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Articles 2581 - 2610 of 11026
Full-Text Articles in Fiction
21 Leslie Street, Newark, Laurel Kallen
Walton's Belshazzar Feast, Rochelle Jewel Shapiro
Russet Eggs, Betsy Martin
Family Ties, Maureen Durant
We All Drink Wine, Donna Emerson
To Know The Locals, Pat Sturm
Contributors, Westview Staff
The Company Of Women Today, Pat Sturm
The Old House, Andrew Jarvis
Mother House, Laurie Patton
The Other Lucian, Kate Mccorkle
Waiting On Good Vibrations, Victor Wolf
The Golden One, Donald Mace Williams
Rule No. 8, Caroline Bruckner
Hampton Cove Deluxe, Bleuzette La Feir
Upon Saving A Household Insect, Jonathan Greenhouse
Nocturnal Stroll Through Iquitos, Jonathan Greenhouse
The Promised Land, Desirée Jung
At The Greengrocer I Stole A Grape, Gladys Justin Carr
Old Cars, Old Memories, Tom Pescatore
I Was A Lamp, Laurel Kallen
The Blue, Rochelle Jewel Shapiro
Full Issue, The Anthology
Full Issue, The Anthology
The Anthology
This is the entirety of the 2013 Winthrop Anthology issue.
Full Issue, The Anthology
Full Issue, The Anthology
The Anthology
This is the entirety of the 2014 Winthrop Anthology issue.
Westview: Vol. 32, Iss. 2 (Summer/Fall 2016)
The Sword And The Dove, Natalie Grazian
The Sword And The Dove, Natalie Grazian
Canterbury Scholars
The opening chapters of a young adult historical fiction novel set in 16th-century Spain. Drawing on the tradition of Spanish picaresque literature, The Sword and the Dove is the story of a young girl who runs away from home. On the road, she makes friends and finds adventure, but also witnesses the corruption and cruelty that has taken root in her country. She must both disguise her identity and find strength in it to stay a step ahead of the evil forces that surround her.
The City From Above, Guadalupe Astorga Contreras
The City From Above, Guadalupe Astorga Contreras
First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience
The city of Tijuana, Mexico has become a second home to many LMU students through programs like De Colores, which introduce students to issues of immigration, poverty, and education. The city varies from L.A.-style skyscrapers and paved roads to shacks along dirt paths. This image shows some of the diversity and growth of the city as it continues to develop, and provides a different perspective on the crowded communities that make up Tijuana.
Tourist To My Own Culture, Guadalupe Astorga Contreras
Tourist To My Own Culture, Guadalupe Astorga Contreras
First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience
After nine years of living in the U.S. and staying away from her cultural homeland of Mexico, photographer Astorga returned to some of the places she remembered visiting as a child in her native country. Throughout the trip, the unthinkable change from intimacy to unfamiliarity was clear. These pictures show that progression and invite the viewer to become a tourist alongside Astorga as she visits a place she once considered home.
Only 45 Minutes Away, Guadalupe Astorga Contreras
Only 45 Minutes Away, Guadalupe Astorga Contreras
First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience
Being a part of an immigrant family, photographer Astorga has not had the chance to travel much even within her home state of California. Trips through class, clubs and events sponsored by Loyola Marymount University have provided her with the opportunity to visit places like Catalina Island right off the coast of L.A. and see things she and her family had only talked and dreamed of.
Hereisthefamilymotherfatherdickandjane: An Analysis Of Parenting And The Dick And Jane Readers In Morrison’S The Bluest Eye, Rachel Roseman
Hereisthefamilymotherfatherdickandjane: An Analysis Of Parenting And The Dick And Jane Readers In Morrison’S The Bluest Eye, Rachel Roseman
First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience
First-generation college student Rachel Roseman has found the American educational and cultural systems to privilege the white, upper to middle classes. As Toni Morrison demonstrates in The Bluest Eye, those who do not fit this mold often lack educational support and have to learn how to navigate cultural systems on their own. Unlike the character of Pecola, who features in the following essay, Roseman had a strong community and family who supported her decision to attend college and, as a result, achieved success.