Fixing Iraq, Marleen S. Barr Jul 2003

Saddam/Sex/Superfeminist; Or, Fixing Iraq, Marleen S. Barr

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Professor Claire Kentowitz, a feminist science fiction expert who teaches at Metropolis' SUNY Gramercy Park, was spending Saturday morning on the phone with her department head. They were having a heated discussion about comma placement in the tenure guidelines document. She hung up, switched on the television, and saw plumes of white smoke etched against the blue Texas sky. Since Claire had recently flown over the area, fond memories were intermingled with shock. She recoiled when she heard that Columbia had exploded -- and she was justifiably guilt ridden.


Review Of Heredity, By Jenny Davidson, David C. Froemke Jul 2003

Review Of Heredity, By Jenny Davidson, David C. Froemke

Reconstruction: Studies in Contemporary Culture

No abstract provided.


The End Of Science Fiction: When Technological Extrapolation Hits A Wall Across The Future, James John Bell Jul 2003

The End Of Science Fiction: When Technological Extrapolation Hits A Wall Across The Future, James John Bell

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Science fiction, as a genre of popular fiction, can trace its roots as far back as the 2nd century AD, where fantastical worlds were conjured up in order to comment on current beliefs. The Ultimate Encyclopedia of Science Fiction (1996) outlines a very specific ancestry:

    [Science Fiction] is a descendant of the type of prose fiction sometimes referred to as Lucianic Satire (after Lucian of Samosata, a Greek writer of the 2nd century AD). Lucianic Satire -- also commonly known as Menippean Satire after an earlier writer, Menippus, whose works are now lost -- is a kind of …


Imperialism & Globalization: Lessons From Frank Herbert's Dune, Kevin Williams Jul 2003

Imperialism & Globalization: Lessons From Frank Herbert's Dune, Kevin Williams

Reconstruction: Studies in Contemporary Culture

[First paragraph]

These are the words of The Preacher (a character in Frank Herbert's Children of Dune who is simultaneously the metaphorical reincarnation of the fallen prophet, Muad'Dib, and the self-exiled Emperor, Paul Atreides) as he addresses the masses enslaved by their devotion to his messianic Empire. These words, culled from the pages of science fiction, are more than mere exposition from Herbert's narrative, they point toward several important conditions facing the political world today. These conditions concern certain failures of democracy and effects of globalization spawned, in part, by an intensification of imperialist expansion in the name of democracy.


Black Polar, Françoise Naudillon Jun 2003

Black Polar, Françoise Naudillon

Présence Francophone: Revue internationale de langue et de littérature

We would like to present some examples of the French Mystery Novel as it is being written by sub-Saharan and Maghrebin authors, as Yasmina Khadra, an author from Algeria. After outlining a history of the genre itself, we will follow a few of the thematic trails taken up by the authors in question. We would like to call specific attention to the strategies of transformation, appropriation and transmutation being used on an already well defined and respected genre whose roots lie in a completely different cultural background (European and North American).


Écriture Du Destin Et Destin De L’Écriture, Regards Croisés Sur René Philombe Et Mongo Beti, Pierre Fandio Jun 2003

Écriture Du Destin Et Destin De L’Écriture, Regards Croisés Sur René Philombe Et Mongo Beti, Pierre Fandio

Présence Francophone: Revue internationale de langue et de littérature

The objectives of self-determination displayed by the Cameroon cultural and political agents look identical. However the present communication, that examines the reception of the works of Mongo Beti and René Philombe in Cameroon and its implications on the relationship between the writers and the dominating political order, reveals that the harmony is only a concealment. In fact, the political order conceives the institution of its own discourse exclusively either in terms of exclusion all nonconformist speech or in terms of its dominance.


Questioning The Superstructure: A Marxist Critique Of The Rainbow And Women In Love, Diantha Acevedo May 2003

Questioning The Superstructure: A Marxist Critique Of The Rainbow And Women In Love, Diantha Acevedo

Seton Hall University Dissertations and Theses (ETDs)

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Questioning The Superstructure: A Marxist Critique Of The Rainbow And Women In Love, Diantha Acevedo May 2003

Questioning The Superstructure: A Marxist Critique Of The Rainbow And Women In Love, Diantha Acevedo

Seton Hall University Dissertations and Theses (ETDs)

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Nexus, Spring 2003, Wright State University Community Mar 2003

Nexus, Spring 2003, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.


Early Childhood Thematic Unit: A 32-Week Curricular Resource: Fairy Tales - Insects - Dinosaurs, Institute For The Development Of Gifted Education, Ricks Center For Gifted Children, University Of Denver Jan 2003

Early Childhood Thematic Unit: A 32-Week Curricular Resource: Fairy Tales - Insects - Dinosaurs, Institute For The Development Of Gifted Education, Ricks Center For Gifted Children, University Of Denver

Ricks Curriculum Units Series

An integrated curriculum is an instructional approach that connects the disciplines to an underlying theme or topic. Immersing students in an integrated-thematic unit provides the backdrop for experiences to occur across the disciplines. Shaping coursework around integrated themes is especially appropriate for gifted students, however using an integrated-thematic curriculum is appropriate for all learners as it develops students' abilities to make connections, to solve problems by looking at multiple perspectives, and to integrate information from different fields of experience. An integrated-thematic curriculum permits students to be active participants in their own learning as they design their own explorations and take …


Buying Time: Howards End And Commodified Nostalgia, Elizabeth Outka Jan 2003

Buying Time: Howards End And Commodified Nostalgia, Elizabeth Outka

English Faculty Publications

Midway through E. M. Forster’s Howards End, the newly married Margaret Schlegel Wilcox returns to the titular country house to find it the recipient of an unexpected makeover. Closed since the death of the first Mrs. Wilcox and for months used as a warehouse for the Schlegels’ possessions, the house has been unpacked and reconstituted by the housekeeper, Miss Avery, who creates a new interior built from moments of Margaret’s own history. As Margaret moves through the house in surprise, she takes a virtual tour of her past: her umbrella-stand greets her in the entrance way, the infamous sword …


Feathers And Hair, Farideh Dayanim Goldin Jan 2003

Feathers And Hair, Farideh Dayanim Goldin

English Faculty Publications

(First paragraph) Plucking chickens the kosher way is quite an art. According to the laws of kashrut) a chicken should not be cooked or even brought close to a source of heat until it is kashered-bled, salted, and rinsed. The use of fire to sear feathers or hot water to loosen quills is absolutely forbidden. Poultry processors today use the force of air to pluck feathers for kosher markets; but when I lived in Iran, during the '60s and '70s, this job had to be done manually.


Nexus, Fall 2002, Wright State University Community Sep 2002

Nexus, Fall 2002, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.


Nexus, Spring 2002, Wright State University Community Mar 2002

Nexus, Spring 2002, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.


[Introduction To] Saving Adam Smith: A Tale Of Wealth, Transformation, And Virtue, Jonathan B. Wight Jan 2002

[Introduction To] Saving Adam Smith: A Tale Of Wealth, Transformation, And Virtue, Jonathan B. Wight

Bookshelf

Every once in a while a great business novel is published. This is one of those novels. Follow an up-and-coming graduate student on a picturesque adventure involving terroristics and love, and learn, or better yet, re-learn, correctly this time, a little economics.


Review Of Punktown, By Jeffrey Thomas, Matthew Wolf-Meyer Oct 2001

Review Of Punktown, By Jeffrey Thomas, Matthew Wolf-Meyer

Reconstruction: Studies in Contemporary Culture

No abstract provided.


The Invisible Can Or, Gendering Corporate Globalization Trouble: Technological Utopianism And The Language Of Erasure, Marleen S. Barr Oct 2001

The Invisible Can Or, Gendering Corporate Globalization Trouble: Technological Utopianism And The Language Of Erasure, Marleen S. Barr

Reconstruction: Studies in Contemporary Culture

[First paragraph]

I turn to Judith Butler to clarify my term corporate globalization trouble as well as to explain why this trouble should be situated in gendered terms regarding power, visibility, and subjectivity inequities. [1] Butler describes deviant gender identities failing to coincide with the matrix of intelligibility: precisely because certain kinds of 'gender identities' fail to conform to those norms of cultural intelligibility, they appear only as developmental failures or logical impossibilities from within that domain. Their persistence and proliferation, however, provide critical opportunities to expose the limits and regulatory aims of that domain of intelligibility and, …


Nexus, Fall 2001, Wright State University Community Sep 2001

Nexus, Fall 2001, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.


A Search For Peace, Kami Horton Jun 2001

A Search For Peace, Kami Horton

Dissertations and Theses

This is a creative thesis on a personal experiences working for the European peace movement. It reflects the parallel efforts of working for personal and shared peace in order to contribute to both,

After several years as a reporter, I became disenchanted with my life choices and became an intern with the Catholic peace organization Pax Christi International in Belgium. It was a transition that proved both challenging and rewarding.

While I was discovering the physical peace work through Pax Christi I was also embarking on an inner journey to find personal peace with my decisions and myself.

This is …


Nexus, Spring 2000 Pt. 2, Wright State University Community Mar 2000

Nexus, Spring 2000 Pt. 2, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.


Nexus, Spring 2000, Wright State University Community Mar 2000

Nexus, Spring 2000, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.


Nexus, Fall/Winter 1999-2000, Wright State University Community Dec 1999

Nexus, Fall/Winter 1999-2000, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.


Nexus, Winter 1999, Wright State University Community Jan 1999

Nexus, Winter 1999, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.


Nexus, Spring 1998, Wright State University Community Mar 1998

Nexus, Spring 1998, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.


Nexus, Winter 1998, Wright State University Community Jan 1998

Nexus, Winter 1998, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.


Nexus, Fall 1997, Wright State University Community Sep 1997

Nexus, Fall 1997, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.