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Articles 271 - 300 of 565

Full-Text Articles in Fiction

Langue Et Identité Chez Leïla Sebbar. Vers Une Filiation Renégociée, Cécilia W. Francis Dec 2012

Langue Et Identité Chez Leïla Sebbar. Vers Une Filiation Renégociée, Cécilia W. Francis

Présence Francophone: Revue internationale de langue et de littérature

In Je ne parle pas la langue de mon père (2003), L’arabe comme un chant secret (2010a), as well as in other components of her intimate prose, Leïla Sebbar reflects on her sense of dispossessed identity due to linguistic exile and an unknown heritage, resulting from ruptures in her paternal filiation. Drawing from the works of Jacques Derrida, Régine Robin and Simon Harel, which form the basis of our argumentation, we examine various dimensions of the severed parental bond. The article proposes to examine how Sebbar’s autobiographical writings, which incorporate scenarios dealing with legacy transmission expressed in terms of auditory …


Rocky Mountain Refuge: Constructing "Colorado" In Science Fiction, Carl Abbott Jul 2012

Rocky Mountain Refuge: Constructing "Colorado" In Science Fiction, Carl Abbott

Urban Studies and Planning Faculty Publications and Presentations

Colorado has long functioned in American culture as the epitome of the American West, identified both as a safe refuge and as a place for starting over. This essay examines the ways in which writers of speculative fiction have drawn on Colorado's historically constructed identity as the setting for stories of refuge and retreat. The discussion examines parallels in the use of the Colorado setting by sf writers Robert A. Heinlein, Philip K. Dick, Walter M. Miller, Jr., Leigh Brackett, and Ursula K. LeGuin, by political novelist Ayn Rand, and by mainstream thriller writers Stephen King and Justin Cronin. The …


American Cuerpos, Devan Schwartz May 2012

American Cuerpos, Devan Schwartz

Dissertations and Theses

On election night 2008, a child is conceived by two Barack Obama campaign staffers--Daniel from Seattle, Anza from Honduras. American Cuerpos is a novel about the body and the body politic, about what it means to give birth through the eyes of both mother and father.


Assunta And A Bag Of Food, Michael C. Vocino May 2012

Assunta And A Bag Of Food, Michael C. Vocino

Technical Services Faculty Publications

Life in the Mezzogiorno of Italy in the town of San Nicandro Garganico. The author briefly ponders his aging.


The Sacred Role Of Animal Beings In Iroquois Lore, Melissa J. Martinelli May 2012

The Sacred Role Of Animal Beings In Iroquois Lore, Melissa J. Martinelli

English Theses

The act of storytelling provides a connection between the spiritual and physical spheres, and the Haudenosaunee people (more commonly recognized as Iroquois) utilize the oral narrative to convey the most sacred truths of their culture. In focusing primarily upon animals and animal beings, one can recognize the deep reverence traditional tribal members feel toward animals as certain legends seek to unite individuals with the spirits, personalities, and bodies of such creatures in narrative form. Too often animals are overlooked as “lesser” beings, yet in legends of the Iroquois they possess potent orenda (great power) that can help one achieve success …


[Review Of] Sfe: The Encyclopedia Of Science Fiction, Robert A. Aken Apr 2012

[Review Of] Sfe: The Encyclopedia Of Science Fiction, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.


Six Crosses, Michael C. Vocino Jan 2012

Six Crosses, Michael C. Vocino

Technical Services Faculty Publications

Brief short story or observation about life in a small southern Italian town.


Playing Italian: Cross-Cultural Dress And Investigative Journalism At The Fin De Siècle, Laura Vorachek Jan 2012

Playing Italian: Cross-Cultural Dress And Investigative Journalism At The Fin De Siècle, Laura Vorachek

English Faculty Publications

This examination of late Victorian journalism reveals that one type of clothing offered middle-class women protection from street harassment: cross-cultural dress. In appropriate ethnic attire, reporters and social investigators ventured into the immigrant communities that made up a part of England’s urban poor, exploring such trades as Jewish fur-puller or Italian organ-grinder. This incognito ethnic attire afforded women both the means and the authority to carry out their investigations into the Italian constituency of the Victorian working poor. This study also examines how costumes enabled female investigators to manipulate class- and gender-based assumptions about who had broad access to the …


Lilac Tractors : A Novel ; And, Critical Essay: Intersections Among Psychiatry, Madness, Sexuality And Feminism In 'Lilac Tractors', Anna Bennetts Jan 2012

Lilac Tractors : A Novel ; And, Critical Essay: Intersections Among Psychiatry, Madness, Sexuality And Feminism In 'Lilac Tractors', Anna Bennetts

Theses: Doctorates and Masters

This thesis comprises a novel, ‘Lilac Tractors’ and an essay, ‘Intersections among psychiatry, madness, sexuality and feminism in ‘Lilac Tractors’’. The novel focuses on the relationship of a married couple, Gary, a fly-in, fly-out rig worker, and Sharon, a mature-age university student studying psychology. They live together in Perth’s north at the turn of the twenty-first century, as the outer suburbs are beginning to sprawl. Gary has Obsessive Compulsive Disorder (OCD) and Sharon finds that her growing knowledge of the condition increases her annoyance with him, rather than her compassion. But mostly she is unhappy because Gary is too gentle …


Parades Banlieusardes. El Hadj De Mamadou Mahmoud N’Dongo Et Les Identités Criminelles, Hervé Tchumkam Dec 2011

Parades Banlieusardes. El Hadj De Mamadou Mahmoud N’Dongo Et Les Identités Criminelles, Hervé Tchumkam

Présence Francophone: Revue internationale de langue et de littérature

This article aims at understanding the relation between crime and identity formations in the French banlieues, especially in the wake of the 2005 urban riots. The essay performs a reading Mamadou N’Dongo’s novel El Hadj at the intersection of aesthetics and politics in order to scrutinize identity formations and related debates at stake in the prisons of poverty and oppression that constitute the banlieues whose inhabitants are the third or fourth generation of the heirs to African immigration in France. Ultimately, the paper contention is that what I call “banlieue parade” stands out as the new model of identity that …


De Stock À Albin Michel : Beyala Et L’Édition, Bernard De Meyer Dec 2010

De Stock À Albin Michel : Beyala Et L’Édition, Bernard De Meyer

Présence Francophone: Revue internationale de langue et de littérature

Beyala has remained faithful to the publisher Albin Michel for her fictional work since the publication of Le petit prince de Belleville in 1992, but her four fi rst novels had three different publishers. A study of her relationship with the publishing world during this period shows her desire for recognition on the Parisian literary scene, which was ready to take up the challenge by publishing the novel of an unknown African woman writer. A careful analysis of paratextual elements, in particular the titrology, and of the contents of the novels reveals that Calixthe Beyala enters into a direct conversation …


Dangerous Women: Vera Caspary’S Rewriting Of 'Lady Audley’S Secret' In 'Bedelia', Laura Vorachek Oct 2010

Dangerous Women: Vera Caspary’S Rewriting Of 'Lady Audley’S Secret' In 'Bedelia', Laura Vorachek

English Faculty Publications

Considering Vera Caspary's Bedelia as a reimagining of Mary Elizabeth Braddon's Lady Audley's Secret allows for a new critical interpretation that refutes the typical view of Bedelia as reinforcing traditional gender roles. Instead, Caspary critiques World War II America by bringing Victorian concerns with female roles into the twentieth century.


Paper Cuts, Christine Jackson Apr 2010

Paper Cuts, Christine Jackson

Quadrivium: A Journal of Multidisciplinary Scholarship

No abstract provided.


0777: Kenneth Hechler Papers, 1958-1976, Marshall University Special Collections Jan 2010

0777: Kenneth Hechler Papers, 1958-1976, Marshall University Special Collections

Guides to Manuscript Collections

Personal family papers, photographs and correspondence. Includes research material for Hechler's book, "The Bridge at Remagen". Also includes campaign material for Congressional races, West Virginia Secretary of State and a bid for the governorship of West Virginia.


A Novel - The Dues Of St Fitticks: And Essay - Paying Your Dues In The Lucky Country: Anglo-Celtic Australian Attitudes To Migrants, Michael Armstrong Jan 2010

A Novel - The Dues Of St Fitticks: And Essay - Paying Your Dues In The Lucky Country: Anglo-Celtic Australian Attitudes To Migrants, Michael Armstrong

Theses: Doctorates and Masters

Through the medium of the novel and an accompanying essay, this project explores the relationship, particularly since the end of World War II, between the dominant (Anglo-Celtic) and non-dominant Australian cultural groups. I argue that upholding the dominance of Anglo-Celtic culture, particularly as a centre or “core” of Australian identity, is discriminatory and detrimental to the development of Australian society in general and the goal of multiculturalism in particular. Moreover, I question the thesis that Australia can have a “core” culture without marginalising the groups that do not reside within it. Instead of projecting Anglo-Celtic culture as the archetypal Australian …


Le Roman Africain : Drame Or Histoire, Bernard Mouralis Dec 2009

Le Roman Africain : Drame Or Histoire, Bernard Mouralis

Présence Francophone: Revue internationale de langue et de littérature

For a long time, African novelists claimed filiation with realism. But there is in realism a deep contradiction between the will of describing the social world and the will of changing it. From this contradiction, the paper studies : the relation between theatre and novel ; the question of citizenship in the novel ; the place of the novel in front of knowledge and action. The novel shows dynamics and characters living in the time. So, it tends to wander from the principle of knowledge and self-consciousness.


La Dramatisation De L’Écriture Chez Sony Labou Tansi, Georges Ngal Dec 2009

La Dramatisation De L’Écriture Chez Sony Labou Tansi, Georges Ngal

Présence Francophone: Revue internationale de langue et de littérature

As an author always articulates his writing with idioms that reflect a specific time period and a given social group, Sony Labou Tansi talks about “tropicalité”, and gives himself the goal to create multiple “tropicalités”.


L’Art De L’« Écrire » Chez Patrick Chamoiseau, Savrina Parevadee Chinien Dec 2009

L’Art De L’« Écrire » Chez Patrick Chamoiseau, Savrina Parevadee Chinien

Présence Francophone: Revue internationale de langue et de littérature

In the works of Patrick Chamoiseau, the act of writing is a main, recurrent theme. The narrator, often, tries to define himself through his writings which have their own autonomy in the novel. This character questions his writing and is torn by the dissatisfaction he feels to get close to the “breath” of the creole storyteller : the chasm between orality and writing creates suffering. He, then, advocates l’“écrire”, closer, according to him, to the utterance of the storyteller and free of the “constraints” of an occidental writing, which he considers as stamped by the ideology of the Universal.


Les Glissements Policiers Dans Les Romans De P. Chamoiseau, R. Confiant Et F. Chalumeau, Mouhamadou Cissé Jun 2009

Les Glissements Policiers Dans Les Romans De P. Chamoiseau, R. Confiant Et F. Chalumeau, Mouhamadou Cissé

Présence Francophone: Revue internationale de langue et de littérature

This article is linked according to moods of functioning of a few narrative elements resulting from the detective novel, genre which obeys a historically authentic composition. When the narration of inquiry follows usually linearity in the facts scheme of arrangement, Chamoiseau, Confiant and Chalumeau get down to this work without renouncing to creole pictures, thanks to parallel stories which show cultural intertextuality. We so analyze the way of carrying out the police investigations and their generic limits in three novels of these authors who demonstrate, with specific differences, how to adapt the police type in the context of creolity.


Quand On Vient Aussi De L’Autre Monde: Appartenance(S), Conflit(S) Et Déchirement(S) Dans L’Enfant Des Deux Mondes De Karima Berger, Carla Calargé Jun 2009

Quand On Vient Aussi De L’Autre Monde: Appartenance(S), Conflit(S) Et Déchirement(S) Dans L’Enfant Des Deux Mondes De Karima Berger, Carla Calargé

Présence Francophone: Revue internationale de langue et de littérature

My essay analyzes Karima Berger’s first novel, L’enfant des deux mondes (1989). The author who has been living in France for more than 25 years tells the story of a Muslim Arab girl (herself ?) educated in the French school system of pre-independent Algeria. In this study, I examine linguistic, cultural and religious issues raised by the novel in an effort to identify the factors that keep the protagonist imprisoned in a permanent state of being in-between-two-worlds without fully belonging to any of them.


L’Imaginaire Du Poisson Amoureux Chez Les Romancières Francophones De La Caraïbe, Christiane Ndiaye Jun 2009

L’Imaginaire Du Poisson Amoureux Chez Les Romancières Francophones De La Caraïbe, Christiane Ndiaye

Présence Francophone: Revue internationale de langue et de littérature

The criticism has rarely studied the Caribbean sentimental novel. This article examines some of the terms of the writing of love among some writers of the Caribbean (Thérèse Herpin, Irmine Romanette, Marie Berté, Simone Schwarz-Bart, Gisèle Pineau, Marie Chauvet, Marie-Célie Agnant, Kettly Mars, etc.) in order to identify significant configurations. Indeed, while novelists incorporate several characteristics of the canonical sentimental novel, we can also detect in these texts miscegenation semiotics which link them both to the sentimental novel as a genre, to the realistic classic novel, and to the conventions of exotic literature and tales. Thus emerges in this corpus …


Le Feu Sous La Soutane, Roman Populaire? Du Génocide À Sa Transposition Fictionnelle, Josias Semyjanga Jun 2009

Le Feu Sous La Soutane, Roman Populaire? Du Génocide À Sa Transposition Fictionnelle, Josias Semyjanga

Présence Francophone: Revue internationale de langue et de littérature

A reflective, first-person account, Benjamin Sehene’s Le feu sous la soutane is the story of memories of a double crime of rape and genocide by a Catholic priest, Father Stanislas. At the beginning of the killings of the Tutsi, some people take refuge in a parish in Kigali. Its priest takes under his protection a few Tutsi women, hiding them in the presbytery. But, the Holy man will rape them. He also participates alongside with the Hutu militia to the extermination of the Tutsi who came to take refuge in the parish. Later the priest took refuge in France where …


Enquêtes Occultistes : Les Policiers Antillais Face Au Surnaturel, Françoise Cévaër Jun 2009

Enquêtes Occultistes : Les Policiers Antillais Face Au Surnaturel, Françoise Cévaër

Présence Francophone: Revue internationale de langue et de littérature

Being rational and Cartesian, the detective novel is often bound by powerful constraints which seem not very compatible with the supernatural and the fantastic often defining West Indian writing. Through the analysis of Martinican Patrick Chamoiseau’s Solibo Magnifique (1988) and Haitian Gary Victor’s Les cloches de la Brésilienne (2006), we will nevertheless see how well they work together, the irrational taking hold of the detective novel, leading paradoxically to the progressive elimination of Cartesian practices and challenging an exclusively rational portrayal of the world.


Nexus, Spring 2008, Wright State University Community Mar 2008

Nexus, Spring 2008, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.


Nexus, Fall 2007, Wright State University Community Sep 2007

Nexus, Fall 2007, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.


Silauni‘I, Jacinta Galea‘I Mar 2007

Silauni‘I, Jacinta Galea‘I

Pacific Studies

This poignant story follows the narrator’s friendship with Silauni‘i, the daughter of a village minister in Samoa. Silauni‘i is quiet, unconventional, and full of subtle resilience—her zig-zag pigtails, uncombed hair, and luminous smile defy rigid expectations placed on minister’s children. Together, the girls navigate school, village gossip, and the burdens of being “examples” in their community. As they study Samoan grammar at A‘oga Samoa, the story builds to a heartbreaking moment when Silauni‘i is publicly beaten after failing a quiz, a punishment that reflects the weight of expectations and the cruelty of discipline cloaked in righteousness. Through intimate details and …


Living Small, Kim Meredith Mar 2007

Living Small, Kim Meredith

Pacific Studies

This story traces Luisa’s quiet reflections during a bus ride through the city and into the suburbs, blending present experiences with vivid memories of a full, familial past. As she recalls life with her husband in her grandparents’ home and her grandmother’s moving speech at her university graduation, we see Luisa grappling with the contrast between her youthful dreams and her current life. Her grandmother once called her “a dreamer” and supported her late-night intellectual curiosity, forging a bond that shaped Luisa’s path. When a coworker sits beside her on the bus, Luisa is drawn back into the present, revealing …


Manōwai, Victoria Nālani Kneubuhl Mar 2007

Manōwai, Victoria Nālani Kneubuhl

Pacific Studies

This story follows Kanoe, a woman who retreats to rural Kona to recover from an emotionally abusive relationship with Frank, a manipulative academic. Through journal-like reflections and quiet moments in the heat-soaked coastal town, Kanoe processes her heartbreak and rediscovers herself. Her interactions with locals—particularly the wise and warm-hearted Luisa—reveal a rhythm of life grounded in history, resilience, and a subtle but profound sense of healing. As Kanoe begins writing again and exploring her surroundings, her journey shifts from escape to restoration, where stories, memory, and new connections light the path forward.


Nexus, Winter 2007, Wright State University Community Jan 2007

Nexus, Winter 2007, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.


L’Historiographie Positiviste Au Miroir De La Fiction Littéraire, Kasereka Kavwahirehi Dec 2006

L’Historiographie Positiviste Au Miroir De La Fiction Littéraire, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

In its study of L’Écart by V.Y. Mudimbe, this article examines the critical and ironic mirroring of the discourses of the social sciences. By highlighting the pretensions of scientific discourse, Mudimbe’s fiction reveals the ambiguity and the limits of positivist methodology in a postcolonial context.